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Archive for the ‘Gunnar Montana’ Category

Loosening the Reigns: Gunnar Montana talks KINK HAÜS

Posted August 31st, 2017

This Fringe Festival, Gunnar Montana transports us once again, this time to a brutal underground nightclub where no fucks are given, and fierceness is always welcome. His new piece, KINK HAÜS, is dynamic, dark and full of lust. It forces the viewer to acknowledge their own thoughts and feelings in regards to physicality, sexuality and the intimacy intertwined in both those aspects of ourselves. He takes these hot topics, that many people are comfortable avoiding, and brings them to the forefront of our minds. Recently, we got to ask Gunnar Montana about the inspiration and process behind KINK HAÜS.

FringeArts: Describe KINK HAÜS in three words!

Montana: Sexy, Crazy, Fun!

FringeArts: What do you believe is the most interesting aspect of KINK HAÜS?

Montana: The set is quite a spectacle. I spent two straight months constructing it by hand. And as I did, the show, the choreography, and the spatial transformation all took on a mind of their own. It’s a beautifully twisted world of somewhat organized chaos!

FringeArts: What inspired you to create this piece? Was there a particular moment you were struck with inspiration?

Montana: I was in Berlin, Germany a couple years ago and there was an underground nightclub I was quite excited to go to. It’s known for its outrageous club culture and apparently has a sex dungeon basement. Long story short, I was turned away at the door (I guess I wasn’t hip enough). This show was a fun project for myself to recreate everything I thought I might have experienced in that club had I gotten in.

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Festival MVP Brett Mapp’s 2016 Schedule

Posted September 7th, 2016

Opening night of the Festival is tomorrow, can you believe it? It will no doubt be an incredible couple weeks of inspired performances, but if you’re like me you haven’t quite locked down your festival schedule yet. I mean, who has times for puzzles these days? It might seem overwhelming to fit all these amazing shows into just little more than two weeks, but thankfully there’s hope. Fringe Festival veteran, Old City District director of operations, general man about town, and self-described “hardcore Fringer” Brett Mapp has been kind enough to share his 2016 Fringe Festival schedule with us. If you’re looking for some guidance on what to see and how to fit it all together, it can’t hurt to start here.

the chairs

Tomas Dura, Bob Schmidt, and Tina Brock in Eugene Ionesco’s The Chairs (photo by Johanna Austin @ AustinArt.org)

9/7
Eugene Ionesco’s The Chairs @ 7:30pm

9/8
CITIZEN @ 7pm

9/9
Exile 2588 @ 7pm
Feed @ 8:30pm
Anithero @ 10pm

9/10
Raphstravaganza The Kinetic Experience @ 12pm
Levée des conflits @ 8pm

who would be king

Rebecca Lehrhoff, Rachel Wiese, Jesse Garlick, and Veronica Barron in Who Would Be King (photo by Chris McIntosh)

9/11
Who Would Be King @ 2pm
They’ll Be Callin Us Witches @ 4:30pm
Notes of a Native Song @ 8pm

9/12
The Sincerity Project @ 7pm

9/13
Gala @ 8pm

9/14
I Fucking Dare You @ 8:30pm

9/15
Animal Farm to Table @ 6pm
Wroughtland @ 9pm

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Fringe Festival 2016 Spotlight: Shows Exploring LGBTQ+ Identity

Posted August 23rd, 2016

Check out this eclectic mix of independent Fringe shows from the artists of the LGBTQ+ community!

an obviously foggot

(Image by Geoffrey Douglas)

An Obviously Foggot @ iCandy

Poison Apple Initiative

“So you’ve got a group of people who fetishize masculinity, who’re emasculated their whole lives, and you stick them in this place with all this booze and drugs and hierarchy. What’d you think was gonna happen?” A collision of found text, broken pop, and dance parties confronting internalized homophobia in gay bars. More info and tickets here.

 

 

Photo by Monique Baron

(Photo by Monique Baron)

BIG CRUNCH @ Vox Populi

TOLVA/Sam Congdon

The world has gone rigid. Gender roles are strictly enforced by a ruthless government. There is a queer rage bubbling up through one cyborg’s circuitry, but can a single robot bring it all down? A queer sci-fi odyssey of self-discovery and rebellion blending solo performance, experimental electronic music, and video. More info and tickets here.

 

 

Photo by Steve Belkowitz

(Photo by Steve Belkowitz)

Carried Away @ JUNK Studio

Brian Sanders’ JUNK

I end up here, shame under pride, head on locker, denim near denim, skin against satin, disco within punk, leather around wrists, fist off canvas, lips about nape, hand for hand, looking back in time. I was carried away. More info and tickets here.

 

 

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Fringe at 20: Gunnar Montana

Posted May 31st, 2016
Gunnar Montana, Credit: Neal Santos

Gunnar Montana, credit: Neal Santos

Name: Gunnar Montana

Type of Artist: Visual/Physical Artist

Company: Gunnar Montana Productions

Fringe shows I’ve participated in:
Sanctuary, Brian Sanders’ JUNK, 2010: dancer, performer
Dancing Dead, Brian Sanders’ JUNK, 2011: dancer, performer
The Gate: Reopened, Brian Sanders’ JUNK, 2012: dancer, performer
RUB, Gunnar Montana Productions, 2012: director, producer, choreographer
BASEMENT, Gunnar Montana Productions, 2013: director, producer, choreographer, performer
RESURRECTION ROOM, Gunnar Montana Productions, 2014: director, producer, choreographer, performer
PURGATORY, Gunnar Montana Productions, 2015: director, producer, choreographer, performer

2016 Fringe show I’m participating in: WROUGHTLAND, Gunnar Montana Productions – director, producer, choreographer, performer

First Fringe I attended: My first experience of the Fringe Festival was Urban Scuba by Brian Sanders’ JUNK. Brian crafted a visually stunning performance in a deserted pool on the basement level of the Gershman Y. The entire performance was a huge inspiration and highlight.

First Fringe I participated in: The first show I ever performed in for the Fringe Festival was Sanctuary by Brian Sanders JUNK. Brian and I performed a duet together on stage that involved swinging about on spansets while artfully entangling our bodies together in the air. At one point I botched the sequence of the dance. Brian then took the liberty to completely break character and scream corrections at me in front of a sold out audience. I was traumatized, but in the nights that followed, I didn’t screw up.

Gunnar Montana, Credit: Garrett Mathews

Gunnar Montana, credit: Garrett Mathews

First show I produced/created at the Fringe: The first show I ever produced was RUB. I was working with a handful of strippers at the time. One night a performer of mine invited one of her clients to come see the show. It was a very intimate experience and as the night progressed this particular performer strutted up to her “friend,” straddled him, and slowly spit into his mouth. Everyone in the audience was somewhat disgusted as he swallowed and smiled. He seemed to really enjoy it.

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If You Don’t Know Now You Know: Mini Artist Profiles at Philly Post

Posted September 3rd, 2013

sobelle-the-object-lesson-2Philadelphia magazine’s Victor Fiorillo runs down 10 notable FringeArts performers worth checking out this year.

It’s a pretty good quick guide to some awesome shows this year, actually: Martha Stuckey of Pay Up, Gunnar Montana of Basement, McKenzie Maula of A Doll’s House, James Michael Baker of Ballad of Joe Hill, Geoff Sobelle of The Object Lesson, Jess Conda of Eternal Glamnation and Pay Up, Scott Sheppard of Go Long Big Softie, Mary Tuomanen of St. Joan, Betrayed, Kevin Glaccum of Dutch Masters, and Brian Sanders of Hush Now Sweet High Heels and Oak.

If you’re looking for somebody to pick some especially adventurous shows for you, you couldn’t do much better than Victor’s list.

–Nicholas Gilewicz

Photo of Geoff Sobelle by Lars Jan.