The popular, long-running works-in-progress series on the first Monday of every month.
Come see a roster of Philly’s most talented artists perform new material from shows they are working on in this fast-paced sampling of contemporary theater, dance, performance art, and everything in between. Scratch Night features short performances by four-to-six companies/artists, offering an inside look at the future of performance.
This month’s lineup:
The Flannel Chucks by Betty Smithsonian & Rob Alessian
The Flannel Chucks write silly lyrics to 90’s grunge songs. Come as you are. Whatever.
A Letter to White America by Baker & Tarpaga Dance Project/Esther Baker-Tarpaga & Nikia Camp
Baker-Tarpaga questions the cultural landscape of a whitewashed America and the potential for healing. Thinking about her own family heritage and legacy moving forward she uses popular culture references and performance art to address the current political state of our country. Singer & guitarist Nikia Camp accompanies with soulful melodies.
GREAT AGAIN by The Antidote
An unhappy couple engages in an elaborate 1950’s cosplay to exorcise their demons and save their marriage. And in the process, they reveal how little has changed over the past 60 years when it comes to gender equality. GREAT AGAIN is a wild riff on “A Doll’s House,” “The Donna Reed Show,” and 1950’s pop culture. The full production will take place in an intimate South Philly living room during the 2017 Fringe Festival.
Pre-Cut Shapes by Sean Thomas Boyt & Meredith Stapleton
A duet with paper accompaniment. Pre-Cut Shapes features performers Sean Thomas Boyt and Meredith Stapleton experimenting in the world of low-tech puppet theater. In the attempt to physicalize a corps of dancers with only two live bodies, genders are confused, formations become progressively more difficult to maintain, and personalities burst at the seams. Highlighting the paper-thin superficiality of performance culture, the inherently gendered duet provides commentary on the performers’ personal relationships to spectacle and points to a communal desire to seek authenticity externally. Within a culture obsessed with “realness,” how can playing dress-up become a process of expressing identity, discovering humor, and learning empathy?
Silencing the Tide by Olive Prince Dance
We are looking at a variety of water metaphors and how the force of tides in nature and currents within water are points of departure for creating a choreographic work that is simultaneously investigating what it means as an individual to stand up and go against the tide. Images of war, domesticity, and environment have all mingled in the working process. What we are showing is an excerpt that explores falling/submitting in contrast to a continual, cyclical journey.
DEEP SPACE LOVE SONG by TOLVA
TOLVA presents DEEP SPACE LOVE SONG, a new multimedia performance project about a wayward space princess who falls in love with an ancient galactic creature. This is a story told in sound, video, and live performance that explores issues of queer time, queer love, and “human” connection.
Free / RSVP suggested
June Scratch NightMon, June 5, 2017
The popular, long-running works-in-progress series on the first Monday of every month. Come see a roster of Philly’s most talented artists perform new material from...Read More