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Making Art in 2017: Nick Jonczak on Doppelbanger

Posted September 16th, 2017

Photo by Robin Stamey.

Name: Nick Jonczak

Show in 2017 Festival: Doppelbanger

Role: Creator, Performer

Past Festival Show: Exile 2588 with Almanac Dance Circus Theatre

FringeArtsTell us a bit about your show.

Nick Jonczak: This show is probably the most personal and definitely the gayest piece I’ve ever created. About three years ago, a man broke up with me by saying, “I think I could love a version of you, but I don’t think it’s a version you want to be…” which is kind of a terrible thing to say to someone. At that point I was really consumed by what the best “version” of me is and how I could manifest-build-shape-sculpt-summon that facet of me into being. I became really aware of how this man and many others had shaped the way I hold and use and think about my body, and I also became really aware of how I, like so many other gay men I know, pursue men who look similar to themselves. Doppelbanger tries to tackle these ideas through a collection of stories from my life where I was left wondering: do I want to be him, or do I want to be with him?

FringeArtsHow have your interests in or approach to art making changed in the last year? Have you found yourself taking anything new into consideration?

Nick Jonczak: I’m absolutely terrified of solo work—this is the first public solo show I’ve ever performed—so I’ve really come to rely on my director, Vanita Kalra, for her amazing sensitivity and sensibility to help me understand the core of the piece, which has definitely evolved over the past year. Originally I was much more concerned with the piece as a reflection of the LGBT community, but, with Vanita’s invaluable guidance, the piece has shifted to a much more personal reflection on formative experiences. I tend to be pretty skeptical of performances that rely heavily on personal narrative, so in making this piece I’ve had constantly, gently give my self permission to make the content about me—and trust that it will resonate with audiences. Trust is hard!

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