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Posts Tagged ‘Festival’

Wedgwood on the Green

Posted September 23rd, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

Wedgwood on the Green was originally published in the 2013 issue of Underground Pool, The University of the Arts’s annual publication of short stories and poems. It was conceived and written by Nick Schwasman and penned during his final days of undergrad. A poetic memoir, Wedgwood reflects on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood. In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience. This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see. This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience. Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

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Tongue & Groove

Posted September 23rd, 2017

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes and monologues!

 For their 10th anniversary season, T&G turns the tables: instead of asking you to provide the answers, now it’s your turn to pose the questions!
What question has been on your mind lately?
Personal or global, emotional or intellectual, mundane or spiritual….

Submit your question pre-show; T&G then uses your personal queries for their spontaneous exploration of relationships and the human experience.

Every performance reflects the unique personality of that show’s audience; each T&G show has never been seen before, and will never be seen again.

For more information: tongue-groove.com

For exceptional unscripted theater, put your questions in T&G’s hands!

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

 $18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based “Actors’ Improv,” and have created fifteen original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand!

“I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad Street Review

“Dazzling.” The Philadelphia Inquirer 

“Hilarious . . . and fearless.” Philly Weekly

“Acted with soul-baring sincerity, intelligence, and humor. Go see this!” City Paper

Wedgwood on the Green

Posted September 23rd, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

“Wedgwood on the Green” was originally published in the 2013 issue of Underground Pool, the University of the Arts’ annual publication of short stories and poems. It was conceived and written by Nick Schwasman, and penned during his final days of undergrad. A poetic memoir, “Wedgwood” reflected on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood.

In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience.

This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see.

This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience.

Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

 

Website

Facebook

Instagram

 

 

 

Wedgwood on the Green

Posted September 22nd, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

“Wedgwood on the Green” was originally published in the 2013 issue of Underground Pool, the University of the Arts’ annual publication of short stories and poems. It was conceived and written by Nick Schwasman, and penned during his final days of undergrad. A poetic memoir, “Wedgwood” reflected on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood.

In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience.

This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see.

This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience.

Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

 

Website

Facebook

Instagram

 

 

 

Tongue & Groove

Posted September 22nd, 2017

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes and monologues!

For their 10th anniversary season, T&G turns the tables: instead of asking you to provide the answers, now it’s your turn to pose the questions!
What question has been on your mind lately?
Personal or global, emotional or intellectual, mundane or spiritual….

Submit your question pre-show; T&G then uses your personal queries for their spontaneous exploration of relationships and the human experience.

Every performance reflects the unique personality of that show’s audience; each T&G show has never been seen before, and will never be seen again.

For more information: tongue-groove.com.

For exceptional unscripted theater, put your questions in T&G’s hands!

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

 

$18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based ‘Actors’ Improv,’ and have created 15 original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand!

“I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad St Review

“Dazzling” Inquirer

“Hilarious… and fearless” Philly Weekly

“Acted with soul-baring sincerity, intelligence, & humor. Go see this!” City Paper

Wedgwood on the Green

Posted September 22nd, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

“Wedgwood on the Green” was originally published in the 2013 issue of Underground Pool, the University of the Arts’ annual publication of short stories and poems. It was conceived and written by Nick Schwasman, and penned during his final days of undergrad. A poetic memoir, “Wedgwood” reflected on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood.

In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience.

This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see.

This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience.

Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

 

Website

Facebook

Instagram

 

 

 

Wedgwood on the Green

Posted September 21st, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

“Wedgwood on the Green” was originally published in the 2013 issue of Underground Pool, the University of the Arts’ annual publication of short stories and poems. It was conceived and written by Nick Schwasman, and penned during his final days of undergrad. A poetic memoir, “Wedgwood” reflected on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood.

In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience.

This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see.

This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience.

Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

 

Website

Facebook

Instagram

 

 

 

Wedgwood on the Green

Posted September 21st, 2017

A story in light and sound. A performance in and out of the round. Follow a young man up the fire escape, through the sliding glass doors, to a world where curiosity consumes innocence, where friendships crystallize in the pressure of responsibility and misfortune. Drip Symphony debuts with Wedgwood on the Green.

$15 / 60 minutes

“Wedgwood on the Green” was originally published in the 2013 issue of Underground Pool, the University of the Arts’ annual publication of short stories and poems. It was conceived and written by Nick Schwasman, and penned during his final days of undergrad. A poetic memoir, “Wedgwood” reflected on his adolescent days spent among an ambitious group of friends who hungered for escape from the confines of their suburban lives. Together, they confronted the harsh realities of the freedom they recklessly sought, the dangers of substance abuse, and that complicated, sometimes toxic idea, manhood.

In 2015, Nick joined forces with long-time collaborator Nate Barnett to translate the story into a live radio play, which they premiered in the 2015 Solow Festival. They created musical underscoring, original songs, arrangements, and live sound effects to accompany a reading of the story. The audience was encouraged to wear eye covers to enhance the auditory experience.

This September, Drip Symphony presents a fully-realized Wedgwood on the Green to an audience of 25, seated in a circle of swivel chairs. Immersed in this world, its details appear all around as the story is brought to life. Audience members are free to turn in their chairs and choose what they do and do not see.

This show is developed through a unique style of collaboration, bringing together a diverse group of artists whose contributions have provided the rich layers of its design. Together they explore storytelling through puppetry, sculpture, music, sound, and light.

~~~

Drip Symphony is a live performance company that brings together diverse artists committed to creating new, engaging art. These artists fuse experimental practices with established technique to make innovative performance for a modern audience.

Drip Symphony is co-directed by Nick Schwasman and Nate Barnett.

 

Website

Facebook

Instagram

 

 

 

Tongue & Groove

Posted September 16th, 2017

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes and monologues!

For their 10th anniversary season, T&G turns the tables: instead of asking you to provide the answers, now it’s your turn to pose the questions!
What question has been on your mind lately?
Personal or global, emotional or intellectual, mundane or spiritual….

Submit your question pre-show; T&G then uses your personal queries for their spontaneous exploration of relationships and the human experience.

Every performance reflects the unique personality of that show’s audience; each T&G show has never been seen before, and will never be seen again.

For more information: tongue-groove.com.

For exceptional unscripted theater, put your questions in T&G’s hands!

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

$18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based ‘Actors’ Improv,’ and have created 15 original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand!

“I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad St Review

“Dazzling” Inquirer

“Hilarious… and fearless” Philly Weekly

“Acted with soul-baring sincerity, intelligence, & humor. Go see this!” City Paper

Tongue & Groove

Posted September 14th, 2017

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes and monologues!

For their 10th anniversary season, T&G turns the tables: instead of asking you to provide the answers, now it’s your turn to pose the questions!
What question has been on your mind lately?
Personal or global, emotional or intellectual, mundane or spiritual….

Submit your question pre-show; T&G then uses your personal queries for their spontaneous exploration of relationships and the human experience.

Every performance reflects the unique personality of that show’s audience; each T&G show has never been seen before, and will never be seen again.

For more information: tongue-groove.com.

For exceptional unscripted theater, put your questions in T&G’s hands!

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

$18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based ‘Actors’ Improv,’ and have created 15 original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand!

“I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad St Review

“Dazzling” Inquirer

“Hilarious… and fearless” Philly Weekly

“Acted with soul-baring sincerity, intelligence, & humor. Go see this!” City Paper

Tongue & Groove

Posted September 9th, 2017

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes and monologues!

For their 10th anniversary season, T&G turns the tables: instead of asking you to provide the answers, now it’s your turn to pose the questions!
What question has been on your mind lately?
Personal or global, emotional or intellectual, mundane or spiritual….

Submit your question pre-show; T&G then uses your personal queries for their spontaneous exploration of relationships and the human experience.

Every performance reflects the unique personality of that show’s audience; each T&G show has never been seen before, and will never be seen again.

For more information: tongue-groove.com.

For exceptional unscripted theater, put your questions in T&G’s hands!

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

$18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based ‘Actors’ Improv,’ and have created 15 original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand!

“I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad St Review

“Dazzling” Inquirer

“Hilarious… and fearless” Philly Weekly

“Acted with soul-baring sincerity, intelligence, & humor. Go see this!” City Paper

Artist Talks: Tina Satter and Annie-B Parson in conversation

Posted September 9th, 2017

Annie-B Parson co-founded Big Dance Theater in 1991. Image result for annie-b parsonTina Satter has been making performance works under the mantle of Half Straddle since 2008.

Join the creators of Ghost Rings and 17c for an intimate and candid conversation about their work.

 

Tongue & Groove

Posted September 8th, 2017

 

Inspired by personal information anonymously submitted by the audience, this Fringe-favorite ensemble instantly creates a montage of hilarious and heartbreaking scenes & monologues!

For a detailed description of our Fringe show theme, and more info about the company and cast, go to tongue-groove.com.

“Hilarious… and fearless” Philly Weekly

“Acted with soul-baring sincerity, intelligence, & humor. Go see this!” City Paper

Learn more about this show from T&G’s Founder and Artistic Director Bobbi Block over at the FringeArts blog.

Check out the Broad Street Review’s coverage of the show here!

$18 / 65 minutes

Facebook

Tongue & Groove just celebrated our Ten Year Anniversary! T&G is inspired by several forms of theater including long and short-form improv, Playback Theater, the Interactive Theater of Jeff Wirth, and the incomparable improvised plays performed by TJ & Dave. We have a unique company of actors-who-improvise and improvisers-who-act, who strive to create theater that elevates the power of spontaneous creation. Over the years, we’ve honed our signature style of serio-comic, realism-based ‘Actors’ Improv,’ and have created 15 original shows. We’ve performed all around Philadelphia in theaters and colleges, and garnered critical acclaim. The ensemble has become highly comfortable in our physical and emotional work, and has grown seamlessly connected (as our name implies). Artistic Director Bobbi Block has taught Actors’ Improv in Europe, Brazil, New Zealand and Australia, and the Tongue & Groove format has been performed in Rio, Holland, and New Zealand! “I wish I could conceive dramatic situations and genuine dialogue that’s a tenth as incisive and moving as a typical T&G show.” Mark Cofta, Broad St Review “Dazzling” Inquirer “Hilarious… and fearless.” Philadelphia Weekly

Fringe at 20 Profile: Dito van Reigersberg

Posted September 23rd, 2016
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Dito Van Reigersberg in Zero Cost House (photo by JJ Tiziou)

Name: Dito van Reigersberg, sometimes Martha Graham Cracker

Type of Artist: Actor/Cabaret Performer

CompanyPig Iron Theatre Company, Co-Founder

This is a partial list of Fringe shows I’ve participated in:
Cafeteria, Pig Iron, 1997 (First Fringe!) – Charlotte the cafeteria lady
The Lorca Cycle, Pig Iron, 1999 – Federico
Shut Eye, Pig Iron, 2001 – Clark
Hell Meets Henry Halfway, Pig Iron, 2004 – Henry
Isabella, Pig Iron, 2007 – Angelo
Welcome to Yuba City, Pig Iron, 2009 – Tom White/Joaquin
Takes, Nichole Canuso Dance Company, 2010
Oedipus at FDR Park, 2010, – Messenger
Twelfth Night or What You Will, Pig Iron, 2011 – Orsino
Zero Cost House, Pig Iron, 2012 – Present Okada
Pay Up, Pig Iron, 2013 – Scene 21

Fringe show I’m participating in for 2016: I’m mostly watching this year but then closing the festival with a Martha Graham Cracker show at FringeArts on the 24th of September, with some special guests I’m very excited about. I’ll also be doing sprints to prepare for scaling the steep seating risers of the FringeArts theatre. I have lovingly dubbed those FringeArts stairs “the K2 of alternative theatre.”

First Fringe I attended and highlight: I moved to Philly just in time for the first Festival in 1997.  During that first Fringe I remember meeting the incredible members of Headlong Dance Theater and New Paradise Labs, who by now have become lifelong friends (I think Whit McLaughlin let us Pig Ironers watch a dress rehearsal of Gold Russian Finger Love, a sort of James Bond fantasia which was deliciously odd and unforgettably beautiful); I guess that was the moment I realized that, as the Talking Heads might say, “this must be the place.”

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from Cafeteria (photo by JJ Tiziou)

First Fringe I participated in: So when we arrived in Philly in 1997, we had rehearsed all summer at Swarthmore College to make a wordless piece about the American life-cycle called Cafeteria. The piece is set in junior high, a corporate and then a retirement home cafeteria, and all the dramatic action in the show is told in movement. We had no audience in Philly, no sense of what kind of reach the Fringe might have, and also we had this new, weird, hard-to-categorize piece to try to sell. Thankfully we were veterans of the Edinburgh Fringe, so we shamelessly flyered for the show all over town like mad people and hoped for the best.

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Fringe at 20 Profile: Brenna Geffers

Posted September 19th, 2016
Geffers with Actors

Geffers with Shadow House performers Anthony Crosby, Kayla Grasser, and Michael Linehard (photo by Mickey Herr)

Name: Brenna Geffers

Type of Artist: Theater-maker and Director

Companies: I am a freelance artist, but have been proud to call Theatre Exile, EgoPo Classic Theater, Thom Weaver’s Flashpoint, and Rebel Theater in NYC my artistic homes in the past. Currently I am an artist-in-residence at The Powel House with the Philadelphia Society for the Preservation of Landmarks (PhilaLandmarks). I am also a member of the Philadelphia Opera Collective, which just means that I hang out with some gorgeous artists and singers for a few months out of the year.

List of Fringe shows I’ve participated in:
Mother Courage and Her Children, Wandering Rom, 2006 – Director
Planetary Enzyme Blues, New Paradise Laboratories, 2007 – Assistant Director
Masque of the Red Death, Wandering Rom, 2007 – Creator/Director
Mud, Wandering Rom, 2008 –  Director
Woyzeck, EgoPo, 2009 – Director
Marat/Sade, EgoPo, 2010 – Director
The Oresteia Project, Philadelphia Artist Collective, 2011 – Creator/Director
The Consul, Philadelphia Opera Collective, 2012 – Director
Opera Macabre, POC, 2013 – Librettist/Director
A Doll’s House, EgoPo, 2013 – Creator/Director
By You That Made Me Frankenstein, POC, 2014 – Creator/Director
Jump the Moon, Philadelphia Opera Collective, 2015 – Creator/Director

Geffers - Mud

Joe Canuso, Megan Snell, and Robert Daponte in Mud (photo by John Margolus)

Fringe show I’m participating in for 2016Shadow House, an immersive opera and theater piece where 10 different storylines across 200 years are connected by a single location. Audience members follow characters and stories by moving around the historic Powel House, chasing what interests them to put the pieces together. There is music and movement and mystery happening in all the nooks and crannies of the house. I am the creator and director for the piece and was commissioned by the Philadelphia Society for the Preservation of Landmarks.

First Fringe I attended and highlight: I started seeing Fringe shows before I moved to Philadelphia, so the shows that I saw, like the epic Black Party Pink Palace and the achingly delicate Hell Meets Henry Half Way loom large in my mind. They inspired me to move to Philadelphia and be part of the strange and beautiful scene here.

First Fringe I participated in: The first show that I was actually hired to be a part of – rather than using the money I saved up all summer from shady telemarketing jobs – was Planetary Enzyme Blues with New Paradise Laboratories. I was the AD for the show and cherished every moment I was in the room with those artists; you don’t spend hours watching Mary McCool create work and leave unchanged. I learned a lot that summer, about art and collaboration and risk. I cried at the final moments of that show every time I watched it.

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An Antihero Returns

Posted September 12th, 2016
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Peter Smith and Kyle Yackoski (photo by Plate 3 Photography)

Pow! Blam! Zip! Bang! These are just a few of the terms found emblazoned on comic book panels, and sometimes, across our movie screens. They represent and highlight the violence that takes place in these fictional stories of heroes versus villains, but the Earth-shattering showdowns and the impending doom our heroes are trying to upend can be aggressively severe. Recent, mainstream silver screen adaptations have indulged fans with a chance to revel in the chaos of cities crumbling, bullets flying, and punches landing as our defenders in tights attempt to save the day. These films and colorful comics have arguably painted violence in an inconsequential light. Audiences have become all too unfazed and that’s a serious problem according to the Tribe of Fools, a Philly based physical theatre company, and the architects behind Antihero.

Antihero uses dynamic fight-movement comedy to explore the depths of society’s fascination with violence and vigilantes, and how it ties into violence as entertainment in superhero films and comic books. Tribe of Fools aims to shine a light on this polarizing topic once again by bringing Antihero back to Fringe, after 3 years. “This show looks at how easy violence can become and the permanence of its consequences,” explains Tyler Brennan, the show’s director.

Brennan’s interest in the subject arose from looking at his own personal life. “What really got me interested in the subject was how often I would find myself thinking of my daily struggles in life in similar terms as the entertainment I was consuming. I would always envision myself destroying whatever problem I encountered. When you’re dealing with an insurance company or some sort of technology problem, it’s really no big deal, in some ways it helps. When I was dealing with people though, it became a huge problem. Everything was an argument and I always needed to win. It never escalated to violence in my personal life, but I would find myself enraged all the time.”

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Festival MVP Brett Mapp’s 2016 Schedule

Posted September 7th, 2016

Opening night of the Festival is tomorrow, can you believe it? It will no doubt be an incredible couple weeks of inspired performances, but if you’re like me you haven’t quite locked down your festival schedule yet. I mean, who has times for puzzles these days? It might seem overwhelming to fit all these amazing shows into just little more than two weeks, but thankfully there’s hope. Fringe Festival veteran, Old City District director of operations, general man about town, and self-described “hardcore Fringer” Brett Mapp has been kind enough to share his 2016 Fringe Festival schedule with us. If you’re looking for some guidance on what to see and how to fit it all together, it can’t hurt to start here.

the chairs

Tomas Dura, Bob Schmidt, and Tina Brock in Eugene Ionesco’s The Chairs (photo by Johanna Austin @ AustinArt.org)

9/7
Eugene Ionesco’s The Chairs @ 7:30pm

9/8
CITIZEN @ 7pm

9/9
Exile 2588 @ 7pm
Feed @ 8:30pm
Anithero @ 10pm

9/10
Raphstravaganza The Kinetic Experience @ 12pm
Levée des conflits @ 8pm

who would be king

Rebecca Lehrhoff, Rachel Wiese, Jesse Garlick, and Veronica Barron in Who Would Be King (photo by Chris McIntosh)

9/11
Who Would Be King @ 2pm
They’ll Be Callin Us Witches @ 4:30pm
Notes of a Native Song @ 8pm

9/12
The Sincerity Project @ 7pm

9/13
Gala @ 8pm

9/14
I Fucking Dare You @ 8:30pm

9/15
Animal Farm to Table @ 6pm
Wroughtland @ 9pm

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Fringe at 20 Profile: Bobbi Block

Posted September 2nd, 2016
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Bobbi Block (photo by JJ Tiziou)

Name: Bobbi Block

Type of Artist: Theater Artist; Producer; Director; Dancer; Drummer

Companies: Tongue & Groove Spontaneous Theater; LunchLady Doris; ComedySportz; P3: People’s Percussion Project; Unidos da Filadelfia

List of Fringe shows I’ve participated in: I have produced and performed in every single Fringe Festival since the first one, including many years when I produced and performed in multiple shows. There was only one year when I didn’t produce, though I did perform with my band one night that year, so I’m counting that as participating in every single Festival! My memory sucks, so thank god the Fringe Guide Archive is online or I would not have been able to make this list!

  • The Improv Marathon, 1997 – producer, performer, host [Got every improv group that existed at that time to perform back to back, I think it was a grand total of 5!]
  • Debut of LunchLady Doris at the Quarry Street outdoor stage, 1998 — artist, co-producer [LLD was a 5 member longform improv company (the first in the city) that ran for 12 years, with Dave Jadico, Karen Getz, Kelly Jennings, Kevin Dougherty.]
  • Bingo Bedlam, BbBb Productions, 1999 – director, producer, actor [A 10-minute play in which ALL of the words start with the letter B; featuring Jen Childs, Tony Lawton, Pete Pryor]
  • Birth-day!, P3: People Percussion Project, 2002 – co-producer, co-choreographer, dancer [The debut of P3 as part of the curated Fresh Moves series, co-founded with Judy Freed]
  • Late Night Cabaret, 2002 — MC
  • P3: People Percussion Project, 2003-2004 – co-producer, choreographer, dancer
  • LEAP! The Actors’ Improv Experiment, produced by LiveArts, 2007 – conceived and directed [w/ Megan Bellwoar, Catharine Slusar, Ben Lloyd, Tom Byrn, Joe Guzman]
  • In Bed, Tongue & Groove, 2007 – producer, director actor [Fringe Debut of Tongue & Groove Spontaneous Theater*]
  • LunchLady Doris, 1998-2008 – actor, co-producer
  • Secrets, Tongue & Groove, 2008-2009 – producer, director, actor
  • UnSpoken, Tongue & Groove, 2010 – producer, director, actor
  • Six, Tongue & Groove, 2011 – producer, director, actor
  • Le Grand Continental, LiveArts produced, 2012 – dancer
  • WHO, Tongue & Groove, 2012 – producer, director, actor
  • Secrets, Tongue & Groove, 2014 – producer, director, actor
  • Unidos da Filadelfia, 2012-2015 – drummer
  • Groove, Tongue & Groove, 2015 – producer, director, actor [A collaboration with blues dancers and musicians]
  • Before I Die, Tongue & Groove, 2016 – producer, director, actor

*Current and Past Tongue & Groove ensemble members: Fred Andersen, Megan Bellwoar, Beth Dougherty, Adam Gertler, Noah Herman, Matt LydonJennifer MacMillan, Carol Moog, Ed Miller, Eoin O’Shea, Seth Reichgott, Josh Rubinstein, Fred Siegel, Rebecca Sharp,Carrie Spaulding, Jordan Stalsworth

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Tongue & Groove (photo by Aaron Oster)

First Fringe I attended and highlight: I was there at the very start (go on, Grandma). The highlight was the exciting community vibe in Old City. The first several years, with everything taking place within several blocks, it was just so much fun to hop from show to show. You’d bump into people, ask what they were about to see or what they just saw, and just dash off to the next performance without planning. You felt you could take a chance on just about anything, cause everything was only 5 bucks. There was no on-line sales back then, so the ticket-buying process was in person and very communal – the box office was the place to see and be seen. I also loved the cabaret in the old days when you would see snippets of shows as teasers and then decide whether or not you wanted to see the full production. The cabaret was one big love-fest, kinda like a family — with Scott Johnston as a very weird ‘Dad’ of us all — plus you never know what might happen there. You wouldn’t think to miss a night of the Cabaret or you might miss something everyone would be talking about the next day!

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Fringe Festival 2016 Spotlight: Messing with Shakespeare

Posted August 25th, 2016

Drawing inspiration from the immortal works of the Bard of Avon, these shows provide fresh interpretations for the well trodden material. If you’re looking for unique perspectives on some of Shakespeare’s classics, be sure to check them out!

bedlam

(photo by Rachel O’Hanlon-Rodriguez)

Bedlam: Shakespeare in Rehab @ St. John the Baptist Church
Manayunk Theatre Company

Bedlam: Shakespeare in Rehab takes everything you know about classic theater and turns it on its head. Shakespearean Heroines are ripped out of their respective stories and thrown into a haunting, run down institution. Characters and audience alike are immersed in a world of mental health. More info and tickets here.

omeletto body

(photo by Oreste Montebello)

Omeletto: Like Hamlet, Only Scrambled @ Liberty Lands Park
Ombelico Mask Ensemble

Told through the lens of commedia dell’rte, the story of Hamlet gets a deconstructed re-imagining that only Ombelico Mask Ensemble can deliver. Come and see your favorite commedia characters’ (Arlecchino, Pantelone, Capitano, and the rest) take on the Bard. Performed in English, Italian, and French. More info and tickets here.

ophelia fringe

 

Drowning Ophelia @ The Iron Factory
Ensemble Atria and EagerRisk Theater

Jane doesn’t know what to do with the literary character who has taken up residence in her bathtub. She doesn’t want Ophelia interrupting the obsessive order of her life with obnoxious songs. Ophelia doesn’t care about what Jane wants, only what she needs. But, how do you move on when reconciliation is not an option? More info and tickets here.

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The Sincerity Project Photo Diary: Jenna in VT

Posted August 24th, 2016

In 2014, an ensemble of seven intrepid Philadelphia performers gathered at FringeArts to present the first of what will be 13 iterations of the same structured performance. The Sincerity Project is a radical experiment in bringing honesty to a space familiar with artifice, a theatrical anti-play ritual from Team Sunshine Performance Corporation that will be recreated biennially for 24 years. FringeArts is proud to present the second iteration of this ambitious endeavor as part of the 2016 Fringe Festival. Each cast member has shared a collection of photographs from the last two years of their lives, and in anticipation of the premiere we will be presenting a selection of them over the course of the next few weeks.

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Tuce Yasak covering me in clay in an installation up at the Shakleton’s in Woodstock, VT — Jenna Horton

 

View More: http://eileenmenyphotography.pass.us/vermont-2015

Drying off and warming up after nearly going into shock from getting hosed off post being covered in clay for an hour. VT, July 2015 — Jenna Horton