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Posts Tagged ‘Holly’s Dead Soldiers’

Fringe at 20 Profile: Bruce Walsh

Posted June 29th, 2016

Name: Bruce Walsh

Chomsky vs. Buckley, 1969 (2012) (l - r) Rob Weatherington (Chomsky) and Bruce Walsh

Chomsky vs. Buckley, 1969 (2012)
(l – r) Rob Weatherington (Chomsky) and Bruce Walsh

Type of Artist: Playwright

Companies: Kaibutsu. And I did a show with Chris Davis, Douglas Williams, and Sarah Mantel.

Fringe shows I’ve participated in:
The Wounded Body, 2002 – playwright
Dasein, 2002 – playwright
The Guided Tour, 2004 – playwright, director
Northern Liberty, 2005 – playwright
The Guided Tour, reprise, 2006 – playwright
Chomsky vs. Buckley, 1969, 2012 – playwright, director
Holly’s Dead Soldiers, 2013 – co-playwright, co-director

First Fringe I attended: 1998. I was a sophomore at Temple University. I saw the opening performance of Brat Productions’ A 24-Hour The Bald Soprano, directed by Madi Distefano. It remains one of the highlights of my theater-going life. I was pretty much right out of high school. I think the edgiest thing I had seen to that point was Lanford Wilson’s Fifth of July. I had no idea theater could be so bizarre, ridiculous, hilarious, lugubrious, et cetera, et cetera. At about 2 a.m. that night, I hailed a cab and watched three more performances. In one of them, the Maid stepped off the stage, sat in my lap, and gave her monologue while tussling my hair.

First Fringe I participated in: 2000. My friend Chanel Benz—now a novelist in Mississippi (long story)—produced and directed two of my very greenest, decidedly experimental short plays. It was on the third floor of Christ Church, and it was something like 104 degrees up there. Just before the show started, the ushers turned off the fans so the audience could hear every single word clearly! There was this very loud collective moan, and . . . lights up! I wanted to run screaming. Chanel and the actors did a wonderful job, though.

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Fringe at 20 Profile: Douglas Williams

Posted June 7th, 2016

Name: Douglas Williams

Type of Artist: Playwright, producerD. Williams Headshot (L)

Companies: Orbiter 3, Apocalypse Club.

Fringe shows I’ve participated in:
Holly’s Dead Soldiers, 2013 – playwright
Safe Space, 2014 – playwright
@AstroJennie, 2015 – playwright

First Fringe I attended: In 2009 I was a senior at Temple University and had to see a Fringe show for a class. I decided to go to Pig Iron’s Welcome to Yuba City, which feels really lucky since I knew nothing about the show or the company. The whole thing blew my mind.

First Fringe I participated in: Holly’s Dead Soldiers was the first Fringe show I was involved in. Most memorable moment was probably Chris Davis scrambling to learn his four page monologue two days before we opened.

First show I produced/created at the Fringe: Holly’s again. In creating it I guess I would say the most memorable moment was bouncing around Bruce Walsh’s house trying to figure out how to use every room, every space, and how much dialogue could be heard when delivered from the basement . . .

The Fringiest show, venue, action, or moment I ever experienced: There was something really beautiful about seeing Go Long Big Softie in a building that was going to be torn down after the run had ended. Filling that place with art and people before it went away forever seemed like a good way to say goodbye.

apocalypseclub_safespace_1b

Apocalypse Club (Emma Goidel, Maura Krause, Douglas Williams, Emily Acker), Image by Lindsay Ladd

A Fringe show that influenced me as an artist: Oh man so many . . .  Yuba City, Pay Up, the Adults, Underground Railroad Game. The Object Lesson is still one of the most incredible theater experiences I’ve ever had. The environment that show existed in was just so welcoming and communal.

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