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Posts Tagged ‘ILL DOOTS’

Sam Tower Straps On Her Director’s Helmet For Simpatico’s Red Bike

Posted June 1st, 2018

Sam Tower is a longtime Fringe Festival favorite, having participated in at least six Festival shows since 2009. Her newly renamed production company, Ninth Planet produced Festival hits 901 Nowhere Street (2016) and Strange Tenants (2017).

This month, she’s teaming up with Simpatico Theatre as director for Red Bike, a play written by Caridad Svich that follows an 11-year-old child who, while riding a bike, discovers a world bigger than they could have imagined. We asked Sam about the play, her directing, and her newly rebranded company.

FringeArts: How did you become involved in this project?

Sam Tower. Photos courtesy Plate 3.

Sam Tower. Photo courtesy Plate 3.

Sam Tower: When Allison Heishman became the new artistic director of Simpatico Theatre, it was clear that her talents as a producer and director would support the community-centered mission of the company, and that she would continue to bring imaginative, socially driven new work to Philadelphia. Well, she decided to waste NO time in getting a new season up on its feet. She approached me as a director for Red Bike, and upon my first reading of Caridad’s play I was shook/enthralled/conflicted/inspired… all the things you want to be when beginning a new artistic process.

FringeArts: What appeals to you about Caridad Svich’s writing and this play in particular?

Sam Tower: The play is direct address from the perspective of “The Kid”, an 11-year-old. “The Kid” is a detailed storyteller, and also a dizzying narrator, taking you down winding curves and tunnels of memory, fantasy and vulnerable confessions of the pre-adolescent person. The play is cyclical, raw and poetic, and the language is so vibrant — dreamy and cutting at the same time. On first reading, I was already seeing three bodies in space as The Kid and hearing percussive musical scoring inside my head — that’s when you know you have to go for it. I quickly brought Jordan McCree and Andrew Nittoli of ILL DOOTS on board as live musicians to score this Kid’s epic afternoon on their bike.

FringeArts: How does directing this play fit into your other work?

Sam Tower: Caridad has written, “Writing for live performance is about writing for the body. It’s all in the body,” which speaks to my artistic process so directly. The rhythm and physicality of the body are integral in the work I make with actors. Athletic physicality is a vessel to be filled, a container for our deepest rivers of unexplainable expression. Those experiences must be held somehow. And in this play, they live in between the details, in lives in the long strings of broken words, they live in the music, and in the body.

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Your Record Collection Just Got a Little Saltier

Posted October 19th, 2017

This Friday night, FringeArts’ monthly series of sexy, satirical, queer, and tantalizing cabaret returns to the La Peg stage to kick off it’s fall season. Hosted by Bearded Ladies Cabaret artistic director John Jarboe and co-presented by the William Way LGBT Community Center, this season of Get Pegged features some powerhouse performers from Philadelphia and New York.

October’s featured performers include a “stripped down” assemblage—if that means acoustic or naked is being left unanswered—of Philly’s favorite musical misfits ILL DOOTS, performing two tight sets of original tunes and covers around the notion of “Passion.” Where that will take them is anyone’s guess, all they’ll say is, “We’ll experience several forms of passion together that culminates into what we can only hope is a sweet release.”

Salty Brine in Second Hand News, a reinterpretation of Fleetwood Mac’s Rumours through the lens of sensationalist news and gossip.

This month’s other featured performer, the out-of-towner of the bunch, is New York cabaret artist Salty Brine. Astute Fringe attendees may recognize him as the boisterous but wise host from the 2016 Festival hit The Elementary Spacetime Show, but the talented actor and playwright has made his name as an inventive cabaret artist as well for his own ongoing series, Salty Brine’s Spectacular Living Record Collection, which he’ll be performing an excerpt from at Get Pegged. Journeying into the heart of popular music and consciousness, Salty takes classic albums from legendary artists and twists them in style and form, building spectacular and unexpected theatrical worlds for these well known works to inhabit. These are places where they can be appreciated in an entirely new light and he can weave his own personal, historical, and fantastical narratives into our shared musical history.

The first installment of the series, Abbey Straße, took the music of The Beatles’ Abbey Road and reimagined it as a scandalous German cabaret styled in the spirit of Brecht and Weill, Marlene Dietrich, Ute Lemper, and others like them.

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