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Making Art in 2017: Leah Stein on Interior

Posted August 31st, 2017

Leah Stein.

Name: Leah Stein

Company: Leah Stein Dance Company

Show in 2017 Festival: Interior

Role: Choreographer, Performer

Past Festival shows: Portal (2016), Bellows Falls (2015), Splice (2014), Adjacent Spaces (2013), Hoist (2012), Rock Reed Tatami Stream (2011), Japan House Philadelphia (2010).

FringeArtsTell us about your show.

Leah Stein: I/we are tackling the balance between personal and global shifts, great loss and the possibility of regeneration, starting from an interior space. I read an article about a journalist’s visit to Spiral Jetty earthwork sculpture by Robert Smithson. She (Heidi Julavits) said this about her experience there: “I was thinking a lot about interior landscapes, those uninhabited places inside of us that cannot be contained (or explained) by any map. Interior landscapes are shaped by all kinds of forces: geographic or familial or cultural or genetic.”

FringeArtsHow have your interests in or approach to art making changed in the last year?

Diane Monroe.

Leah Stein: The Deep Listening practice I studied and explored with composer Pauline Oliveros has opened many new channels of perception in my creative and performance practice. This past spring, in collaboration with performers, we presented a new work in conjunction with an exhibit at the Woodmere Art Museum called A More Perfect Union? Power, Sex and Race in the Representation of Couples. This project, and the complexities of this time in the US, made me more aware of my own “cultural training” and ways of seeing and experiencing. It also instilled in me a desire to honor even more the great mix of diverse experiences and understandings within a diverse ensemble, even when they are unresolved, as well as the greater need than ever to listen deeply.

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