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Posts Tagged ‘Mary Tuomanen’

On the Record: Rebecca Wright on Applied Mechanics’ Latest Performance

Posted June 22nd, 2018

Philadelphia’s Applied Mechanics established itself as a Fringe Festival favorite with half a dozen shows between It’s Hard Times at the Camera Blanca in 2009 and Feed in 2016. The company will be absent from the Festival this September, but the cast of its latest offering, This Is On Record, draws heavily from 2018 Festival stars: Annie Wilson will feature in Meg Foley’s The undergird, Thomas Choinacky is part of Simpatico Theatre’s 4Solo show, and contributing writer Mary Tuomanen will appear in the Bearded Ladies’ Do You Want A Cookie?

This Is On Record displays Applied Mechanics’ signature immersive style, transforming 3,800-square-foot Glass Factory performance space in Brewerytown to tell six intersecting stories simultaneously. The show investigates the construction of cultural narratives through the lives of six different people as their paths intersect across time. FringeArts spoke to company member Rebecca Wright about the play, which opens tonight and runs through July 1.   

The cast of THIS IS ON RECORD: Alison Ormsby, Annie Wilson, Brett Robinson, Thomas Choinacky, Anita Holland and Daniel Park.

FringeArts: How does the format of the show contribute to its meaning and to the audience’s experience of watching the performance?

Rebecca Wright: This is a piece about the construction of cultural narratives and the various biases and circumstances that shape both the stories we tell and those we inherit. The parallel narrative immersive structure—where many stories are unfolding simultaneously and the audience is free to watch who and how they want—highlights how subjective storymaking is, as well as the question of how much we can and can’t control about what we see and inherit. Multiplicity is also really key here: there is not, in fact, ever one story—there are always multiple perspectives—and the structure of our work reflects this quite literally.

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I Went to FringeArts and All I Got Was Pegged

Posted February 18th, 2016

What are your plans for this Friday?
If you answered anything other than getting pegged, you’re wrong.

Oh wait, sorry, I meant Get Pegged Cabaret. Though, by all means, feel free to get pegged too. Just make sure you do it after FringeArts’ newest, naughtiest addition to its late night programming.

Hosted and co-curated by John Jarboe, an accomplished Philadelphia actor and founder/artistic director of The Bearded Ladies Cabaret, Get Pegged is poised to make the La Peg stage Philadelphia’s home for raunchy, taboo-busting, transgressive performance. And don’t expect to simply sit back and passively enjoy the ride, by the way. Jarboe cites cabaret’s prioritization of the artist/audience relationship as his biggest impetus for exploring the form’s possibilities. “Cabaret, good cabaret that really forces the whole audience to be there with each other and the performer is radical nowadays,” he recently told FringeArts. While that absence of engaging cabaret is a real shame, like a hole in the landscape of contemporary performance, expect Get Pegged to plug that hole. If you need further evidence, let’s get acquainted with the performers of the series’ inaugural bash.

A keyboardist and the in house music director/composer for the Bearded Ladies, Heath Allen has made a name for himself as one of the city’s most versatile composers and bandleaders. He remains one of area’s best kept musical secrets, with even Fresh Air host Terry Gross asserting, “Most cities have composers and musicians who are extremely talented yet are unknown outside that city. One of those composers in my city, Philadelphia, is Heath Allen.” Recently, he helped compose the music for Andy: A Popera, and collaboration between The Bearded Ladies and Opera Philadelphia.

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Tonight: Neighborhood Fringe Scratch Night Spotlight, the Fourth

Posted August 25th, 2014

Is it already the last Monday in August? What happened to summertime? Rehearsals, plannings, plottings, I guess. Anyway, today’s arrival means the arrival of the last Neighborhood Fringe preview Scratch Night, featuring:

bodylautrecOne of the Neighborhood Fringe shows I’m personally most excited about, because I love the painter: The Body Lautrec from Aaron Cromie and Mary Tuomanen. And those two are pretty good too.

Ombelico Mask Ensemble, who returns to the Fringe with Flim Flam Phantom Sham at NoLibs’s Liberty Lands Park.

Anna K, which you can find from Chris Davis this year in rowhouse on Wharton Street.

Underbite Theatre Company delves into the Westboro Baptist Church protests of military funerals with Snyder v. Phelps, an original musical.

And Katie Horton et al. runs us through the four seasons of emotions.

Free! RSVP here.
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 25 at 7 pm

–Nicholas Gilewicz

If You Don’t Know Now You Know: Mini Artist Profiles at Philly Post

Posted September 3rd, 2013

sobelle-the-object-lesson-2Philadelphia magazine’s Victor Fiorillo runs down 10 notable FringeArts performers worth checking out this year.

It’s a pretty good quick guide to some awesome shows this year, actually: Martha Stuckey of Pay Up, Gunnar Montana of Basement, McKenzie Maula of A Doll’s House, James Michael Baker of Ballad of Joe Hill, Geoff Sobelle of The Object Lesson, Jess Conda of Eternal Glamnation and Pay Up, Scott Sheppard of Go Long Big Softie, Mary Tuomanen of St. Joan, Betrayed, Kevin Glaccum of Dutch Masters, and Brian Sanders of Hush Now Sweet High Heels and Oak.

If you’re looking for somebody to pick some especially adventurous shows for you, you couldn’t do much better than Victor’s list.

–Nicholas Gilewicz

Photo of Geoff Sobelle by Lars Jan.