Posts Tagged ‘Mistress of the Maze’

Making Art in 2017: Sarah Carr on Mistress of the Maze

Posted September 5th, 2017

Sarah Carr. Photo by Chris Hallock.

Name: Sarah Carr

Company: WeftWorks

Show in 2017 Festival: Mistress of the Maze

Past Festival shows: None: this is my first!

FringeArtsTell us about your show.

Sarah CarrMistress Of the Maze explores the ancient Minoan myths and rituals that inspired the classical Greek tale of Ariadne, Theseus, and the Minotaur. I am an anthropologist as well as a dancer and fiber artist, and I have always been fascinated by the Bronze Age civilizations.

The Greek version of the tale of the Labyrinth is well known, but it reflects the values and concerns of the ancient Greeks: there’s a strong brave man to save the day (Theseus), a monster to slay (the Minotaur), and a princess (Ariadne) to be carried away when the task is complete. However, this well-known tale was crafted roughly two millennia after the Minoan palaces on Crete were abandoned. It is an appropriation of Minoan icons and symbols that retains almost nothing of the original context.

Minoan culture was starkly different than Ancient Greece. Images of warfare, so common in Ancient Greek art, are nearly absent in Minoan art. Minoan culture was mercantile, trading with and adopting influences from the lands surrounding the ancient Aegean. Minoan religion does not feature any clear depictions of male deities. Images of goddesses, and women interpreted to be priestesses, abound. Ariadne, rather than a princess awaiting her prince, was likely Labrynthinos Potnia. She was a goddess whose sacred symbols included the Labrys, the double-headed axe for which the Labyrinth is named, as well as the horns of the bull, the snake, and the honey bee. In this work, I am attempting to reclaim the identity of Ariadne, to create dances that feel like rituals dedicated to the principle of feminine power that was so very important in Minoan culture. It is not meant to be a historical reenactment, as the production uses very stylized masks and costumes. I wanted instead to capture the essence of this culture and pay respect to their myths and symbols.

Read More

2017 Festival Spotlight: Family Friendly Fare, Part 2

Posted August 27th, 2017

Just because it’s at the Fringe doesn’t mean you have to leave the kids at home. Check out some of the Festival’s productions appropriate for all ages. Bring the whole family! Check out Part 1 here.


A Period of Animate Existence @ Annenberg Center for the Performing Arts 
Pig Iron Theatre Company

Children, elders, and machines contemplate the future in a time of dire predictions and rapid technological change in this work of symphonic theater. How do we contemplate the future in such a perilous time, an era called the “Sixth Extinction,” when up to 50 percent of all living species might die off? An inspired, large-scale melding of music, design, and theater, A Period of Animate Existence investigates the intense, unnamable emotions that arise in a time of extinction. More info and tickets here.


Photo by Michael Bach.

Lost in the Woods @ German Society of Pennsylvania
A Moment for Music

Lost in the Woods is the journey of two starving children who must find their way in a world that threatens to both empower and devour them. This family-friendly romp through Hansel and Gretel’s forest is a multimedia adventure featuring classical, jazz, and pop singing, lip-sync, and dance. More tickets and info here.


Photo by Michael Ermilio.


Life Lines @ Christ Church Neighborhood House 
Tangle Movement Arts

Seven women collide and are changed forever. In this dynamic circus-theater show, strangers meet their match, empty rooms listen in, and women find their power in flight. Tangle’s acrobats climb trapezes and aerial silks as they face sudden changes, spark chain reactions, and test the hidden threads that bind us.


Worktable @ BOK
Kate McIntosh

We provide the hammer, you do the rest. Worktable is a live installation that takes place in a series of rooms, which visitors engage with one at a time. Having signed up beforehand for a specific time slot, you enter and can stay as long as you like. Once inside there are instructions, equipment, and safety goggles so you can get to work—it’s up to you to decide how things come apart, and how they fall back together. More info and tickets here.

Read More