< BLOG

Posts Tagged ‘Revolution Shakespeare’

Death of Kings and Patriarchy: Revolution Shakespeare Reads Richard II

Posted May 11th, 2018

Whet your appetite for Revolution Shakespeare’s September show and help smash the patriarchy with a non-cis-male staged reading of Richard II, this Monday, May 14, at the Painted Bride Arts Center.

We’ve all heard the story: In Elizabethan theater, women weren’t allowed on stage, so all the female roles in all Shakespeare’s plays were originally performed by male actors (though exceptions were made for Gwyneth Paltrow). These days, some theater companies choose to revisit those troglodyte times by staging all-male versions of the Bard’s canon.

Revolution Shakespeare is not one of those companies.

For its large-scale Fringe Festival show this September 12-22, the company will present Troilus and Cressida with few, if any, actors who identify as male. The production revisits last May’s “Revolt against the Patriarchy” staged reading of the bleak Shakespearean tragedy. Monday’s reading of the beautifully poetic historical drama Richard II is also billed under the same banner.

Revolution Shakespeare presented “all-female” versions of Shakespeare’s oeuvre for several years, but they redubbed the series Revolt Against the Patriarchy “to be less binary, open it up to other voices and also rock the political a bit,” says Rev Shakes artistic director Griffin Stanton-Ameisen.

“When doing any classical text, I worry about the ways misogyny is coded into the storytelling and the language itself. Even though Shakespeare is my all-time favorite playwright, doing his work can feel irresponsible at times,” adds Hannah Van Sciver, who plays the titular poet-king in Monday’s reading. “This cast and artistic team allow me to worry a little bit less about that, as we’re actively combatting it through our casting.”

Read More

Fringe Festival 2016 Spotlight: Messing with Shakespeare

Posted August 25th, 2016

Drawing inspiration from the immortal works of the Bard of Avon, these shows provide fresh interpretations for the well trodden material. If you’re looking for unique perspectives on some of Shakespeare’s classics, be sure to check them out!

bedlam

(photo by Rachel O’Hanlon-Rodriguez)

Bedlam: Shakespeare in Rehab @ St. John the Baptist Church
Manayunk Theatre Company

Bedlam: Shakespeare in Rehab takes everything you know about classic theater and turns it on its head. Shakespearean Heroines are ripped out of their respective stories and thrown into a haunting, run down institution. Characters and audience alike are immersed in a world of mental health. More info and tickets here.

omeletto body

(photo by Oreste Montebello)

Omeletto: Like Hamlet, Only Scrambled @ Liberty Lands Park
Ombelico Mask Ensemble

Told through the lens of commedia dell’rte, the story of Hamlet gets a deconstructed re-imagining that only Ombelico Mask Ensemble can deliver. Come and see your favorite commedia characters’ (Arlecchino, Pantelone, Capitano, and the rest) take on the Bard. Performed in English, Italian, and French. More info and tickets here.

ophelia fringe

 

Drowning Ophelia @ The Iron Factory
Ensemble Atria and EagerRisk Theater

Jane doesn’t know what to do with the literary character who has taken up residence in her bathtub. She doesn’t want Ophelia interrupting the obsessive order of her life with obnoxious songs. Ophelia doesn’t care about what Jane wants, only what she needs. But, how do you move on when reconciliation is not an option? More info and tickets here.

Read More

Fringe at 20 Profile: Hannah Van Sciver

Posted May 24th, 2016
Hannah Van Sciver in Safe Space, Photo: JJ Tizou Photography.

Hannah Van Sciver in Safe Space, Photo: JJ Tizou Photography.

Name: Hannah Van Sciver

Type of Artist: Theater: physical theater, devised theater, actor, lead artist, director, playwright, producer, musician, photographer . . . I wear a lot of hats.

Companies: The Greenfield Collective, iNtuitons Experimental Theatre, Apocalypse Club, The Porch Room, Revolution Shakespeare.

Fringe shows I’ve participated in:
Alternative Theatre Festival, 2012 – actor
Raw Stitch, 2013 – actor
Alternative Theatre Festival, 2013 – playwright, director
Antony & Cleopatra: Infinite Lives, 2013 – actor
Marbles, 2014 – actor, playwright, producer
Safe Space, 2014 – actor
Fifty Days at Iliam, 2015 – lead artist, actor, producer
Love’s Labours Lost, 2015 – actor/musician

2016 Fringe show I’m participating in: King John (Revolution Shakespeare), actor/musician.

First Fringe I attended: Oh man. The First Fringe event I saw would have been the iNtuitons 2010 Alternative Theatre Festival. I was a freshman at the University of Pennsylvania, and was invited to attend a night of new work by the resident student-run “experimental theater” company, iNtuitons. I fell madly in love with them, and spent the next three years serving on their board. I remember seventeen-year-old Hannah being bowled over by a piece called Going In which was about coming out as heterosexual. It was written and performed by Joshua James Herren.

First Fringe I participated in: After working with David O’Connor on Cymbeline over the summer at the Philadelphia Shakespeare Theatre, he invited me to audition for Raw Stitch–a play set in Quigs pub, featuring a bunch of lady superstars in Philly doing incredible, vulgar monologues by Jacqueline Goldfinger. I was totally out of my league. I remember auditioning on his back porch, and meeting Jackie for the first time. I was deeply intimidated. The monologue was about a Southern Jewish gal on trial for acts of public indecency. She claimed she had no control over her behavior, as she had been born with the “double-slut gene.” I remember thinking, “Oh god, WHAT am I doing? Do they care if the neighbors hear this stuff?”

Jackie and David are now both on the advisory board of my theater company, The Greenfield Collective. This July, David and I will produce our seventh show together. So, it worked out. Also, rather memorable: in that show, Jennifer MacMillan played a thirsty, deaf lesbian. She demonstrated to the audience how to give proper head, using a peach. It remains one of the most outrageous and hysterical things I’ve ever seen happen onstage in Philly.

Hannah Van Sciver and Sam Sherburne in Marbles, JJ Tizou Photography

Hannah Van Sciver and Sam Sherburne in Marbles, JJ Tizou Photography

Read More