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Posts Tagged ‘Sam Henderson’

Happy Hour on the Fringe With Sam Henderson

Posted December 1st, 2017

The latest episode of our newly launched podcast is available for streaming! This episode features a conversation with playwright, performer, and theater technician Sam Henderson. Henderson has appeared on stages or worked behind the scenes at theaters all over the city. He is a member of the self-sustaining producing playwrights collective Orbiter 3, a group focused on sustainability and empowering the playwright as lead artist by embracing administrative and fiscal responsibility in the pursuit of the artistic growth of its members.

The conversation touches on Henderson’s history working in theater throughout the city as well as his latest play, The Brownings, an immoderate re-telling of the great love of the 19th century. This unconventional, rudely comic exploration of the purpose of art and the nature of love runs here at FringeArts from Dec 1 – Dec 9.

Listen below, or over at our show page.

One Long, Horrid Writer’s Retreat: An Interview with Sam Henderson

Posted November 17th, 2017

The love affair and marriage of Elizabeth Barrett Browning and Robert Browning is one of literary history’s favorite romances. It’s not hard to see why. The narrative of two brilliant artists who could articulate their love for each other, wring beautiful verse from it better than just about anyone is certainly an enchanting one. Of course, when are relationships ever that perfect?

From Nov 29–Dec 9, FringeArts will present The Brownings, the latest play from and in conjunction with the acclaimed Philadelphia producing playwrights collective Orbiter 3. Written by Philadelphia playwright and performer Sam Henderson, The Brownings is an immoderate retelling of the titular couple’s famous relationship, with all the fighting and weird sex and drug abuse they didn’t teach you about in school. Though, perhaps there’s a reason for that. We should be sure to reemphasize the terms immoderate and retelling. We spoke to Henderson back in August about the play’s origins and taking some artistic liberties with these famous, oft-idealized figures.

FringeArtsWas there any incident in particular that spurred the creation if The Brownings

Sam Henderson: I was homeless, but staying with friends. I’d spent some time in a psych unit about three weeks earlier, where I’d received really good health care for the first time in about a year and a half. My life was beginning to improve after a long decline. My friends had provided me with a huge, stand-mounted map of Australia for privacy, and I used to just stare at Australia and write plays.

I was struggling to understand myself in the light of my diagnosis of type II bipolar disorder, and my coming to God: two recent, wholly unexpected events that brought meaning to all this personal chaos, if not comfort.

I was deeply under the influence of Mary Tuomanen’s Marcus/Emma, which was still unproduced. I wrote the first seven scenes of The Brownings very quickly as a joke to crack Mary up, and I was surprised when she encouraged me to keep going, since The Brownings is such a rip off of Marcus/Emma.

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