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Posts Tagged ‘Sylvain Emard’

Le Super Grand Continental

Posted September 9th, 2018
DescriptionAbout the ArtistInterviewFurther ReadingVideo

“The roar from hundreds of spectators went from loud to deafening as the choreographed dance began to take energetic life … It left the audience cheering for more.” Philadelphia Inquirer

“In every city the reaction is the same. The participants and the audience experience the same excitement and emotions … People somehow reconnect with the city they live in.” Sylvain Émard

The world’s most infectious performance event returns to the famous steps of the Philadelphia Museum of Art for an even larger spectacle of dance.

A joyously big line dance by Montreal-based choreographer Sylvain Émard, Le Grand Continental ® wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world — from New York to Mexico City to Wellington, New Zealand. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances.

Performed by a diverse cast of 200 Philadelphians from all ages and dance backgrounds, the expanded Le Super Grand Continental brings whole new choreography to a festive—and FREE—dance extravaganza at one of the city’s most iconic locations. After each performance, the crowd is invited to join the dancers as the performance area becomes a huge open-air dance floor.

FREE

Choreography Sylvain Émard Sound Martin Tétreault, Michael Kiley Rehearsal Director and Dancer Sarah Gladwin Camp Rehearsal Assistants and Dancers To be announced

Photos (featured, Montreal 2017) Robert Etcheverry (above, Philadelphia 2012) Maya Daoud (below, Boston 2014) Robert Torres
Le Super Grand Continental has been made possible in part by support from The William Penn Foundation.

 

Le Super Grand Continental is a Sylvain Émard Danse and Festival TransAmériques co-production.

 

Le Super Grand Continental is part of the SPARK: Fringe For Young Audiences series of family friendly programming. The SPARK series is made possible by a leadership gift from the Virginia and Harvey Kimmel Arts Education Fund.

 

[Festival Producers: Salem Shuchman & Barbara Klock
Festival Executive Producers: The Rotundahr]

About Sylvain Émard

Sylvain Émard danced for choreographers such as Jean-Pierre Perreault, Louise Bédard and Jo Lechay, before founding his own company Sylvain Émard Danse in 1990. His repertoire of more than 30 unique pieces has been critically praised at home and abroad. A recipient of numerous awards, Sylvain Émard often works as a guest choreographer in theater, opera, and film.


FringeArts interview with Sylvain Émard

May 2018

FringeArts: What inspired the first Le Grand Continental ®?

Sylvain Émard: As a kid, the first time I danced outside my home was at our church basement where there were line-dancing classes. Maybe that is why I was and still am fascinated by line dancing. To a point where I was often incorporating it (a bit more sophisticated I must say) in my stage work.  Then I came up with this idea of choreographing a dance piece that would mix contemporary dance and line dancing. At first I thought that this would just appeal to Montrealers because of the great popularity of line dancing here. To my surprise, I realized that although line dancing is not that popular everywhere, there is a desire for the people to get involved in an artistic project and dance is perfect for that. It has no language limitation. It is somehow universal despite the specificity of the style.

FringeArts: What do you remember about your show in Philadelphia in 2012?

Sylvain Émard: I have great memories of the performances in Philly. We had a fantastic group of participants and a great team of professionals. Very committed and enthusiastic. I remember it was raining on our first evening show but for the cast there was no question of cancelling the show. We waited a bit for the rain to calm down and danced in the rain. It was magic. For this coming edition we are expecting some dancers from the 2012 edition to take part again this year. I am looking forward to seeing them again.

FringeArts: What will be different about this show?

Sylvain Émard: It will be a whole new version, except for the Philly Soul section that was especially created for the city in 2012 and that I will keep in this year’s show.

FringeArts: How do different audiences react in different cities?

Sylvain Émard: In every city the reaction is the same. No matter the culture, the participants and the audience experience the same excitement and emotions. There is an obvious sense of pride to achieve such a challenge. People somehow reconnect with the city they live in.

Excerpt. Full interview coming soon to the FringeArts Blog.


Further Reading

Everyone’s Dancing in “Le Grand Continental” by Jonathan Stein, thINKingDANCE

Excerpt:
Continental is Whitmanesque in its passionate inclusiveness. It joyfully welds social dance and popular music with a witty, sophisticated contemporary dance consciousness.

Read the full article


Le Super Grand Continental

Posted September 8th, 2018
DescriptionAbout the ArtistInterviewFurther ReadingVideo

“The roar from hundreds of spectators went from loud to deafening as the choreographed dance began to take energetic life … It left the audience cheering for more.” Philadelphia Inquirer

“In every city the reaction is the same. The participants and the audience experience the same excitement and emotions… People somehow reconnect with the city they live in.” Sylvain Émard

The world’s most infectious performance event returns to the famous steps of the Philadelphia Museum of Art for an even larger spectacle of dance.

A joyously big line dance by Montreal-based choreographer Sylvain Émard, Le Grand Continental ® wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world — from New York to Mexico City to Wellington, New Zealand. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances.

Performed by a diverse cast of 200 Philadelphians from all ages and dance backgrounds, the expanded Le Super Grand Continental brings whole new choreography to a festive—and FREE—dance extravaganza at one of the city’s most iconic locations. After each performance, the crowd is invited to join the dancers as the performance area becomes a huge open-air dance floor.

FREE

Choreography Sylvain Émard Sound Martin Tétreault, Michael Kiley Rehearsal Director and Dancer Sarah Gladwin Camp Rehearsal Assistants and Dancers To be announced

Photos (featured, Montreal 2017) Robert Etcheverry (above, Philadelphia 2012) Maya Daoud (below, Boston 2014) Robert Torres
Le Super Grand Continental has been made possible in part by support from The William Penn Foundation.

 

Le Super Grand Continental is a Sylvain Émard Danse and Festival TransAmériques co-production.

 

Le Super Grand Continental is part of the SPARK: Fringe For Young Audiences series of family friendly programming. The SPARK series is made possible by a leadership gift from the Virginia and Harvey Kimmel Arts Education Fund.

 

Festival Producers: Salem Shuchman & Barbara Klock
Festival Executive Producers: The Rotunda


About Sylvain Émard

Sylvain Émard danced for choreographers such as Jean-Pierre Perreault, Louise Bédard and Jo Lechay, before founding his own company Sylvain Émard Danse in 1990. His repertoire of more than 30 unique pieces has been critically praised at home and abroad. A recipient of numerous awards, Sylvain Émard often works as a guest choreographer in theater, opera, and film.


FringeArts interview with Sylvain Émard

May 2018

FringeArts: What inspired the first Le Grand Continental ®?

Sylvain Émard: As a kid, the first time I danced outside my home was at our church basement where there were line-dancing classes. Maybe that is why I was and still am fascinated by line dancing. To a point where I was often incorporating it (a bit more sophisticated I must say) in my stage work.  Then I came up with this idea of choreographing a dance piece that would mix contemporary dance and line dancing. At first I thought that this would just appeal to Montrealers because of the great popularity of line dancing here. To my surprise, I realized that although line dancing is not that popular everywhere, there is a desire for the people to get involved in an artistic project and dance is perfect for that. It has no language limitation. It is somehow universal despite the specificity of the style.

FringeArts: What do you remember about your show in Philadelphia in 2012?

Sylvain Émard: I have great memories of the performances in Philly. We had a fantastic group of participants and a great team of professionals. Very committed and enthusiastic. I remember it was raining on our first evening show but for the cast there was no question of cancelling the show. We waited a bit for the rain to calm down and danced in the rain. It was magic. For this coming edition we are expecting some dancers from the 2012 edition to take part again this year. I am looking forward to seeing them again.

FringeArts: What will be different about this show?

Sylvain Émard: It will be a whole new version, except for the Philly Soul section that was especially created for the city in 2012 and that I will keep in this year’s show.

FringeArts: How do different audiences react in different cities?

Sylvain Émard: In every city the reaction is the same. No matter the culture, the participants and the audience experience the same excitement and emotions. There is an obvious sense of pride to achieve such a challenge. People somehow reconnect with the city they live in.

Excerpt. Full interview coming soon to the FringeArts Blog.


Further Reading

Everyone’s Dancing in “Le Grand Continental” by Jonathan Stein, thINKingDANCE

Excerpt:
Continental is Whitmanesque in its passionate inclusiveness. It joyfully welds social dance and popular music with a witty, sophisticated contemporary dance consciousness.

Read the full article


Le Super Grand Continental

Posted September 8th, 2018
DescriptionAbout the ArtistInterviewFurther ReadingVideo

“The roar from hundreds of spectators went from loud to deafening as the choreographed dance began to take energetic life … It left the audience cheering for more.” Philadelphia Inquirer

“In every city the reaction is the same. The participants and the audience experience the same excitement and emotions… People somehow reconnect with the city they live in.” Sylvain Émard

The world’s most infectious performance event returns to the famous steps of the Philadelphia Museum of Art for an even larger spectacle of dance.

A joyously big line dance by Montreal-based choreographer Sylvain Émard, Le Grand Continental ® wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world — from New York to Mexico City to Wellington, New Zealand. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances.

Performed by a diverse cast of 200 Philadelphians from all ages and dance backgrounds, the expanded Le Super Grand Continental brings whole new choreography to a festive—and FREE—dance extravaganza at one of the city’s most iconic locations. After each performance, the crowd is invited to join the dancers as the performance area becomes a huge open-air dance floor.

FREE

Choreography Sylvain Émard Sound Martin Tétreault, Michael Kiley Rehearsal Director and Dancer Sarah Gladwin Camp Rehearsal Assistants and Dancers To be announced

Photos (featured, Montreal 2017) Robert Etcheverry (above, Philadelphia 2012) Maya Daoud (below, Boston 2014) Robert Torres
Le Super Grand Continental has been made possible in part by support from The William Penn Foundation.

 

Le Super Grand Continental is a Sylvain Émard Danse and Festival TransAmériques co-production.

 

Le Super Grand Continental is part of the SPARK: Fringe For Young Audiences series of family friendly programming. The SPARK series is made possible by a leadership gift from the Virginia and Harvey Kimmel Arts Education Fund.

 

Festival Producers: Salem Shuchman & Barbara Klock
Festival Executive Producers: The Rotunda


About Sylvain Émard

Sylvain Émard danced for choreographers such as Jean-Pierre Perreault, Louise Bédard and Jo Lechay, before founding his own company Sylvain Émard Danse in 1990. His repertoire of more than 30 unique pieces has been critically praised at home and abroad. A recipient of numerous awards, Sylvain Émard often works as a guest choreographer in theater, opera, and film.


FringeArts interview with Sylvain Émard

May 2018

FringeArts: What inspired the first Le Grand Continental ®?

Sylvain Émard: As a kid, the first time I danced outside my home was at our church basement where there were line-dancing classes. Maybe that is why I was and still am fascinated by line dancing. To a point where I was often incorporating it (a bit more sophisticated I must say) in my stage work.  Then I came up with this idea of choreographing a dance piece that would mix contemporary dance and line dancing. At first I thought that this would just appeal to Montrealers because of the great popularity of line dancing here. To my surprise, I realized that although line dancing is not that popular everywhere, there is a desire for the people to get involved in an artistic project and dance is perfect for that. It has no language limitation. It is somehow universal despite the specificity of the style.

FringeArts: What do you remember about your show in Philadelphia in 2012?

Sylvain Émard: I have great memories of the performances in Philly. We had a fantastic group of participants and a great team of professionals. Very committed and enthusiastic. I remember it was raining on our first evening show but for the cast there was no question of cancelling the show. We waited a bit for the rain to calm down and danced in the rain. It was magic. For this coming edition we are expecting some dancers from the 2012 edition to take part again this year. I am looking forward to seeing them again.

FringeArts: What will be different about this show?

Sylvain Émard: It will be a whole new version, except for the Philly Soul section that was especially created for the city in 2012 and that I will keep in this year’s show.

FringeArts: How do different audiences react in different cities?

Sylvain Émard: In every city the reaction is the same. No matter the culture, the participants and the audience experience the same excitement and emotions. There is an obvious sense of pride to achieve such a challenge. People somehow reconnect with the city they live in.

Excerpt. Full interview coming soon to the FringeArts Blog.


Further Reading

Everyone’s Dancing in “Le Grand Continental” by Jonathan Stein, thINKingDANCE

Excerpt:
Continental is Whitmanesque in its passionate inclusiveness. It joyfully welds social dance and popular music with a witty, sophisticated contemporary dance consciousness.

Read the full article


You can be Le Super Grand

Posted May 21st, 2018

Do you want to be a part of a grand Fringe Festival show? Here’s your chance. Audition next month to participate in Le Super Grand Continental, one of the world’s most infectious art events.

Le Grand Continental® Philadelphia Museum of Art Plaza, Philadelphia Fringe Festival

Photo by Sylvain Émard Danse

The 2012 Fringe Festival kicked off with a large scale performance unlike anything Philadelphia had seen before. One hundred and fifty volunteer dancers of all ages and backgrounds assembled at the iconic Philadelphia Art Museum steps and twirled into a rhythmic human kaleidoscope of celebratory dance. Le Grand Continental was a joyous and intoxicating spectacle, one that united people from across Philadelphia’s diverse communities and was praised by the Philadelphia Inquirer as “fantastic… it left the audience cheering for more.”

Since then Le Grand Continental has travelled across the globe, gathering together hundreds of dance enthusiasts to perform its sensational choreography, which combines festive line dancing with the fluidity and expressiveness of contemporary dance.

“In every city the reaction is the same,” says Montreal’s Sylvain Émard, the mastermind behind this acclaimed work. “No matter the culture, the participants experience the same excitement and emotions. Same for the audiences. There is an obvious sense of pride to achieve such a challenge. It also allows the people to somehow reconnect with the city they live in.”

This year, the Fringe Festival will be ushered in once again Sept 8 & 9, 2018, with Émard’s unifying work, but with one key difference. As the title Le Super Grand Continental suggests, this time around Émard and his team are doing it bigger and are looking to gather 200 dancers to realize this remarkable performance, which features whole-new choreography.

Read More

Le Grand Continental: Voices from the Nosebleed Section

Posted August 28th, 2012

“All here!” say Le Grand Continental Philly participants.

On August 7, Le Grand Continental held its first full-participant rehearsal: 150 volunteer performers from the Philadelphia area gathered in Penn’s Class of 1923 Ice Rink to practice for the September 8 and 9 shows at the 2012 Live Arts Festival. Like specters of actual spectators, bikes sat up in the stands and helmets looked on as the heads they protected remarried their pedaling legs: now graceful, they side-stepped, pivoted, and lounged in syncopated time.

Humid as Hades (and iceless, too), the rink rehearsal marked the first where all the volunteers gathered in one space; until then dancers had been practicing the 30-minute dance performance in two separate groups. Smaller rehearsals made the logistics of mastering the routine less nightmarish, and finally coming together meant that the team could focus on spacing issues and what it would feel like to dance as part of a crowd. Ignoring my own urge to jump on-rink, I talked with several participants about what motivated them to become, as phrased in a recent article about the performance by Philadelphia Magazine, ‘citizen dancers.’

After the jump: Philly residents get their groove back, and Le Grand Continental in Montreal

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