Operatic Addictions
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Operatic Addictions

Alter Ego Chamber Opera

Part of the 2019 Fringe Festival

Venue

St. Stephen’s Episcopal Church
19 South 10th Street
Philadelphia, PA 19107 United States
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September 6 + 7, 2019

A fully staged operatic double-bill about two of our most major addictions: coffee and smartphones, with a new adaptation of J.S. Bach’s The Coffee Cantata, and Phony, a premiere micro-opera by David Brown and Alize Rozsnyai. Accompanied by a reorchestrated chamber ensemble that includes electric guitar, bass guitar, and saxophone.

$25 / 80 minutes


Alter Ego Chamber Opera (AECO) is an emerging, Philadelphia-based opera collective that presents new works and reimagined works of history “without the ego.” Traditional barriers of language and antiquated themes are stripped away in favor of productions more relevant to today’s audiences, created right now. AECO is the brainchild of Alize Rozsnyai, Soprano/Librettist, David Matthew Brown, Composer/Violinist, Irene Moretto, Keyboardist/Collaborator, and Kaitlyn Waterson, Soprano/Creator.

Our first season, to begin this fall, will comprise three productions. The first, scheduled for Philadelphia’s Fringe Festival on the evenings of September 6th and 7th, is a double-bill: 1) J.S. Bach’s “Coffee Cantata” (BWV 211), performed to an original libretto by Alize Rozsnyai, and reorchestrated for three voices, soprano sax, violin, viola, electric guitar, electric bass, and harpsichord; and 2) Philadelphian composer, David Matthew Brown’s new opera, “Phony,” about cell phone addiction, also based on text by Rozsnyai, and scored for the same ensemble. The theme of the performance is addiction, as it pertains to seemingly innocuous habits, such as coffee and screen time. The second production, slated for February of 2020, will be TBA, but likely a brand new work or series of brand new works embracing our mission of promoting female-identifying creators and story-tellers. AECO’s final first season production, likely in the late spring of 2020, will be a reimagining of Handel’s “Alcina,” in English, reorchestrated, and staged in a modern idiom.

Learn More:

AlterEgoChamberOpera.com
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