Outside of Your Expectations is a healing, interactive, art exhibition in the form of a video installation and live performance. It explores social constructs that are put upon Black women and the ways that it can affect their mental health. Through West African’s fast pace motions, Umfundalai’s contemporary African reflective storytelling gestures, and Hip Hop’s dynamic grooves, this video installation and performance depicts a mental fight. The fight against the belief that stereotypes define people. It goes on to demonstrate that when one takes time to heal, the individual is healing their inner child from the stereotypes they have grown up with and subconsciously took as their truth.
The art exhibition is opening space to provide grace, love, and opportunity to be soft with one’s self again. The Reclamation Dance Project explores and provides an inside look of the black woman psyche in the climate of 2020 to present day. We will delve deeply into themes such as ancestry, Afrofuturism and reclaiming one’s self from the social and cultural expectations of Black women. From stereotypes such as the “angry Black woman” when she speaks her mind to the “Strong Black woman” who is forcefully obligated to take on everyone’s hardships along with her own, this project will not only present the detrimental effects it has on her mental health, but the victory she finds when she is not held to these expectations through healing, self-exploration, and community support. My goal is to have this art exhibition in front of audiences of all races to facilitate open discussions focused on Black women’s mental health while confronting and processing stereotypes. I want to provide an open space to acknowledge this issue and have talk backs. At the end of the exhibition, Philly-based Black women therapists will implement open discussions while also providing a safe space for Black women to feel seen, heard, supported, and open doors to healing.
Appropriate for ages 13+
Join Cannonball and thINKingDANCE for a Write Back Atcha!
This year, Cannonball and thINKingDANCE join forces to encourage audiences and performers to deepen their experience of the festival through writing. thINKingDANCE will be leading weekly “Write Back Atchas” for audience members following specific Cannonball performances. Post-show, a thINKingDANCE writer will guide audiences through a creative response to the show through writing. Audience writing may be featured on thINKingDANCE.net, where you can find reviews of Cannonball shows, Philadelphia Fringe shows, and more!
Thursday 9/1 @ 8:30pm: Vapors | Megan Mazarick – Facilitated by nikolai mckenzie ben rema
Wednesday 9/7 @7pm: Mio, Tuyo, Nuestro | Carne Viva Dance Theatre – Facilitated by Kalila Kingsford Smith
Thursday 9/15 @7pm: Outside your Expectations | Sophiann Moore – Facilitated by Lauren Putty White
Friday 9/23 @ 5:30pm: Myzrie House | Mark Wong & Nicole Burgio – Facilitated by Miryam Coppersmith
*Participation is not required. Arrive 15 minutes before curtain time to fully participate!*
This show is presented as part of Cannonball Festival, Philly’s artist-centered performance hub, packing in 65+ full length shows and 300 performances in two nearby venues. Discover risk-taking theater, dance, circus, music, and comedy alongside a vibrant garden bar with a free nightly cabaret, pop-up events, workshops, artist talkbacks, and more. September 1–30 at the Maas Building (1320 N 5th St) and Icebox Project Space (1400 N American St). Learn more at cannonballfestival.org.
This performance contains brief graphic language. This show will be discussing mental illness, mental health, and systems of oppression during the live performance along with the talk backs following after.
Health & Safety
Proof of vaccination is required to attend this event, and masks must be worn for the duration of the performance. Audience members will be asked to show proof of vaccination before entering the venue. Both digital and physical proof of vaccination are accepted. Please plan accordingly.
Artistic Director: Sophiann Moore, Assistant Rehearsal Director: Kalayah Curry, Dancers: Aziyah Batton, Mia Clark, Kalayah Curry ,Caitlin Green, Alaina Griffin, Sophiann Moore, Photographers: Alexa Santy, Sarah Atunrase, Music Engineer: Michael Anthony Clark, Makeup Artist: Kym Bethea, Visual Artist: Maya Freelon, Poet: Danielle Chappell “Black Excellence”
About the Artist
Current Philadelphia Artist, Sophiann Mahalia moved from Hartford, Connecticut to receive her BFA in Dance Choreography and Performance from Temple University. Sophiann graduated from Summa Cum Laude and had the honor of being the recipient of the Rose Vernick Most Promising Performers Award. Sophiann’s dance credentials include Equilibrium Dance Theatre, D2D: Dare To Dance, and Kariamu and Company: Traditions. She has trained under Lee Aca Thompson, who has influenced artists such as Michael Peters choreographer for Michael Jackson’s Thriller, and Dr. Kariamu Welsh, creator of the Umfundalai technique. She has studied West African, Modern, Ballet, Hip hop, Waacking, and Umfundalai with AQiida Gilbert, Dara Stevens-Meredith, Dr. Kariamu Welsh, Jillian Harris, Jolet Creary, Kun Yang Lin, Laura Katz Rizzo, Lee Aca Thompson, and Stephen Hankey. Her recent works include the Gilead’s commercial campaign “Press Play”, Black & Mild commercial shoot, and music video Clarity for singing artist Saleka Night Shyamalan directed by Ishani Shyamalan and M. Night Shyamalan. Along side this, she was one of the featured dancers for Ari Lennox’s Shea Butter Baby music video featuring J Cole.
In the commercial world, Sophiann has had the opportunity to do work for companies such as BOMBAS, gone on tour with the Clothesline Muse starring six time nominated jazz singer Nnenna Freelon and performed in New Freedom Theatre’s Black Nativity directed by Rajendra Maroon Maharaj.
She promotes body positivity and strongly uses dance to tell the story that can’t be understood with just words, but movement. Sophiann Mahalia explores dance through her own experiences of the black dancing body by using her fusion of african, hip hop, and waacking to promote the limitless and regal qualities of womanhood within the black dancing body. She aspires to inspire other artists to take their artistry to the next level as she does the same.”