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Posts Tagged ‘Brenna Geffers’

Meg and Dana Are Troilus and Cressida in RevShakes Non-traditional Fringe Casting

Posted August 27th, 2018

Revolution Shakespeare’s outdoor performances in Bella Vista’s Hawthorne Park have become staple of FREE Fringe offerings. For their fifth Festival production, the company continues its tradition of producing fiercely modern takes on lesser-known Shakespeare works with Troilus and Cressida.

(l-r) Meg, Dana, and Sol Madariaga star in Troilus and Cressida.

Directed by star Philadelphia director Brenna Geffers, the staging of the Bard’s intriguing piece on star-crossed lovers in the Trojan War sees a gender-defying non-traditional casting, headlined by Meg Rumsey-Lasersohn and Dana Kreitz as the titular characters. FringeArts spoke to the pair about the play, their roles, and the importance of RevShakes’ unconventional casting.

FringeArts: What appealed to you about Troilus and Cressida?

Meg Rumsey-Lasersohn: I think I first read Troilus and Cressida in college, with a professor who LOVED it. And I remember being totally baffled the first time through—like, what IS this? It’s almost historical fanfiction. I was obsessed with Greek mythology and the Trojan war as a kid, so that has appealed to me for a long time, but  honestly, nothing appealed to me about Troilus. I thought he was an absolute jerk. That’s part of why I am excited to play the role—to find what I love in him, what I empathize with.

Dana Kreitz: The play was appealing to me in the way that it dealt with these iconic, fabled characters and Cressida was, and is, so wonderful for me to explore because she’s a woman doing her best with the cards she’s dealt. And she continuously gets some pretty shitty cards. And through it all, she keeps her wit. And she keeps her strength. And Shakespeare treats her with some kindness and mercy, I think, in his portrayal of her struggles and choices, and doesn’t simply write her off as the faithless lover that she’s known as being. She gets to be human.

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Fringe at 20 Profile: Brenna Geffers

Posted September 19th, 2016
Geffers with Actors

Geffers with Shadow House performers Anthony Crosby, Kayla Grasser, and Michael Linehard (photo by Mickey Herr)

Name: Brenna Geffers

Type of Artist: Theater-maker and Director

Companies: I am a freelance artist, but have been proud to call Theatre Exile, EgoPo Classic Theater, Thom Weaver’s Flashpoint, and Rebel Theater in NYC my artistic homes in the past. Currently I am an artist-in-residence at The Powel House with the Philadelphia Society for the Preservation of Landmarks (PhilaLandmarks). I am also a member of the Philadelphia Opera Collective, which just means that I hang out with some gorgeous artists and singers for a few months out of the year.

List of Fringe shows I’ve participated in:
Mother Courage and Her Children, Wandering Rom, 2006 – Director
Planetary Enzyme Blues, New Paradise Laboratories, 2007 – Assistant Director
Masque of the Red Death, Wandering Rom, 2007 – Creator/Director
Mud, Wandering Rom, 2008 –  Director
Woyzeck, EgoPo, 2009 – Director
Marat/Sade, EgoPo, 2010 – Director
The Oresteia Project, Philadelphia Artist Collective, 2011 – Creator/Director
The Consul, Philadelphia Opera Collective, 2012 – Director
Opera Macabre, POC, 2013 – Librettist/Director
A Doll’s House, EgoPo, 2013 – Creator/Director
By You That Made Me Frankenstein, POC, 2014 – Creator/Director
Jump the Moon, Philadelphia Opera Collective, 2015 – Creator/Director

Geffers - Mud

Joe Canuso, Megan Snell, and Robert Daponte in Mud (photo by John Margolus)

Fringe show I’m participating in for 2016Shadow House, an immersive opera and theater piece where 10 different storylines across 200 years are connected by a single location. Audience members follow characters and stories by moving around the historic Powel House, chasing what interests them to put the pieces together. There is music and movement and mystery happening in all the nooks and crannies of the house. I am the creator and director for the piece and was commissioned by the Philadelphia Society for the Preservation of Landmarks.

First Fringe I attended and highlight: I started seeing Fringe shows before I moved to Philadelphia, so the shows that I saw, like the epic Black Party Pink Palace and the achingly delicate Hell Meets Henry Half Way loom large in my mind. They inspired me to move to Philadelphia and be part of the strange and beautiful scene here.

First Fringe I participated in: The first show that I was actually hired to be a part of – rather than using the money I saved up all summer from shady telemarketing jobs – was Planetary Enzyme Blues with New Paradise Laboratories. I was the AD for the show and cherished every moment I was in the room with those artists; you don’t spend hours watching Mary McCool create work and leave unchanged. I learned a lot that summer, about art and collaboration and risk. I cried at the final moments of that show every time I watched it.

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