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Posts Tagged ‘Happenings’

rail.

Posted September 20th, 2019

September 20, 22, 24, 26 + 27, 2019

Staged in the 100-year-old Racquets court inside the members-only confines of The Racquet Club of Philadelphia, rail. is a play about the cyclical nature of relationships in our lives and the ways we struggle to break free from past events to forge new paths. Sarah, a therapist and former championship squash player, is stuck in a cycle of rotating men in her life, all played by the same actor. She must decide how to break the cycle and find her most singular life.

$16 / 90 minutes


Written by Zac Kline Directed by Rachel Dart & Zac Kline Featuring Emilie Krause & Harry Watermeier Photos by Plate 3 Photography

DRESS CODE: Please note that The Racquet Club of Philadelphia enforces a ‘Smart Casual’ dress code that prohibits t-shirts, hooded sweatshirts, sweatpants, spandex, halter tops, cargo pants, shorts, sneakers, flip flops, and hats.

Learn more:
railtheplay.com
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Fire in the Sky

Posted September 13th, 2019

September 13 + 14, 2019

This is a cosmic constellation. Come for the conversation. Stargaze for days. Costarring the interstellar Maddie & Kayla, Queenz Collective (Sanchel Brown, Caitlin Green), and Haylee Warner. This work supports and is supported by Urban Movement Arts (UMA) Come take a class! UMA welcomes adults of all ages and experience levels.

$15 / 60 minutes


Soar between the planets of our performance solar system. You will be buckled in an out of mini performances inhabiting the studios, cubbies, and closets of Urban Movement Arts (UMA). Quick feet are hidden around the corner. Orbiting bodies invite you with their gravitational field.

Fire in the Sky is a performance event produced by Urban Movement Arts (UMA) community members Queenz Collective (Sanchel Brown & Caitlin Green), Haylee Warner & collaborators, and Kayla Bobalek & Maddie Hopfield.

UMA is producing Fire in the Sky as part of its expanded Artists in Residency (AIR) programs, directed by Lily Kind. The AIR program supports creators of experimental dance, theater, and performance who walk with Afro diasporic and American folk dance traditions. UMA welcomes adults of all ages and experience levels to learn American folk dance and African Diaspora movement genres such as Hip Hop, Jazz, Breaking, Waacking, and House. UMA serves as the downtown hot spot for professional dancers in under-represented forms to practice, cipher, and build.

Additional support Austin Blakely (So Serious Live), Eppchez Yes!, Malachi Lily, Marina Oney, Ryan Blakely, Danica Strushensky, Julia Bryck, Mehgan Abdel-Moneim, Isabella Yannoni

Learn more:
urbanmovementarts.com
Instagram (Caitlin Green)
Instagram (Sanchel Brown)
Instagram (Maddie Hopfield)

NecroPhillyAhhh: A FUNeral Cabaret

Posted September 13th, 2019

September 13, 14, 20 + 21, 2019

Tap your toes and drink yourself to “death” as you imbibe with the embalmed!

“Cocktails and cabaret that spook and stir the soul” (Philly Voice).

“Performers with killer pipes—spine-tingling, dead-on sexy” (Phindie)

Suggested attire: dress dead or undead!

$30 / 60 minutes


REV presents NecroPhillyAhhh: A FUNeral Cabaret in Ulana’s—a decadent night club in the heart of Queen Village.

Tap your toes and drink yourself to death with three departed singing souls as they journey between this world and the next. Imbibe with the embalmed with music from Bessie Smith to the Scissors and Cole Porter to Sonny and Cher. A cabaret unlike anything you’ve seen before with wild, mysterious, haunting, wickedly funny, macabre entertainment.

SEE a sailor lost at sea as his widow drowns in a bathtub.

MARVEL as a serial-killing little girl pleads for the electric chair.

BEWARE of the murdering rapist stalking his next victim.

“A show filled with nothing but highlights. GO!” (DC Metro Theatre Arts)

“This is a terrific cabaret, campy and vampy with that twist of risqué strangely life-affirming, a funereal roller coaster” (Lysander LG blog)

Note: NecroPhillyAhhh: A FUNeral Cabaret is a 21+ event

About REV Theatre Company

REV Theatre Company brings a fresh contemporary vision to existing dramatic works and company created new pieces. We believe that theater is an experience, an event: the worlds we create are visceral and immediate. The REV aesthetic fuses a profound exploration of the texts with a ferocious emotional landscape, intensely physical staging and musical production numbers.

We present our work in unique and site-specific spaces: we have performed on the steps of the Art Museum, a parking lot in New York, a pier on the Hudson River, a tiny storefront on the Lower East Side of NYC, two Philadelphia cemeteries and the previously empty, disused lot next to the Broad Street Ministry.

One of our trademarks is the active involvement of the audiences in our outdoor productions as we bring the audience into the world that we create. We acknowledge and encourage direct communication and response from our audiences, engaging them in a collective participation with the performers, the story, the action, the space and each other.

REV’s production of Hamlet in Laurel Hill Cemetery 2017 played to sold-out houses. Our summer 2019 production of The Witch of Edmonton at Laurel Hill was also a sell-out. In 2020, REV will present Macbeth, once again in partnership with Laurel Hill Cemetery.

Learn More:
revtheatrecompany.org
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Dear qupid

Posted September 9th, 2019

September 9, 15 + 22, 2019

Viewers are invited to seek love advice from qupid at this interactive performance situated near the LOVE sculpture. Part awkward school play, part shoddy lemonade stand, this is a combination of advice columns, dating shows, themes around romance, and the divine in a strange whimsical experience.

Free / 60 minutes


Special thanks to my assistant performers and the FringeArts team for making this happen.

Learn More:
danasuleymanova.com
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Happy Hour on the Fringe

On this episode of Happy Hour on the Fringe, we share a drink with Marc Wilken from Parks and Recreation and three independent Fringe Festival artists: Dana Suleymanova (Dear qupid), Eric Thayer (Give Your Heart), and Leah Stein with Asimina Chremos (RISE: Relationship is Self Existing).  All of the performances are participatory and engage with the City of Brotherly Love as they explore love, the beating heart, and how human bodies share space in LOVE Park this September. Listen to the podcast episode below or read the full transcript on the FringeArts Blog.

Emergency Contact

Posted September 8th, 2019

September 8–11, 15–18 + 22, 2019

Headphones on, follow along. Jenny has been summoned and you agreed to help. Retrace her steps and listen to her final dispatch to discover how we break the cycle. Emergency Contact is an immersive, traveling experience for a solo audience member.

$20 / 45 minutes


Directed and created by Ann Kreitman Voice of Jenny played by Parker Sera

Emergency Contact is a show for one audience member at a time. Audience members are required to wear headphones for the duration of the performance and to walk inside and outside according to direction provided through the headphones. Accommodations will be provided during inclement weather. The performance begins and ends at The Good Karma Cafe at the Wilma Theatre.

Learn More:
AnnKreitman.com
Twitter & Instagram
#emergencycontactfringe

 

 

You Are Not a Shining Star

Posted September 7th, 2019

September 7, 8, 21 + 22, 2019

Have you ever thought about your legacy? I mean, what makes you SPECIAL? What does it mean to be YOU? Are you the experiences you’ve accumulated? Are you the thoughts in your brain? If you’ve never pondered this, don’t worry. We’re here to help. Shining Star is a movement-based performance that is weird but not boring. This work supports and is supported by Urban Movement Arts (UMA), where we both work and teach. Come dance with us! UMA welcomes adults of all ages and experience levels.

$15 / 60 minutes


Performed by Vince Johnson and Mark Wong Designed by Mark Wong Outside eye by Lily Kind Supported by UMA

Learn More:
urbanmovementarts.com
Instagram (UMA)
Instagram (hiphopfundamentals)

 

 

International Fringe 2018: A Welcome to Artists from Around the World

Posted September 2nd, 2018

The United States government may be pursuing an isolationist policy but the Philadelphia Fringe is doing the opposite: opening its doors not only to the most creative American performers and performances but also to the best and most creative theater artists and their productions from around the world—overcoming the ancient fear of the symbolic Tower of Babel with people not understanding each other.

To show the worldwide scope of the 22nd Philadelphia Fringe Festival, we offer this spotlight on performers from abroad and productions by American artists that present a global perspective.

Theater writer Henrik Eger, editor of Drama Around the Globe and contributor to Phindie and Broad Street Review, among other publications, has lived in six countries on three continents and has visited Africa and Australia as well. He bids everyone a hearty WELCOME to the City of Brotherly Love—this year in 18 different languages: Arabic, Celtic, Chinese, English, Esperanto, Estonian, Farsi, French, German, Greek, Hebrew, Hindi, Irish, Italian, Latin, Polish, Romanian, and Spanish.

We start this year’s overview with a special welcome to two programs featuring a wide range of global creators:

INTERNATIONAL CREATIVES

  1. le super grandBienvenue & welcome to Montreal-based choreographer Sylvain Émard and Le Super Grand ContinentalLe Grand Continental wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances. The world’s most infectious performance event returns to the front steps of the Philadelphia Museum of Art in an even larger spectacle of dance.

More info and tickets here

  1. Bonvenon, willkommen, bienvenido, witamy, bienvenue & welcome to Do You Want A Cookie? from The Bearded Ladies Cabaret—a world premiere with an international cast. Do You Want A Cookie? serves up a delicious romp through cabaret history, with an international cast of artists performing a live revue of cabaret from the Chat Noir to Weimar nightlife to 21st-century drag. The all-star cast comes draws from around the world, including Bridge Markland (Berlin), Malgorzata Kasprzycka (Paris/Warsaw), Dieter Rita Scholl (Berlin), and Tareke Ortiz (Mexico City).

More info and tickets here

REFUGEES and EXILES

  1. ear whispered

    As Far As My Fingertips Take Me. Photo by

    وسهلا اهلا (ahlaan wasahlan) & bienvenu. Welcome to Tania El Khoury who lives in Lebanon and the UK with her multifaceted program ear-whispered. Little is known about Palestinian refugee camps and their communities. El Khoury presents her Fringe work in five parts through interactive performances and installations at Bryn Mawr College:

    1. Gardens Speak, an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. (Bryn Mawr College.) Read more.
    2. Camp Pause, a video installation that tells the stories of four residents of the Rashidieh Refugee Camp on the coast of Lebanon. (Bryn Mawr College.) Read more.
    3. As Far As My Fingertips Take Me, an encounter through a gallery wall between a single audience member and a refugee. (Old City & Bryn Mawr College.) Read more.  
    4. Stories of Refuge, an immersive video installation that invites audiences to lay down on metal bunk beds and watch videos shot by Syrian asylum seekers in Munich, Germany. (Old City.) Read more.
    5. Tell Me What I Can Do, a newly commissioned work featuring letters that audiences have written in response to Gardens Speak. (Bryn Mawr College.) Read more.

More info and tickets here

  1. Bienvenido & welcome to the bilingual (Spanish & English) cast of La Fábrica performing Gustave Ott’s Passport. Lost in a foreign country, Eugenia is detained and thrown into a vicious maelstrom of miscommunication. This poetic and immersive Kafkaesque thriller delves into the question of immigration—exposing the mechanics of language and power. Some performances will be presented in English, some in Spanish, and some will be decided at the toss of a coin.

More info and tickets here

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