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Posts Tagged ‘Indoor’

unbird unbeast

Posted September 21st, 2019

September 21 + 22, 2019

A dance performance and sculptural installation, unbird unbeast engages in contemporary myth-making as an embodied practice. By activating a lush sensorium of dense movement within complex sculptural environment, we ask ourselves to constantly attempt to feel more and feel differently.

$8 / 45 minutes


Sound design by Niall Jones Costumes by Andrew Smith

 

Circadium Presents: 4:18 AM / Chaos Theory

Posted September 20th, 2019

September 20–22, 2019

A contemporary circus double feature: 4:18 AM is an introspective visual album of Let Them Eat Chaos by poet and musician Kate Tempest. In one surreal minute, seven strangers question their own humanity. Chaos Theory uses juggling, equilibristics, and theater to study the differences between order and chaos. 15-minute intermission between shows.

$20 / 90 minutes


“Circadium Presents” is an annual contemporary circus addition to the Philadelphia Fringe Festival hosted and sponsored by Circadium School of Contemporary Circus. Special thanks to Kate Tempest and wildlife entertainment for the use of “Let Them Eat Chaos” by poet and musician Kate Tempest.

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rail.

Posted September 20th, 2019

September 20, 22, 24, 26 + 27, 2019

Staged in the 100-year-old Racquets court inside the members-only confines of The Racquet Club of Philadelphia, rail. is a play about the cyclical nature of relationships in our lives and the ways we struggle to break free from past events to forge new paths. Sarah, a therapist and former championship squash player, is stuck in a cycle of rotating men in her life, all played by the same actor. She must decide how to break the cycle and find her most singular life.

$16 / 90 minutes


Written by Zac Kline Directed by Rachel Dart & Zac Kline Featuring Emilie Krause & Harry Watermeier Photos by Plate 3 Photography

DRESS CODE: Please note that The Racquet Club of Philadelphia enforces a ‘Smart Casual’ dress code that prohibits t-shirts, hooded sweatshirts, sweatpants, spandex, halter tops, cargo pants, shorts, sneakers, flip flops, and hats.

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railtheplay.com
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Women in Mummers Project

Posted September 20th, 2019

September 20–22, 2019

The Women in Mummers Project gives a voice to the hard-working women in the Mummers organization. These women do everything: building huge suits, organizing people, marching in the parade, feeding everyone, and so much more. Come learn about these outstanding women and the Mummers.

$10 / 45 minutes


The Golden Sunrise NYA is a nonprofit dedicated to teaching Mummery to everyone. Whether you want to march down Broad Street, or work behind the scenes and help make the magic happen, there’s a number of ways to get involved at Golden Sunrise and become a part of the Mummer community.

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goldensunrisenya.com

See Amid The Winter Snow

Posted September 19th, 2019

September 19–21*, 2019

It’s Christmastime in September! Join our lovable snowman for a drink as he narrates the Yuletide pandemonium that is the tale of Mitchell Claus and Daisy Scarlett. Their love story is threatened when a blackmail scandal emerges in Santa’s workshop amid Mrs. Claus’ critical re-election bid for mayor of the North Pole.

*Audio description for Saturday, September 21 performance at 1:30pm.

ADA accessible

$15 / 100 minutes


Peter Fenton is a Philadelphia-based writer for the stage, screen, and blog committed to creating intelligent, humorous content. He specializes in writing comedy dialog, most frequently within fantasy, fairy tale, and science fiction stories for all ages. Following his first two stage play publications in February 2019, Fenton launched ByPeterFenton.com to begin freelance script and story writing and to host information about each of his stage and screenplays as well as a periodic blog about his writing process and personal life. While they overlapped working at the Walnut Street Theatre in Philadelphia, director Amanda Pasquini and actress Chelsea Cylinder joined with Fenton to mobilize ByPeterFenton.com as a theatrical production company in May 2019, mounting the world premiere of Fenton’s holiday comedy See Amid the Winter Snow as their debut production.

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The Insanity of Mary Girard

Posted September 19th, 2019

September 19–22, 2019

In 1790, the wife of noted Philadelphian Stephen Girard awoke to find herself in the mental asylum at The Pennsylvania Hospital. How did she get here? Why has her husband not come to have her released? Is it all a mistake, or is she truly insane? Join us on the inside where we find out more as the tale unfolds.

$25 / 80 minutes


Sarah Heddins plays Mary Girard in this immersive, thought provoking, and fascinating historical drama about the roles that men and women were expected to play in early American society, and just what can happen when you don’t live up to the expectations of your station. The play centers primarily on Mary’s time in the Pennsylvania Hospital, as told by her and a “greek chorus” of inmates, who help her see clearly the path that lead her to be placed in there with them. This story is based on a letter Stephen Girard wrote to his brother in 1787 where he lamented about,

Having been so foolish as to marry this unfortunate vixen… I treat her properly but at the same time I despise her as much as it is possible to despise anyone… I hate her like the devil and note with pleasure that this feeling increases from day to day.

A powerhouse of actors in this ensemble cast bring the story to life as it is presented in the round, in an intimate theater space. Join us in the basement of the Pennsylvania Hospital as we learn more about Mary and those closest to her, and what led to the tragic fate of Mrs. Stephen Girard.

Written by Lanie Robertson Directed by Mariangela Saavedra Starring Neena Boyle, Jim Broyles, Sarah Heddins, Jessica McDonald, Willam McHattie, Teresa Nutter, Sarah Palmatory, Browning Sterner, and Sean Vermeire


For over sixty-three years, Allens Lane Theater has produced purposeful, challenging, and unique theater experiences centered around contemporary human issues which reflect the diversity and complexity of our community. We present the best in contemporary theater in a unique cabaret atmosphere. An intimate space guarantees that no one is far from the stage. Our patrons also are treated to extended time in the theater prior to each performance to enjoy the company of their neighbors and fellow theater patrons, while they savor BYOB picnic dinners and are seated a cabaret tables. This is a theater experience you won’t find anywhere else in the city!

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Translation: Cracking the Girl Code

Posted September 19th, 2019

September 19 + 22, 2019

This new musical by Terrell M. Green follows the journey of the first trans girl group to make it mainstream. Five days out from their first world tour, these women fight for equality and acceptance from the world while navigating the demands of the music industry. Think along the lines of a Trans musical inspired by Dreamgirls.

$25 / 60 minutes


September 19th performance located at Tabu Lounge & Sports Bar, September 22nd performance located at William Way Center.

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La Bolivianita

Posted September 19th, 2019

September 19–22, 2019

This autobiographical one-woman performance work by Pasión y Arte artistic director Elba Hevia y Vaca explores her story as a Bolivian immigrant and mother. La Bolivianita delves into her almost lifelong journey with Flamenco and how that has continued to evolve as she ages. The piece will culminate in an interactive dialogue with the audience. Directed by world-renowned Flamenco artist Belen Maya. World Premiere.

Photo: Aidan Un

$20 / 55 minutes


About Elba Hevia y Vaca

Born in La Paz, Bolivia, Elba Hevia y Vaca began her study of classical Spanish dance at the age of five. She studied with great masters in Spain for over 20 years, and later joined the Ana Martinez Flamenco Dance Company and Raquel Peña Spanish Dance Company in Washington D.C., where she was a soloist. In Philadelphia, she continued her study of modern dance, jazz, and contact improvisation from various Philadelphia artists. In 2000, Hevia y Vaca founded Pasión y Arte out of a strong and intensely personal conviction that highly-stylized traditional Spanish Flamenco dance is a perfect vessel to empower women. These values have been reflected in the eight original, critically acclaimed works she has created for PyA, and in the numerous grants, fellowships, and accolades awarded to Hevia y Vaca and PyA under her direction. In addition, she was nominated for a prestigious Pew Fellowship in 2018. She conducts master classes throughout the US, has taught at local Philadelphia universities, teaches various levels of Flamenco at at her Overbrook Studio in West Philadelphia, and has been teaching at Franklin & Marshall as a Senior Adjunct for the last 20 years.

About Pasión y Arte

For more than a decade, Pasión y Arte (PyA), Philadelphia’s premier all-female contemporary flamenco dance company under the direction of Elba Hevia y Vaca, has been embracing artistic excellence in performance, education and community engagement focused on modern feminist flamenco. Deemed a world classic by The Philadelphia Inquirer, Pasión y Arte continues to strengthen flamenco’s legacy as a classical form while also expanding the trajectory of modern feminist flamenco through its conservatory classes, performances, and national tours. In eight original productions, and through its presentation of the 2012 and 2014 Philadelphia Flamenco Festivals, PyA empowers women through self-expression by embracing bold experimentation that challenges traditional flamenco gender stereotypes.

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B. Franklin: Words Matter

Posted September 19th, 2019

September 19–22, 2019

Sharp in wit, frail in body, Philly’s favorite Founding Father eloquently holds court on life, liberty, and love. Family, royalty, lady friends, and surprise visitors join in. Is it truth? Exaggeration? Vanity? Legend informs the words. You decide the matter.

“Extraordinarily splendid” (Phindie)

$15 / 60 minutes


Kudos to Ben Franklin’s parents, without whom this theater experience, and the formation of our Republic, may have proved impractical.

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Between

Posted September 19th, 2019

September 19–21, 2019

Each show features a new opera and a band. The first half: a binge-staging of The 2019 Serial Opera Project (shows II and III) or the world premiere of the sci-fi opera Ganymede 5 (I and IV) by Evan Kassof and Aleksandar Hut Kono. The second half: sets from Brother Martin (I), The Cheddar Boys (II), or Lee Mo (III and IV).

$20 / 150 minutes


ENAensemble is a music and theater ensemble focused on cultivating and performing new and important works of theatrical vocal music. Based in Philadelphia and founded by Evan Kassof, Nicole Renna, and Anaïs Naharro-Murphy, ENAensemble has presented a diverse range of productions over the last year. The first production, The Propaganda Machine Show ran for four sold-out nights at the 2018 FringeArts Festival. Following that success, ENAensemble presented a rare, fully-staged version of Schoenberg’s Pierrot Lunaire with additional works by Ravel, Stravinsky, and Kassof. Since March, ENAensemble has been hard at work guiding new composer/librettist teams in the creation, production, and performance of their new opera episodes as part of the 2019 Serial Opera Project. A resident ensemble in the Music Department of the Free Library of Philadelphia, ENAensemble is constantly developing new ways to present opera, musical theater, art song, and other forms of vocal-led musical story-telling. The 2019-2020 Season has at least four new productions in the works, including a new Serial Musical Project and the 2020 Serial Opera Project.

Directed by Rose Freeman Stage Manager Casey Berner The 2019 Serial Opera Project Music and Libretto by Evan Kassof & Aleksandar Hut Kono (March), Michael Shingo Crawford & Traci Troi Justice Williams (April), Abigail Kempson & Jerry Mathes III (May), Timothy Arliss O’Brien & Jennifer Williams (June), Roger A. Martinez & Alize Rozsnyai (July), and Cortlandt Matthews & Rick Beck (August) Ganymede 5 Music and Libretto by Evan Kassof & Aleksandar Hut Kono Serial Opera Project Sung by Katie Procell and Marcelle McGuirk Ganymede 5 Sung by Megnot Toggia, Caitlin Mead, Heather Gardner, and Wesley Morgan  Instrumentalists Chelsea Meynig, Elisa Muzzillo, Joseph Dvorak, Olivia Cleri, Michael Shingo Crawford, Jennifer Boorum, and Alyssa Resh


ENAensemble is eternally grateful to Ray Banas, Leigh Urbschat, Leanne Fallo, and all the staff of the Music Department of Free Library of Philadelphia for giving us the time, space, and loving atmosphere to present the 2019 Serial Opera Project. We can’t imagine a better environment to publicly create new opera!

Between is generously funded by a grant from the Presser Foundation, awarded through Temple University’s Boyer College of Music and Dance. Thank you to Dr. Cynthia Folio, Dean Flanagan, and Dean Stroker for believing in this project and advocating for it with the Presser Foundation.

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Brother Martin
The Cheddar Boys
Lee Mo

 

¡Que Ridículo!

Posted September 18th, 2019

September 18–21, 2019

Comedy that will make you say “How Ridiculous!” This cross-cultural comedy show was constructed through the lens of the immigrant experience. Featuring sketch and improv by ¿Qué?—an all-Spanish-speaking group (except for one white dude)—this show is meant to be enjoyed by English speakers as well as Spanish speakers.

$15 / 60 minutes


Since its opening in 2005, Philly Improv Theater (PHIT) has been the heart of Philadelphia’s nationally recognized comedy scene. PHIT produces over one thousand performances annually, with shows on multiple stages, seven nights a week, every week of the year. Beyond Philadelphia, Philly Improv Theater’s performers tour regularly, making appearances at the most prestigious comedy venues across North America.­

Dedicated to developing talent locally, the PHIT Training Center teaches over 1,000 adults, kids and teens how to improvise, write sketch comedy, and perform stand-up each year. Alumni and performers seen on PHIT’s stages have worked on Saturday Night Live, The Tonight Show, 30 Rock, The Late Show, Two and Half Men, Raising Hope, Key & Peele, Kroll Show, The State, Girl Code, Guy Code, Orange is the New Black, and The Kids in the Hall.

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Beyond The Light

Posted September 18th, 2019

September 18–22, 2019

A captivating creation story of the origin of love. One soul split into two struggles to reunite through a world of shadows and light. This all-ages story combines puppetry, dance, and stunning visual effects. Beyond the Light is sure to captivate the senses. Called “stunning!” by Jane Henson, cofounder of The Muppets.

$10/ 50 minutes


Beyond the Light is an elegant hybridization of dance, puppetry, shadow work, and lighting effects. Called “Pure Enchantment” by Jane Henson cofounder of The Muppets. In this one hour work, one soul torn into two must find its way back together again. It is an exploration of the power of love, hope, and determination that blends four different forms of puppetry to explore a world rift with drama and comedy. This work is all ages but is not recommended for children under the age of six. This piece was developed in sections through a series of residencies including Indy Convergence, The Eugene O’Neill Puppetry Conference, and Puppetry at the Carriage House (PATCH) sponsored by Jane Henson, and Emerging Artist Commissioning Program from Streb Action Mechanics Laboratory led by Elizabeth Streb. Excerpts of this work have been selected for the National Best Short Works by the Center for Puppetry Arts in Atlanta, GA.

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Happy Days

Posted September 17th, 2019

September 17, 2019

SpArc Services presents a new take on an old classic. A lonely girl is transported to a mystical land where she meets new friends, conquers fears, and faces challenges. Join Jill, Evil Batman, Peter, and Paul, Fabulous, and more as they sing and dance their way through Peaceful Meadow in search of a way home.

$10 / 50 minutes


The mission of the Cultural Arts Center at SpArc Services is to foster creativity, self-confidence, and community connections for adults with developmental disabilities through classes in the visual and performing arts, outings to cultural venues, and opportunities with other arts-based organizations.

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Another Agatha: a myth of perception

Posted September 17th, 2019

September 17–19, 2019

A mother and a daughter imagine each other’s lives in this immersive, subversive prayer from Migration Theory. Their stories loop, collide, morph, and transform in this dance meditation on perception, survival, and unbridgeable distances. Accompanied by music, dark humor, and dessert. Preview performance $10 (Sept 17 at 6:30pm).

$10–$20 / 60 minutes


Migration Theory is a physical art company from Boise, Idaho. We’re artists exploring the spaces between disciplines in order to create original work that is kinetic, participatory, heartfelt. We believe in the potential and power of real-time art experiences. We seek joy in all we do. We aspire to bring our work to other places. We create art that moves.

Artistic Director Tracy Sunderland Associate Artists Sarah Gardner & Heidi Kraay Performed by Antony Bolante, Donna Jean Fogel, Sarah Gardner, Lisa Lechner, Callie Ritter & Tracy Sunderland

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The Live-Streaming Confessional of #stacylucky

Posted September 14th, 2019

September 14–16, 19–21 + 22, 2019

Twitch. Periscope. Instagram. Youtube. Facebook. Twitter. #stacylucky is live on all the social media apps to figure her life out post college. Her subscribers and views grow and Stacy builds a lively and invested following she depends on for advice, donations, company, and validation. As Stacy becomes an internet sensation, she begins to understand the price of revealing a private life on the most public of forums.

$20 ($10 Student Tickets) / 60 minutes


Written and Co-Directed by Leigh E. Bicica Co-Directed by Brey Ann Barrett Photo by Kevan Sullivan

Why do we feel compelled to post all our vacation snapshots on Instagram? How can people be entertained by someone discussing what they had for breakfast? What is our intention when we grieve on Facebook? Is it true humans are starting to grow horns from texting too much? Stacy Lucky is a young Midwesterner and history super-nerd who is reaching out to the world in the only way she knows how. Voyeurs welcome.

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50th Anniversary of the Original Woodstock 1969!

Posted September 14th, 2019

September 14 + 15, 2019

This year is the 50th anniversary of the original Woodstock! Rock on Pointe, the dance company that dances to rock music on pointe shoes, revisits that unforgettable concert, performing to the music that was recorded live that weekend, including Creedence Clearwater Revival, Janis Joplin, Joan Baez, and more.

$28 / 105 minutes


Rock on Pointe will dance to the original recordings from the Original 1969 Woodstock. This show is a tribute to those that organized and performed at that historic concert. Woodstock created a moment in time that will not be forgotten. We will revisit this historic moment and reawaken—if only for the time of the show— the peace and spirit that existed on a farm in New York State for those three days. Rock on Pointe claims the protection of the Copyright Act of 1976 for this historic and (for those that weren’t with us in the 1960s) educational show.

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rockonpointe.com

Temple of Venus

Posted September 13th, 2019

September 13, 2019

The Temple of Venus is open for worship on Friday the 13th of September. Holding space with light, sound, flesh, scent, and taste, this immersive experience is centered on the divine feminine, presented through an interactive flesh suspension, art installation, accompanied by poetry, burlesque, and ritual. Enjoy a submersion of the senses with curated cocktails and snacks as you explore an ancient artform brought to new life in the city, in honor of Venus.

$50 / 90 minutes


The Collective of Jawn is a group of multi-disciplinary practitioners who have come together to weave their magick and create beautiful environments with a blend of hook suspension, rope, dance, performance, art installations, burlesque, poetry and photography.

Using exemplary stagecraft and thoughtful curation of aesthetic elements, Temple of Venus will feature suspension of Amanda Mandalay and Will Atkins by Orban Isma of The Skin Project, performances from Eyrie Twilight, Miss V and others of Hexwork, visual alchemy from Brent of Tiv Photos, and coordination from the creative minds of ELECTROCUTE. “Beauty that exists on the fringe has always fascinated people, as strange and bewildering as it may seem,” says Amanda Mandalay, creative director of ELECTROCUTE, “Temple of Venus is a chance for us to showcase some of the more cultural aspects of the occult in modern-day terms. Beyond ancient history and beauty standards, I am happy to say that our show presents a taste of Occulture that is diverse, decadent, and playful in its respect of the divine.”

About the Artists

Eyrie Twilight has been creating live Occulture since 2014 with the inception of Hexwork- A Spellbinding Burlesk Revue, a twice annual celebration of the Sacred and the Sexy, featuring a rotating cast of performances exploring themes of death and the divine feminine.

An expert at ephemeral capture, Brent has expanded his creative vision from the camera to creating immersive pieces integrating ascetic experiences through technology. His mercurial talents inform the audience and provide beautiful, engaging backdrops for your photos.

Orban Isma is a multi-disciplinary artist, that works primarily with rope, metal, and the human body. His focus is in exploring the connections between geometry and the human sensory experience, and as a result, finds himself in the realm of the occult often. His primary medium of interest is that of body suspension, which led to his founding of Anchors Aweigh in 2011, and The Skin Project in 2015.

Amanda “SpOoky” Mandalay is a dark artist who embodies the adage “variety is the spice of life” with her diverse background in aerial acrobatics, dance, flow arts, body modification and performance coordination. Her penchant for the unusual and the beautiful show in her designs, themed acts and visually arresting stage presence. She has been directing and performing in shows with ELECTROCUTE since 2010 and is the creative force behind Nightmare Festival, Dreamscape, and others.

The Collective of Jawn celebrates all that the spirits of Love and Beauty have to offer in their show and become alchemists in their own right; blending their skills and transforming them into a fusion of their own that is the Temple of Venus.

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Fire in the Sky

Posted September 13th, 2019

September 13 + 14, 2019

This is a cosmic constellation. Come for the conversation. Stargaze for days. Costarring the interstellar Maddie & Kayla, Queenz Collective (Sanchel Brown, Caitlin Green), and Haylee Warner. This work supports and is supported by Urban Movement Arts (UMA) Come take a class! UMA welcomes adults of all ages and experience levels.

$15 / 60 minutes


Soar between the planets of our performance solar system. You will be buckled in an out of mini performances inhabiting the studios, cubbies, and closets of Urban Movement Arts (UMA). Quick feet are hidden around the corner. Orbiting bodies invite you with their gravitational field.

Fire in the Sky is a performance event produced by Urban Movement Arts (UMA) community members Queenz Collective (Sanchel Brown & Caitlin Green), Haylee Warner & collaborators, and Kayla Bobalek & Maddie Hopfield.

UMA is producing Fire in the Sky as part of its expanded Artists in Residency (AIR) programs, directed by Lily Kind. The AIR program supports creators of experimental dance, theater, and performance who walk with Afro diasporic and American folk dance traditions. UMA welcomes adults of all ages and experience levels to learn American folk dance and African Diaspora movement genres such as Hip Hop, Jazz, Breaking, Waacking, and House. UMA serves as the downtown hot spot for professional dancers in under-represented forms to practice, cipher, and build.

Additional support Austin Blakely (So Serious Live), Eppchez Yes!, Malachi Lily, Marina Oney, Ryan Blakely, Danica Strushensky, Julia Bryck, Mehgan Abdel-Moneim, Isabella Yannoni

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urbanmovementarts.com
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RE: SHE, a litany of adventures

Posted September 13th, 2019

September 13–15 + 20*–22, 2019

Born into a lineage of hate, a band of modern-day explorers exhumes an unseen but cancerous tale. As they awaken alternative stories, some must atone for their sins and those they’ve inherited, while others must avenge wrongs still ongoing. If they don’t, they may write the next chapter in this horrific penny dreadful.

*ASL interpretation for Friday, September 20 performance at 8:30pm.

accessible seating available at all performances

$20 ($15 for Students) / 80 minutes


the after-image creates theatrical events for the passionately postmodern audience. we are a theater company contending with the stories and forms that have preserved the status quo. we conjure text, movement, video, and sound into productions that engage an active audience in the collective questions of our past, present, and future.

Co-producing artistic directors Kate St. John and Amy Shoshana Blumberg founded the after-image in 2019 after creating he called it cymbeline, an immersive rendering of Shakespeare’s Cymbeline. They earned their MFAs in scenic design and theater directing, respectively, and draw on their backgrounds in the Classics and modern dance to develop their work.

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Honey

Posted September 13th, 2019

September 13–15, 2019

An evening of original dance created and conceived by Philly-based artists Evalina “Wally” Carbonell and Melissa Rector, Honey delves into the intoxicating search for sweetness, alternately stinging and smooth, viscous and flowing.

$20 / 60 minutes


Honey is an original dance co-production making its premier at this year’s Fringe Festival. It will be an immersive evening of movement that will both inspire and entertain. Featuring dance that is sweet and stinging, syrupy, and flowing, audiences can expect innovative and moving new choreography by Evalina “Wally” Carbonell and Melissa Rector, with expressive performances by them and their diverse and talented dancers.

About the Artists

Evalina “Wally” Carbonell is a Philadelphia-based dance artist. She received her early training at the National Ballet School in Maryland. She went on to earn her BFA in Dance from Florida State University, studying with such luminaries as Jawole Willa Jo Zollar and Suzanne Farrell. Upon graduation, Evalina joined the Roxey Ballet Company, dancing as a principal artist from 2005-2011. As a free-lance artist, she has worked and choreographed extensively, and continues to be an active performer as a guest artist nationally and locally. Evalina teaches dance, GYROKINESIS® and GYROTONIC® in addition to creating her own work. A passionate performer, creator, and teacher, Evalina joined Kun-Yang Lin/Dancers in 2012. In recent years, she has produced four consecutive shows for the Fringe Festival, was the recipient of the Ellen Forman Award for Choreography in 2017, and was honored to create a new choreographic work on the dancers of KYL/D for their fall 2018 home season.

Melissa Rector started dancing at a young age with Monica Folio. She graduated from the University of the Arts in 1993. Melissa has been dancing with Koresh Dance Company since its inception in 1991 and is the company’s assistant artistic director. She is also an instructor at the Koresh School of Dance, where she teaches her unique style that blends modern jazz and Luigi technique. Her work has been performed locally at the Fringe Festival, the Annenberg Center, Drexel University, the Grier School and Brandywine Ballet. She frequently travels around the country to perform, teach master classes and set choreography on students. In 2008, Melissa helped to establish the Koresh Youth Ensemble and serves as their artistic director, setting both original choreography and company repertory on the group.

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evalinacarbonell.com/workshops
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