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Posts Tagged ‘Leila Ghaznavi’

Puppet slams, Faust, and Ghost Stories: Interview with Leila Ghaznavi

Posted July 31st, 2017

Leila Ghaznavi in the 2016 Puppet-delphia Fringe

Leila Ghaznavi is the founder of Leila and Pantea Productions, a theater company with an unconventional approach to contemporary drama. She puts her training in mask and puppetry to use in her productions, often using light and shadow as tools for storytelling. The daughter of an Iranian immigrant—and a Daughter of the American Revolution—her multicultural background often comes through in her original plays based on social issues. One of these plays is Silken Veils, which was nominated for the Best New Work award at the Edinburgh Fringe Festival. Her work is often interdisciplinary, combining puppetry and theater with her wide range of other skills, including aerial dance and clown. “When creating work, I pull from my toolbox whatever I need to tell the story the story I want to tell,” says Leila. “I’m always interested in how to tell a narrative story but in a different way.” This year, she is producing three different shows in the Fringe Festival. The Puppet-delphia Puppet Slam brings puppeteers from Philadelphia and beyond together for a night of whimsy, beauty, and raucous fun. The other two shows couldn’t be more different. In one, she partners with Broderick Jones, a New York based puppeteer, to create Ubu Faust, a literature-based but rambunctious one-man-show. In the other, she is reinventing The Turn of the Screw by creating a minimalist set that makes use of darkness as a shadow of mystery to tell the story. I had a chat with Leila about how she came to work as a puppeteer, and what it’s been like producing all of these shows for the 2017 Fringe Festival.

FringeArts: What has it been like producing so many shows for this year’s Fringe Festival?

Leila Ghaznavi: Leila and Pantea Productions is producing three separate events for the Fringe this year. A ghost story called, The Turn of the Screw, written by Henry James and adapted by Jeffrey Hatcher, a raucous puppet farce called Ubu Faust created and performed by Broderick Jones, and the second Puppet-delphia Puppet Slam, which is a cabaret composed of short puppet works, from the poignantly beautiful to the bawdy and comedic. The puppet slam will feature both local and out of town artists.

The Turn of the Screw

What makes all three shows Leila and Pantea Productions is the use of puppetry and the delving into how to use shadow and light as a story telling mechanism. The Turn of the Screw is a ghost story with a minimalist set. Light and shadow create a world that is unseen but literally haunts the stage. Ubu Faust is the complete opposite, a one-man puppet show from New York City-based performer Broderick Jones, it mishmashes puppetry and literature together to create its own unique, irreverent identity. Poetry has always been a prevalent theme in my own work, so I was excited by this chance to present a new artist to Philadelphia that takes these great works of literature and creates his own unique spin! I first premiered the Puppet-delphia Puppet Slam two years ago and it was a great hit! What I love about puppet slams is that you never know what you will see. They are a smorgasbord of puppetry and the short acts involved can range from little gems of beauty, to down-in-the-gutter dirty, to witty and charming. We are currently pulling together the acts for the slam. It will be a mix of local Philly artists and out-of-towners.

This is actually the first year where I will not have a lead role performing in the Philadelphia Fringe, because I will be touring to the Edinburgh Fringe in August. So instead, I decided to produce three shows and appear in Peculiar Works’ Floydada show instead! Although, I will definitely be in the Puppet-delphia Fringe Slam, so keep an eye out for me!

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Philly Fringe Vital Stats: Leila Ghaznavi

Posted September 6th, 2012

Silken Veils is replete with…veils.

Watching The Hunger Games with my parents on Friday night (livin’ the dream, folks), I was reminded, at least in the political sense, of puppets; what Suzanne Collins’ fiction thinly veils is the question, are the impoverished just pawns in the state’s plan to keep the rich, rich and the poor, poor and ever-servile? I don’t know. I was too distracted by Elizabeth Banks’s fancy-turned-freakish costumes. Her eyelashes were butterflies!

Leila Ghaznavi eschews the political puppet and goes right for the real thing; her Philly Fringe Silken Veils uses marionettes to tell a contemporary Iranian tale of a woman, and a marriage, and a war. After a recent run at the Edinburgh Festival Fringe the performance was ‘tweet-crowned’ a MUST SEE by The Stage Edinburgh, and nominated for best new work. Let’s hope for another successful run in Philly; or as Banks’s character says with a tongue-in-cheek she’s too bedazzled to feel, “May the odds be ever in your favor.”

Read Leila’s Vitals after the jump.

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Preview: Silken Veils

Posted August 29th, 2012

When the 2012 Philly Fringe show Silken Veils was up at Edinburgh, The Scotsman called it “a joy to watch.” Peep a bit below:

Silken Veils runs September 11 through 15 at 2nd Stage at the Adrienne, 2030 Sansom Street, Center City. All shows 7:00 pm, $10-$13.

–Nicholas Gilewicz