< BLOG

Posts Tagged ‘live music’

Translation: Cracking the Girl Code

Posted September 19th, 2019

September 19 + 22, 2019

This new musical by Terrell M. Green follows the journey of the first trans girl group to make it mainstream. Five days out from their first world tour, these women fight for equality and acceptance from the world while navigating the demands of the music industry. Think along the lines of a Trans musical inspired by Dreamgirls.

$25 / 60 minutes


September 19th performance located at Tabu Lounge & Sports Bar, September 22nd performance located at William Way Center.

Learn More:
tmgreen267.com
GoFundMe
Eventbrite

Between

Posted September 19th, 2019

September 19–21, 2019

Each show features a new opera and a band. The first half: a binge-staging of The 2019 Serial Opera Project (shows II and III) or the world premiere of the sci-fi opera Ganymede 5 (I and IV) by Evan Kassof and Aleksandar Hut Kono. The second half: sets from Brother Martin (I), The Cheddar Boys (II), or Lee Mo (III and IV).

$20 / 150 minutes


ENAensemble is a music and theater ensemble focused on cultivating and performing new and important works of theatrical vocal music. Based in Philadelphia and founded by Evan Kassof, Nicole Renna, and Anaïs Naharro-Murphy, ENAensemble has presented a diverse range of productions over the last year. The first production, The Propaganda Machine Show ran for four sold-out nights at the 2018 FringeArts Festival. Following that success, ENAensemble presented a rare, fully-staged version of Schoenberg’s Pierrot Lunaire with additional works by Ravel, Stravinsky, and Kassof. Since March, ENAensemble has been hard at work guiding new composer/librettist teams in the creation, production, and performance of their new opera episodes as part of the 2019 Serial Opera Project. A resident ensemble in the Music Department of the Free Library of Philadelphia, ENAensemble is constantly developing new ways to present opera, musical theater, art song, and other forms of vocal-led musical story-telling. The 2019-2020 Season has at least four new productions in the works, including a new Serial Musical Project and the 2020 Serial Opera Project.

Directed by Rose Freeman Stage Manager Casey Berner The 2019 Serial Opera Project Music and Libretto by Evan Kassof & Aleksandar Hut Kono (March), Michael Shingo Crawford & Traci Troi Justice Williams (April), Abigail Kempson & Jerry Mathes III (May), Timothy Arliss O’Brien & Jennifer Williams (June), Roger A. Martinez & Alize Rozsnyai (July), and Cortlandt Matthews & Rick Beck (August) Ganymede 5 Music and Libretto by Evan Kassof & Aleksandar Hut Kono Serial Opera Project Sung by Katie Procell and Marcelle McGuirk Ganymede 5 Sung by Megnot Toggia, Caitlin Mead, Heather Gardner, and Wesley Morgan  Instrumentalists Chelsea Meynig, Elisa Muzzillo, Joseph Dvorak, Olivia Cleri, Michael Shingo Crawford, Jennifer Boorum, and Alyssa Resh


ENAensemble is eternally grateful to Ray Banas, Leigh Urbschat, Leanne Fallo, and all the staff of the Music Department of Free Library of Philadelphia for giving us the time, space, and loving atmosphere to present the 2019 Serial Opera Project. We can’t imagine a better environment to publicly create new opera!

Between is generously funded by a grant from the Presser Foundation, awarded through Temple University’s Boyer College of Music and Dance. Thank you to Dr. Cynthia Folio, Dean Flanagan, and Dean Stroker for believing in this project and advocating for it with the Presser Foundation.

Learn more:
www.enaensemble.org
Facebook

Instagram

Brother Martin
The Cheddar Boys
Lee Mo

 

Candle, Sword, and Fan

Posted September 14th, 2019

September 14 + 21, 2019

Candle, Sword, and Fan is a theatrical show that intertwines dance and art with archetypal themes of youth, adult, elder-with a Jungian slant. The dances are of a fusion style incorporating various balancing props.  In between dances, the audience will view The Plastic Club artists and models in action! The Plastic Club is one of the oldest artists clubs in America.

$15 / 60 minutes


Learn more:
phillyirene.com
Instagram

Manifest Destiny

Posted September 12th, 2019

September 12–15, 2019

A theatrical presentation of alternative-rock songs written by singer-songwriter Jesus G. Inspired by the juxtaposition of his Catholic upbringing, Native-American ancestry, and sexuality, this work seeks to challenge the abuse of power and honor the soul’s journey, from its trials to its triumphs.

$15 / 55 minutes


I’ve always believed that the medium of music; while essential for escape, entertainment, and emotional release; can also be used as a tool to free the soul through political, religious, and spiritual questioning.

The term manifest destiny was originally used in reference to the European settlers who invaded North America with the proclamation that their God had promised this land to his followers. Of course, the Native Americans asked, who is this God of yours who would set man against man in conquest of a land that cannot be bought nor sold? Surely, this cannot be the great man, Jesus, whom we have heard of.

In titling this evening “Manifest Destiny,” I seek to explore the idea that we are all in charge of manifesting the life that we desire. My Manifest Destiny seeks to challenge the bigoted views of the separatist, religious person who believes that he will show up at the gates of heaven and be rewarded with a place in the eternal pantheon. In my opinion, any idea of inequality in the name of God is erroneous and is the root of all war. For truly, in the end, if one’s truth has led to the oppression and death of others, then who is this God who has influenced these actions? Was it God at all? Or was it a man-made creation posing as God?

Salvation lies within our ability to manifest moral obligation and wisdom, regardless of threats or promises of the hereafter. If one needs rules, promises, or threats in order to be a good person, were they ever a good person to begin with? We are bigger than the rules that seek to bind us. We are the ones we’ve been waiting for.

– Jesus G

It is time to speak your truth.
Create your community,
Be good to each other.
Do not look outside yourself for a leader.
There is a river flowing now very fast,
It is so great and swift.
That there are those who will be afraid,
They will try to hold onto the shore.
They will feel they are being pulled apart,
And will suffer greatly.
Understand that the river knows its destination,
The elders say we must let go of the shore.
Push off into the middle of the river,
Keep our eyes open and our heads above water.
And I say; see who is in there with you,
Hold fast to them and celebrate!
At this time in history,
We are to take nothing personally.
Least of all, ourselves!
For the moment we do,
Our spiritual growth and journey comes to an end.
The time of the Lone Wolf is over!
Gather yourselves!
Banish the word struggle from your attitude and vocabulary.
All that we do now must be done,
In a sacred manner and in celebration.
We are all about to go on a journey,
We are the ones we have been waiting for!

– Excerpt from a prophecy of the Hopi Nation, American Southwest

Learn More:
JesusG.com
Facebook
Instagram

Fear Itself

Posted September 12th, 2019

September 12–14, 2019

We live with fear everyday. Fear Itself  takes the audience on a tour through a real historical cemetery to explore the concept of fear, the lost souls we encounter along the way, and the choices we get to make to either save these souls or leave them behind.

$10–$20 / 45 minutes


The Hum’n’bards Theater Troupe is dedicated to creating devised musical theater, exploring themes of science fiction, social justice, queer identity, and more. We at the Hum’n’bards believe that art needs to be accessible to people, regardless of financial ability. Therefore, our shows offer flexible ticket policies such as pay-what-you-can and sliding scale. The company was founded in 2016 by Wyatt Flynn, and has continued to create original work with primarily queer theater artists.

Past shows include:

We’ll Sleep When We’re Dead (Theater Week 2019)
God Forgive These Bastards (Fringe Festival 2018)
Not Not the Illuminati (Theater Week 2018)
Glister (Fringe Festival 2017)
Scrap’t (2017)
Pangaea (Fringe Festival 2016)

Learn more:
humnbards.com
Facebook
Instagram

Sprout! A Full Length Not-A-Ballet

Posted September 12th, 2019

September 12-15, 2019

A sprout pops up in early spring, losing one of its precious leaves in the process. Heartbroken, it uproots to journey on in search of The Answers. Step into the surreal world of Sprout! as alligator brass bands and lonely accordion lovers take to the stage to contemplate love, loss, and what it means to be (not) human. It’s a big ol’ family-friendly fairytale with surrealist tendencies and a live band brought to you by 6 dancers, 5 musicians, 1 narrator, and a few giant puppets.

$5 for children (12 and under), $20 / 45 minutes


Creator & Choreographer Maddie Rabin Composer Addie Herbert Musical Collaborators: Gabi Shapiro, Elizabeth de Lise (Lizdelise), & Dori Byrne Performers Savannah Green, Winfield Maben, Sarah Owens, Dawn Pratson, Stephanie Stevens, & Sevon Wright

The Destination is the Downbeat

Posted September 12th, 2019

September 12, 13, 19 + 20, 2019

This new tap dance and jazz music work by Pamela Hetherington considers how to “keep time” in jazz music. For tap dancers, how they keep time in jazz music has everything to do with who they are as human beings. Time is a feeling; it is swing, groove, and rhythm—the essence of tap dancing itself. Rhythm is personal and music is the original DM (direct message).

$15 / 75 minutes


Pamela Hetherington’s choreography explores the theme of keeping time across different types of jazz music, including blues, hard bop, free and post-bop and features the music of Bobby Timmons, Oscar Peterson, Thelonious Monk, Miles Davis, Mel Lewis, and original compositions by the band. Featuring Erica Corbo on piano, Paul Giess on trumpet, Nicholas Krolak on bass, and the company of three tap dancers. Along with the musicians, there are three tap dancers working in concert: Lauren Belasco, Alec Chupik, and Kristin Potocki.

Artistic direction and choreography by Pamela Hetherington

Pamela Hetherington brings her company Take It Away Dance to the Philadelphia Fringe Festival for four presentations of The Destination is the Downbeat, a new work that considers the notion of ‘keeping time’ in jazz music. Distinctly Philadelphian in its sound, approach and vibe, Take It Away Dance creates a thrilling combination of movement and music, improvised solos and group choreography. The show explores the theme of keeping time across different types of jazz music and leaps into compositions by Bobby Timmons, Oscar Peterson, Miles Davis and Mel Lewis, along with original compositions by the band. The musical accompaniment is provided by Erica Corbo, (who is also the music director), trumpeter, Paul Giess; and bassist, Nicholas Krolak. Along with the musicians, there are four tap dancers working in concert: Lauren Belasco, Alec Chupik, Morgan O’Shea and Kristin Potocki.

This is the company’s fifth anniversary year. Music Director, Erica Corbo and Pamela Hetherington started working together in 2018, and their musical relationship has extended into other projects that claim a space for women in jazz. The jazz future is female.

Drummers is a former warehouse space renovated into a sophisticated jazz venue by internationally-renowned drummer, Sherrie Maricle. Doors will open at 7 pm, and the music will start at 7:30 each evening. The set will last approximately 75 minutes with no intermission.

About Take It Away Dance: Take It Away Dance maintains the connection of music and dance. Our work is inspired by diverse jazz music influences with a distinctive focus on the music and grooves that originated here in Philadelphia. Take It Away Dance has been presented by Jazz Bridge Neighborhood Concerts, The Philadelphia Jazz Project (7X7 Series), Creative Philadelphia (Culture in the Courtyard), Dixon Place Eight in Show), The Barnes Foundation (Free 1st Sunday), Allentown Art Museum (3rd Thursday), and Symphony Space (Stam-Pede/APAP). The company has presented five original evening-length original concerts since 2014. They have also presented the work of world-renowned women tap dance choreographers, such as Dorothy Wasserman and Heather Cornell, through the re-staging and performance of classic repertory. Take It Away Dance has been featured on the nationally-syndicated arts program, Articulate, and has been directed by Pamela Hetherington since 2014.

About Pamela Hetherington: Pamela Hetherington is a Philadelphia tap dancer. Her artistic work aims to expand the boundaries of jazz tap, both as a soloist, a choreographer, and a composer. She was a principle dancer with Tap Team Two & Company, under the direction of Robert F. Burden, Jr., from 1996-2011. In 2014, she created Take It Away Dance, a tap dance and live music company has been presented consistently in Philadelphia and New York for the last five years. For Take It Away Dance, she has choreographed and directed five evening-length tap dance and live music concerts since 2014. Her work moves fluidly into music writing and recording: she has an original jazz composition published in the Philadelphia Real Book and is a featured recording artist on “The Whitman Project” mixtape, published by The Philadelphia Jazz Project. Pam has been interviewed about her work on Articulate (WHYY) and The Arts Desk (WRTI), and she was recognized in The Philadelphia Inquirer and Dance Teacher Magazine for her work directing The Philadelphia Community Tap Project. She owns Philadelphia’s principal studio for percussive dance: Sound Space Performing Arts.

Learn more:
takeitawaydance.com
Facebook
Instagram

Churn

Posted September 10th, 2019

September 10, 11, 14 + 17–22, 2019

This original solo performance seeks the deep dark and exalted in human ingenuity through a queered historical sci-fi epic. From the first test of an atomic bomb to the spread of white nationalism and our race to the stars, Churn reveals: You are every age you have ever been, and every age you will ever be.

$25 / 60 minutes


Created by Nick Jonczak and Jeff Evans Performed by Jeff Evans Original music created and performed by madam data Directed by Nick Jonczak

Learn more:
nickjonczak.com/churn
Facebook

Khan!!! The Musical!!!

Posted September 9th, 2019

September 9, 10 + 13–15, 2019

In this live reading of the unauthorized Star Trek parody, Captain Picard and Data present an uproarious comedy adaptation of the iconic film The Wrath of Khan. Written for Trekkies and Broadway fans alike, Khan!!! is equal parts snarky, slapstick, and heartfelt. Come for the Vulcan tap dancing, stay for the mutant space chickens! 110 minutes plus 10-minute intermission.

$10 / 120 minutes


Written by Brent Black Concept co-conceived by Dany Roth

Learn more:
brentblacktunes.com
Twitter

Gay Mis

Posted September 7th, 2019

September 7, 8, 14 + 15, 2019

If you like Les Miserables, you’ll LOVE Gay Mis! Join us for a queer, drag queen–infused parody of everyone’s favorite French Revolution musical! Join Parmesan, Jabear, Fontina, Epanini and the whole gang as they go on a journey through time, space, and cheese. 

$25 / 120 minutes


Following the success of Thweeney Todd: The Flaming Barber of Fleek Street, Jaffe set out to see just how queer musical theater can get. Come see everyone’s favorite farting fugitive, Parmesan, as he evades capture from arch-nemesis, Jabear. Joining in their adventures are all the classic characters you’ve come to know; desperate Fontina, lonely Epanini, and those beautiful young lovers, Marius and Baguette. Action! Romance! Ham! It’s all waiting for you at Gay Mis! September 7th, 8th, 14th, and 15th at Franky Bradley’s, September 22nd at Punchline Philly.

More information and additional tickets:
theericjaffe.com

RE:figuring

Posted September 7th, 2019

September 7 + 8, 2019 

RE:figuring gathers, shapes, and rearranges. Leslie Elkins and foursome performance partner with Corinne Karon to play with ordered motifs and improvised ephemera, delighting in the discovery of patterns, fleeting and continuing.

$15 / 60 minutes


Foursomeperformance originally began as a dance theater collective interested in making fun and funny performances that reveled in the humor and darkness of human nature. The founding members of Foursomeperformance, Leslie Elkins, Grace Mi-He Lee, Jeff Prall, and Darcy Sebright, premiered Part I of their American Trilogy: The Pursuit of Happiness/What’s Your Problem? in the 2007  Fringe Festival. American Idle: We’ll Be With You Shortly debuted at 3rd Street Gallery in Old City. Over the next two years they performed Part II American Idol: Who Made You Boss?/Wasn’t It You? and Part III American Idyll: Love Is In The Air/What’s That Smell? both at Angler Movement Arts Center in Fishtown.

Foursomeperformance continues as a dance theater collective led by Rowan University professor Leslie Elkins. Our mission is to bring a variety of people together to experiment and devise performances that can only happen when multiple bodies, minds, voices, and talents contribute to the work. Foursomeperformance currently consists of established artists, designers, and performers working in collaboration with emerging artists. Present members include Leslie Elkins, Corinne Karon, Elizabeth Jones, Lele Tran, Jeff Warden, Michelle Campbell, Stephanie Filippo, Molly Jo Gifford, and Jayce Williams.

In last year’s 2018 Fringe Festival, Foursomeperformance premiered Embracing the Liminal, and most recently performed as part of Breaking The Glass Ceiling: A Celebration of Women in Choreography at Rowan University. Embracing the Liminal is a structured improvisational work considering transitional spaces and what it feels like “in-between,” from undone to finished, uncertainty to clarity, and indetermination to progress. We continually question these feelings; how we can feel simultaneously alone but supported, synchronized but messy, energized but afraid to breathe.

This year we are presenting RE:figuring, a performance that plays with ordered motifs and improvised ephemera. We are shaping and rearranging movements, sounds, images, and props all in an effort to discover patterns, both fleeting and continuing.

Learn more:
Facebook

 

60s FOLK Revisited

Posted September 7th, 2019

September 7, 8, 14 + 15, 2019

Protests, prevaricating politicians, pandemonium. It feels like the ’60s again! Time to revisit songs by Woody Guthrie, Judy Collins, Bob Dylan, Bob Gibson, Shel Silverstein, Chad Mitchell, Joni Mitchell, and more. Sung by BackStage Bistro Award winner Kate Loitz. Joyful, passionate music in a gorgeous rooftop setting.

$10 / 60 minutes


Join Kate Loitz and award-winning guitarist Lenny Ranallo on the beautiful roof deck of the Davison Building. Our venue is atop a private apartment building, so you must be escorted to the roof. Please arrive early so everyone can be seated by curtain. And be aware that there are no restrooms. The show is not for children, although teens should be fine. There are dark moments, and funny ones as well. Even a couple of sing-alongs.

Learn More:
Facebook

Billy the Baaadly Behaving Bully Goat: The Musical

Posted September 7th, 2019

September 7, 8, 14, 15, 21, 22, 2019

Billy the Bully Goat’s parents and teachers are at their wits’ end! They cannot get Billy to stop picking on the other kids in his class. Luckily, the Wise Old Goat has a plan. Will it work? Can Billy change his behavior? Ages 4-9.

$8 kids, $12 adults / 45 minutes


Written by Staci Schwartz (a physician, author, and educational consultant for children’s bullying prevention) Directed by Ben Smallen (actor, director, and board chair and founding member of Directors Gathering) Original music composed by Liz Filios (a Barrymore Award–winning actor, musician, and teaching artist) Music directed by Michael Borton (cowriter and composer of Berenstain Bear LIVE – Family Matters).

About Play Nice Productions
In today’s world, bullying is all around us—in books, in movies, on TV, in schools, on playgrounds, and in workplaces. Our children are watching as divisive behavior is normalized. Adults must teach kids to be kind and to make good choices. Why not make that learning fun through interactive children’s theater, a medium good for both auditory and visual learners? Play Nice Productions was created in May 2019 to offer young children interactive and exciting theater experiences that will help them learn to be kind, empathetic, and inclusive individuals. Our first show is a 45-minute play, Billy the Baaadly Behaving Bully Goat: The Musical, during which a young bully goat must learn how his mean behavior affects others. Kids aged 4–9 will laugh, sing, and interact with our talented cast—all while learning to be caring and compassionate up-standers.

This play will be performed six times during the 2019 Fringe Festival in September. We are so excited to be contributing one of the few Fringe programs geared specifically for kids and families! All performances will take place in a popular, ADA-accessible, neighborhood child and family enrichment center called Nest (located at 1301 Locust Street).

Learn more:
stacischwartz.com/billy-play
Facebook

 

Billy the Baaadly Behaving Bully Goat: The Musical is a recipient of the 2019 Independent Artist FestiFund

The Independent Artist FestiFund is a project of CultureTrust Greater Philadelphia

 

 

 

Learn more and support this fund!

The Murder & Booze Cabaret

Posted September 6th, 2019

September 6–8 + 19–22, 2019

Florence and Texas have three things in common: liquor, death, and music. Real and real-crazy drunken tales of fame and violence from the 1920s fuse with jazzy riffs on modern pop songs for a night of high notes, low blows, and bespoke cocktails.

$15 / 70 minutes


Love Drunk Life is an arts production and creative lifestyle company working to cultivate theatre, film, books, music, and product for the artistic soul. We are thrilled to be coming back to Fringe.

Past Fringe productions include:

Herlock Sholmes and the Mysterious Case of the Jersey Devil or The Living Dragon (2018),
Public screenings of Happy Yummy Chicken (2016),
The Most Awkward Love Life of Peabody Magoo (2015).

The Murder & Booze Cabaret will also be presented as a part of this year’s NJ Fringe Festival. This will be the second year that Love Drunk Life has presented in NJ Fringe. Love Drunk Life has collaborated with the Princeton Public Library, EveryLibrary, the New Cannan Library, and the Burlington County Footlighters.

Check out Love Drunk Life’s line of products for artists of all types at etsy.com/shop/lovedrunklife

Learn more:
lovedrunklife.com
Facebook
Twitter
Instagram

Operatic Addictions

Posted September 6th, 2019

September 6 + 7, 2019

A fully staged operatic double-bill about two of our most major addictions: coffee and smartphones, with a new adaptation of J.S. Bach’s The Coffee Cantata, and Phony, a premiere micro-opera by David Brown and Alize Rozsnyai. Accompanied by a reorchestrated chamber ensemble that includes electric guitar, bass guitar, and saxophone.

$25 / 80 minutes


Alter Ego Chamber Opera (AECO) is an emerging, Philadelphia-based opera collective that presents new works and reimagined works of history “without the ego.” Traditional barriers of language and antiquated themes are stripped away in favor of productions more relevant to today’s audiences, created right now. AECO is the brainchild of Alize Rozsnyai, Soprano/Librettist, David Matthew Brown, Composer/Violinist, Irene Moretto, Keyboardist/Collaborator, and Kaitlyn Waterson, Soprano/Creator.

Our first season, to begin this fall, will comprise three productions. The first, scheduled for Philadelphia’s Fringe Festival on the evenings of September 6th and 7th, is a double-bill: 1) J.S. Bach’s “Coffee Cantata” (BWV 211), performed to an original libretto by Alize Rozsnyai, and reorchestrated for three voices, soprano sax, violin, viola, electric guitar, electric bass, and harpsichord; and 2) Philadelphian composer, David Matthew Brown’s new opera, “Phony,” about cell phone addiction, also based on text by Rozsnyai, and scored for the same ensemble. The theme of the performance is addiction, as it pertains to seemingly innocuous habits, such as coffee and screen time. The second production, slated for February of 2020, will be TBA, but likely a brand new work or series of brand new works embracing our mission of promoting female-identifying creators and story-tellers. AECO’s final first season production, likely in the late spring of 2020, will be a reimagining of Handel’s “Alcina,” in English, reorchestrated, and staged in a modern idiom.

Learn More:

AlterEgoChamberOpera.com
Facebook
Twitter
Support through Fractured Atlas
Support through Patreon
Support through GoFundMe

Lavender Life

Posted September 5th, 2019

September 5, 6 + 18–20, 2019

Slip into the Lavender Lounge, a 1930s speakeasy where the underground LGBTQ+ community comes together in search of strength amid the rise of fascism. Come as you are and BYOB as the music of the era tells the story of a community whose spirits cannot be broken, where everyone can be themselves for a little while.

$10 / 45 minutes


Directed by Molly Jo Music Direction by Kylie Westerbeck Executive Produced by CGO Productions

This event is BYOB.

Learn more:
Ultravtheatre.weebly.com
Facebook (Ultra V Theatre Co.)
Facebook (Lavender Life)
Instagram

Immigrant Concierge Services

Posted September 5th, 2019

September 5, 11 + 15, 2019

What happened when a conservative billionaire had a freak accident in the Mexican desert and was rescued by a group of migrants? A mutually profitable business partnership, of course! In a tale told with live music, hear how they disrupted the current immigration system to offer a novel pathway toward the American dream.

NOTE: There has been a venue change for this event. the Sept 15th show will take place at Kismet Radio, located at 448 N and 10th street. 

$12 / 55 minutes


Written and Narrated by Brian Shapiro Directed by Seth Reichgott Live Music by Brian Shapiro, Nicholas Panasevich, and Michael Brenner

Learn More:
brianshapiropresents.com

Since They Left: A Pied Piper Musical

Posted September 5th, 2019

September 5–8, 2019

A musically diverse adaptation of the Pied Piper exploring the oppression of women, people with disabilities, freelance artists, and children by their own society, featuring a cast of women and nonbinary performers. Mystery to myth, myth to story, story to poem, and all pain fades. Childcare for parents in audience and open captioning for all performances by request, contact patronservices@FringeArts.com.

$10 / 90 minutes


Creative Team Nick Hatcher, Sarah Hough, Jem Rubin, Colin Sass, Hannah Sattazhan, Becca Thomas Cast Courtney Bird, Anna Caccavaro, Paige Galdieri, Dana Grossman, Camryn Harrigan, Hannah Hobson, Sam Kaufman, Linc Millard, Miranda Pilato, Kashmir Reed, Mae Waldron

Siren Songs

Posted September 5th, 2019

September 5–8, 10, 12, 13 + 15, 2019

A verbatim-styled theatrical piece focused on the topic of addiction and substance use disorder. Cultivated from first person interviews, Siren Songs follows seven individuals on their tumultuous journeys through addiction and shows how they fought their way to recovery. Representation. Humanization. Community#endthestigma

$20 / 90 minutes


Thank you to 11th Hour Theater Company, Candlelight Theater, Logan Hotel, and AlumniTIES. Also a big thank you to those who have interviewed and have shared their stories. We do this piece in memory of those who have lost their fight with addiction, “we live on in their name.”

Funded by a small grant from the U.S Department of State

Free Narcan workshops are available prior to performances on September 6, 10 + 13

Learn more:
TheaterOblivion.com
Facebook
Instagram
wowphilly.com
GoFundMe