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Posts Tagged ‘Mira Treatman’

Layers of Onion Dances at SoLow Fest

Posted June 10th, 2016

“After slicing bags of onions, I still hadn’t cried. For most this would be a good thing, but for me, it was disappointment.”—Talia Mason

In preparation for her SoLow Fest performance, Onion Dances, Talia Mason chopped onions, attempting to cry while talking about family memories and associations with onions. “I was interested in it because of how onions make people cry and allow for vulnerability,” Mason explains.talia mason poster

Mason’s piece draws inspiration from a Headlong Performance Institute (HPI) exercise, a constellation, in which students create a work based on collections of objects that interest them. The unpeeled whole onion which Mason chose for her constellation became the starting point for a semester of intense performance making the result of which debuts at Headlong Dance Studios June 17th, 18th and 26th. Similar to the structure of an onion, the use of onions has multiple layers in Mason’s work. “They are central in my research but they also live on the periphery as part of the landscape of the piece,” she describes.

In the spirit of the SoLow Fest theme Signs of Life, Talia says, “Onion Dances is about my family stories and our family’s collective memory of history.” The piece is as much about childhood as it is about adolescence, adulthood, and the universal experience of learning and coming to terms with understanding death. In Onion Dances Mason incorporates play, dance, song, and storytelling.

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Rejected Thoughts Emerge at SoLow Fest

Posted May 31st, 2016

“It’s almost like kindergarten in a way because we give ourselves full permission to just be in awe or repulsed by what we’re sharing.”

"Rejected_Thoughts," Mira Treatman and Irina Varina

SoLow Fest begins soon and June 22–25, Mira Treatman and Irina Varina present Rejected Thoughts, a result of the performers’ exploration of what makes them vulnerable, joyous or angry. Through dance and dialogue they present the ideas they have labelled “rejected thoughts.” “It’s almost like kindergarten in a way because we give ourselves full permission to just be in awe or repulsed by what we’re sharing,” Mira told FringeArts. Mira and Irina, met at Headlong Performance Institute while studying hybrid performance making. They were paired to work on a provocation piece based on “found materials,” which they later performed at a FringeArts Scratch Night.

"Socks Brick," David Brick

“Sock Piece.” Photo: David Brick

Their shared interest in detail-oriented work, getting to the bottom of things, and the resulting laughter has led to their continued collaboration beyond Headlong. Irina has a background in film, and Mira in dance-theater. They began Rejected Thoughts with a Headlong tradition—a constellation—a collection of objects they were curious about. “We would then share, talk, embody, investigate things from our constellations, and give each other provocations. For example, after watching videos that Mira brought of different vloggers talking about very personal things on YouTube, I asked her if she wanted to make a vlog herself,” Irina explains. Although Mira’s vlog didn’t go beyond a rehearsal room, this research became important along with the idea of convenient intimacy, DNA tests, a speculum, and old family photos from Siberia.

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