Posts Tagged ‘Rhonda Moore’

International Fringe 2018: A Welcome to Artists from Around the World

Posted September 2nd, 2018

The United States government may be pursuing an isolationist policy but the Philadelphia Fringe is doing the opposite: opening its doors not only to the most creative American performers and performances but also to the best and most creative theater artists and their productions from around the world—overcoming the ancient fear of the symbolic Tower of Babel with people not understanding each other.

To show the worldwide scope of the 22nd Philadelphia Fringe Festival, we offer this spotlight on performers from abroad and productions by American artists that present a global perspective.

Theater writer Henrik Eger, editor of Drama Around the Globe and contributor to Phindie and Broad Street Review, among other publications, has lived in six countries on three continents and has visited Africa and Australia as well. He bids everyone a hearty WELCOME to the City of Brotherly Love—this year in 18 different languages: Arabic, Celtic, Chinese, English, Esperanto, Estonian, Farsi, French, German, Greek, Hebrew, Hindi, Irish, Italian, Latin, Polish, Romanian, and Spanish.

We start this year’s overview with a special welcome to two programs featuring a wide range of global creators:


  1. le super grandBienvenue & welcome to Montreal-based choreographer Sylvain Émard and Le Super Grand ContinentalLe Grand Continental wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances. The world’s most infectious performance event returns to the front steps of the Philadelphia Museum of Art in an even larger spectacle of dance.

More info and tickets here

  1. Bonvenon, willkommen, bienvenido, witamy, bienvenue & welcome to Do You Want A Cookie? from The Bearded Ladies Cabaret—a world premiere with an international cast. Do You Want A Cookie? serves up a delicious romp through cabaret history, with an international cast of artists performing a live revue of cabaret from the Chat Noir to Weimar nightlife to 21st-century drag. The all-star cast comes draws from around the world, including Bridge Markland (Berlin), Malgorzata Kasprzycka (Paris/Warsaw), Dieter Rita Scholl (Berlin), and Tareke Ortiz (Mexico City).

More info and tickets here


  1. ear whispered

    As Far As My Fingertips Take Me. Photo by

    وسهلا اهلا (ahlaan wasahlan) & bienvenu. Welcome to Tania El Khoury who lives in Lebanon and the UK with her multifaceted program ear-whispered. Little is known about Palestinian refugee camps and their communities. El Khoury presents her Fringe work in five parts through interactive performances and installations at Bryn Mawr College:

    1. Gardens Speak, an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. (Bryn Mawr College.) Read more.
    2. Camp Pause, a video installation that tells the stories of four residents of the Rashidieh Refugee Camp on the coast of Lebanon. (Bryn Mawr College.) Read more.
    3. As Far As My Fingertips Take Me, an encounter through a gallery wall between a single audience member and a refugee. (Old City & Bryn Mawr College.) Read more.  
    4. Stories of Refuge, an immersive video installation that invites audiences to lay down on metal bunk beds and watch videos shot by Syrian asylum seekers in Munich, Germany. (Old City.) Read more.
    5. Tell Me What I Can Do, a newly commissioned work featuring letters that audiences have written in response to Gardens Speak. (Bryn Mawr College.) Read more.

More info and tickets here

  1. Bienvenido & welcome to the bilingual (Spanish & English) cast of La Fábrica performing Gustave Ott’s Passport. Lost in a foreign country, Eugenia is detained and thrown into a vicious maelstrom of miscommunication. This poetic and immersive Kafkaesque thriller delves into the question of immigration—exposing the mechanics of language and power. Some performances will be presented in English, some in Spanish, and some will be decided at the toss of a coin.

More info and tickets here

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Meet the dancers of Levée des conflits’ professional workshop, Pt. 4

Posted September 8th, 2016

On September 9th and 10th FringeArts and Drexel University’s Westphal College will present Levée des conflits, a dance in the round from world-renowned choreographer and dancer Boris Charmatz, as part of the 2016 Fringe Festival. Beginning September 7th, Westphal is hosting a series of lectures and workshops—professional and community—around the performances as part of a series dubbed Boris Charmatz: Dancing Dialogues,capped off with an informal performance from the professional workshop of 24 local dance artists. In anticipation, Dancing Dialogues has been profiling each participant and we’ll sharing their reflections on their craft here. (Pt.1Pt. 2, and Pt. 3)

Rhonda Moore

rhonda moore“I was in a dance school literally for a while where they would just throw all of the leftover people to me. And I was supposed to figure out what to do with these people. And my greatest works have been those people that everyone sort of like dismissed, you know, because I am kind of the person for the underdog. I think that people haven’t ever been spoken to in a certain way or really believe that they can really get through their extremes too. Everyone is not going to be a dancer, clearly. But everyone has a story and if you’re a good teacher you find a way to get that person to get to the deepest level of really expressing what they have to say.”

christina zani


Christina Zani

“I feel like I’ve rubbed up against so many different cultures and communities as a performing artist, and as a dancer especially, and a person that lives in the body and does things with other people’s bodies, that is just considered strange and taboo in our culture. And all of that feels very subversive and human to me in ways that other professions, and other art forms as well, don’t get into that place.”


je kim

Je Kim

“Q: What does it feel like to be in your own work? A: Home.

In other people’s work, it’s like being in somebody’s house, but I’m just their guest. But I’m mostly me, myself. But not like going to somebody’s house that I don’t know. It’s like going and visiting parents’ house, visiting best friend’s house, visiting girlfriend’s house, you know, just hang out and watch TV.”


erin elizabeth carneyErin Elizabeth Carney

“I consider myself to be a writer so usually I’ll journal and I’ll write a lot about certain ideas that I have circulating around that topic. Then usually I’ll try to find a story of a sort, or at least a theme that I’m trying to attack. For the past show that I made, I had so many different images and so many things that I wanted to say. But it didn’t make sense in my mind unless I made a map of it. So I drew a physical map, which then became like the actual odyssey. Like, there needs to be a river that they need to go over, and there will be a mountain. And each of those things eventually became more thematic things. But I drew so many floor plans of places that didn’t exist.”

Le Grand Rehearsals

Posted September 9th, 2012

In addition to talking with rehearsal director Sarah Gladwin Camp earlier in the week, blog contributor Marina Kec also chatted up Le Grand Continental rehearsal assistants Jacelyn Biondo, Gabrielle Revlock, and Rhonda Moore about working with the motley crew of awesome people who will seize the Art Museum steps with dance one more time today, at 4:00 pm. After the jump.

Nick G’s daughter, rapt by “Le Grand Continental.”

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