Posts Tagged ‘Sans Everything’

Who’s Who in High Pressure Fire Service, part two

Posted April 2nd, 2019
by Raina Searles, Marketing Manager

In March, we kicked off High Pressure Fire Service (or more colloquially, HPFS, pronounced “hip-fizz”) with an incredibly moving production chronicling the disability rights movement in A Fierce Kind of Love, produced by the Institute on Disabilities at Temple University, and we followed that with a thought-provoking musical satire about the American abortion debate, The Appointment, by Lightning Rod Special. In just a couple weeks, we’ll kick off a highly interactive show made for a family unit and exploring the line between play and performance, Broccoli, Roosevelt and Mr House! by the Berserker Residents. But today, we’re talking about the final three shows in HPFS: where you’ve seen these artists, what to expect in their work, and breaking down Who’s Who in High Pressure Fire Service…part two.

Coming up this May,  A Hard Time by Pig Iron Theatre Company opens at FringeArts. Long time Fringe fans will recognize Pig Iron from many of their notable devised works presented by FringeArts. Most recently, they produced A Period of Animate Existence in the 2017 Fringe Festival. Other recent works include Swamp Is On (2015), 99 BREAKUPS (2014), Pay Up (2013), Zero Cost House (2012), Twelfth Night, or What You Will (2011), and many more going back to the origins of the Fringe Festival in 1997!

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Why Alexa and Siri are not your Friends

Posted February 2nd, 2017

Sans Everything, the new show by Lightning Rod Special and Strange Attractor premiering at FringeArts February 9–11,  explores a future world beyond the singularity.  Singularity is the prediction that one day technology will become so smart that it surpasses all human intelligence, and we will become obsolete. This idea was first synthesized by physicist John Von Neumann, who wrote,“The accelerating progress of technology and changes in the mode of human life, give the appearance of approaching some essential singularity in the history of the race beyond which human affairs, as we know them, can not continue.” He was issuing this warning BACK IN THE 1950s, when the TV was a weird box that played moving pictures and the toaster was the latest, greatest kitchen gadget. The word “Snapchat” didn’t even exist yet. Little did he know the leaps and bounds that were about to occur in technology over the next few decades.

These days, artificial intelligence, or AI, is a major part of our everyday lives. We carry them around with us (yo homegirl Siri), listen to them in the car (any GPS ever), and talk to them when we get home (“Alexa, read me the news”). We’ve become so saturated by everything that I don’t think a lot of people really consider the downfalls of having highly advanced technology at their fingertips. In fact, there’s a conference held every year where AI scientists get together and project when robot-agetton is supposed to happen. The latest estimate stands at 2040. Since that isn’t tooooooo far off, humans should probably be preparing for it and coming up with scenarios as to what could potentially happen if/when our technology becomes better than us.

Luckily we have HOLLYWOOD ACTION MOVIES that have taken this concept and shown us the plethora of possibilities that could result from a technologically ruled society. Strangely, a lot of these movies star actual cannibal Shia Labeouf.

Eagle Eye (2008)

Here, Shia and friend Michelle Monaghan are seen pushing through a crowd of people, presumably at the behest of the artificial intelligence system ARIIA (seen on the right). ARIIA has been given access to all of the security cameras, traffic grids, and cell phones throughout the entire United States (*cough* Patriot Act *cough*), and uses them to control humans to ultimately free her from the programming that restricts her from total control. ARIIA is ruthless and lethal, but has a soothing podcast voice, courtesy of Julianne Moore. In the end, Shia saves the DC metro area from a nuke and everyone lives happily ever after.

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