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Posts Tagged ‘17c’

The Best 21st Birthday You’ll Ever Attend

Posted August 24th, 2017

The 21st Annual Fringe Festival is almost here, can you believe it? I can’t, but time doesn’t need me to believe in it to do what it does. Time isn’t Candyman, but it is about as terrifying, if not more so.

Regardless, this year’s Festival may be the largest yet with some 170+ performances shaking up our city from September 7-24 and it’s hard to know where to start. So, I’ll make it easy for you: start at the beginning.

On September 7th FringeArts will be hosting its annual Opening Night celebration here at our waterfront headquarters. The festivities kick off with a special preview performance of 17c by the world renowned Big Dance Theater, a company with a habit of dragging the past into the present. With 17c they’ve done just that, drawing from perhaps the most dedicated diarist of the 17th century, Samuel Pepys, modernizing his language, and examining the depravity of his actions through a contemporary feminist lens.

After the performance comes the party. Join us at La Peg (you don’t even have to leave the building!) for a reception created collaboratively by FringeArts’ President and Producing Director Nick Stuccio, La Peg Executive Chef Peter Woolsey, and Annie-B Parson.

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Making Art in 2017: Annie-B Parson on 17c

Posted August 20th, 2017

Name: Annie-B Parson

Company: Big Dance Theater

Show in 2017 Festival: 17c

Role: Co-Creator, Co-Director, Choreographer

Past Festival shows: Plan B (2004)

FringeArtsTell us about your show. 

Annie-B Parson: This piece is primarily an interrogation and a rendering of the 17th century diaries of Samuel Pepys, perhaps one of the most hyper-graphic, non-hierarchical chroniclers of the minutiae of each day. He wasn’t a writer in the sense that he analyzed or poeticized experience as he meditated on the world—no! He was more concerned with his clothes, his boils and his libido. These diaries are monumental records of dailyiness, which is close to my heart.

Photo by Ian Douglas.

FringeArtsHow have your interests in or approach to art making changed in the last year? 

Annie-B Parson: The world will always create a lens or frame in which to see your work, and since January 2017, I think we will all view our society, and thus our work, differently forever. In the past year, the piece has become more about Sam’s wife Bess, whose diary was burnt by him, and at the risk of sounding trite, the effort has been to find her voice. It was always there in dance, but it became important for me to hear her speak as well. We also drew a more pointed “outing” of Samuel Pepys as a sexual predator. The complexity of his character did not suffer in any way by clarifying this behavior.

FringeArtsTell us about an instance from 2017 where your interaction with art provided some much needed solace or refuge from outside troubles.

Photo by Jeff Larson.

Annie-B Parson: I felt this more during 9/11 to be sure. At that time, the word solace came up over and over again in my mind. I would notice a beautiful attention to generating material that year, as if theater were a refuge and perhaps held a sense of hope.

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