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Posts Tagged ‘Fleisher Art Memorial’

2017 Festival Spotlight: Free Fringe

Posted September 9th, 2017

Seeing groundbreaking performance art doesn’t have to break the bank. Check out these free or pay-what-you-want shows at this year’s Fringe Festival.

 

Borderlands @ Studio 34
Philadelphia Theatre of the Oppressed

“To survive the Borderlands you must live sin fronteras be a crossroads.” — Gloria Anzaldúa. Come break the fourth wall as Philadelphia Theatre of the Oppressed explores the personal journeys of immigration & homecoming from prison. Devised & performed by formerly incarcerated Philly women who have reentered society. More info and tickets here.

 

 

Monarch @ Fleisher Art Memorial
Christine Doidge, Amanda Holston, James Miller

Monarch is one woman’s retelling of the story of Queen Elizabeth I and Mary, Queen of Scots. Fleisher Art Memorial’s beautiful sanctuary sets the stage for past to become present. Fill in the blanks of history (with an irreverent dose of fiction) as a centuries old rivalry comes to a head. Queens will rage. Crowns will fall. Heads will roll. More info and tickets here.

 

 

Perspectives @ The Galleries at Moore
AIM Academy Drama

“You look at me. What do you see? You don’t know who I am.” Young writers share their perspectives on body shaming, gender identity, anxiety, online personas, loss, and ADHD and invite the audience to join them as they confront preconceived ideas, assumptions, and judgments. More info and tickets here.

 

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Almanac Presents Leaps of Faith and Other Mistakes

Posted June 8th, 2015

“We want audiences to be engaged in every moment, but we also want them to feel like anything can happen at any moment.” 

JennaSpitz-1What happens when we trust too much? Come see Leaps of Faith and Other Mistakes to find out.

Philadelphia’s Almanac Dance Circus Theatre brings Leaps of Faith and Other Mistakes to the ecclesiastical confines of the Sanctuary Space at Fleisher Art Memorial, June 24–28. This is the company’s second full-length undertaking, after last year’s Communitas. Almanac is the resident company at the Philadelphia School of Circus Arts and are artists-in-residence and Mascher Space Cooperative. Early stages of the show began with a residency in Montreal with Cirque du Soleil’s Jerome Le Baut and Cirque Eloize’s Robert Bourgeoisie.

Mixing acrobatics, theater, circus, dance, and music, Leaps and Faith and Other Mistakes tells the story of four hobbyists who form an isolationist seafarer cult. Through powerful levels of trust, exceptional acrobatics, and the help of their trusty sofa, the four individuals journey to a greater world. The show is created by performers Nicole Burgio, Nick Gillette, Ben Grinberg, and Adam Kerbel, along with writer Josh McIlvain of SmokeyScout Productions and music by Patrick Lamborn, who also performs live. We gathered a few of the Almanac gang—Ben Grinberg, Nick Gillette, Adam Kerbel—to talk to them about their upcoming show!

JennaSpitz-4FringeArts: What’s this show about?

Ben Grinberg: It’s about what happens when we trust ourselves, and those around us, too much. It uses partner acrobatics, which demands levels of physical trust that would be insane to normal people—even sometimes those in committed relationships—as a lens for this. What is the difference between that kind of conviction and the convictions of a religious zealot? A cult-leader?

Nick Gillette: It’s about four people taking the hard road towards something bigger than themselves. Each one of them has an individual reason to leave everything behind for a new world.

Ben Grinberg: Oh yeah, the play is about the four of us forming an isolationist seafarer cult, leaving the world behind, taking new names, and freeing ourselves.

FringeArts: With a little less than 4 weeks to go, what are you working on to get the show ready?

Nick Gillette: We’ve created a ton of material and now have the task of sorting it into a cohesive whole. Much of the next few weeks will be spent ordering scenes and acrobatic phrases and seeing how it feels as a whole piece. With so many facets and modes of performance, we want to really craft a satisfying ride through the different styles.

Ben Grinberg: For this piece, we want audiences to be engaged in every moment, but we also want them to feel like anything can happen at any moment. To do that requires a lot of sculpting.

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