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Making Art in 2017: Nate Barnett and Nick Schwasman on Wedgwood on the Green

Posted September 11th, 2017

Image by Jordan Schellinkhout.

Name: Nate Barnett and Nick Schwasman

Company: Drip Symphony

Show in 2017 Festival: Wedgwood on the Green

Role: Co-Directors, Performers

Past Festival Shows: Millennia, Damn Dirty Apes, Pay Up!

FringeArtsTell us about your show. 

Nick SchwasmanWedgwood started as poetic memoir that Nick wrote in 2014. We mounted it in the 2015 Solow Festival as a live radio play. Now we’re collaborating with a variety of artists to create a fully visual show. The story deals with a group of young men who are discovering dark truths about their supposed masculinity as they approach the threshold of adulthood. We tell the story in and out of the round: the audience is seated in a circle of swivel chairs. A narrator sits in the middle, but all around is the world of Wedgwood. They choose what they do and do not see.

FringeArtsHow have your interests in or approach to art-making changed in the last year? 

Courtney Cooke and Devin Preston. Photo by Nate Barnett.

Nick Schwasman: I think the two of us are feeling like we are coming out of a part of our life where we were holding tight to our training and technique. We spent quite a few years admiring the complexities of artistic traditions, studying in discipline and reverence, the music of Leonard Bernstein, poems of WB Yeats, artists whose work have become sturdy pillars by now. I think lately, we’re less interested in the classic stuff, we’ve become obsessed with experimental techniques. For us, the clearest way forward to making new and better art is by bringing an almost scientific attitude towards its creation—testing new ideas rigorously, imagining future possibilities based on experience. It’s the artists that have done this whom we most admire, and how we intend to move forward.

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