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Happy Hour on the Fringe: DJ Dame Luz

Posted November 4th, 2019

On this episode of Happy Hour on the Fringe we recorded musical artist DJ Dame Luz before her upcoming Halloqweens event that took place at FringeArts on October 26. Listen as she talks about the people who have inspired her, along with the origins of Halloqweens.

Featured photo: Halloquweens Event

Listen to the episode and read the transcript below.

Conversation with DJ Dame Luz 

[Music Intro]

Raina: Hello, and welcome to Happy Hour on the Fringe. FringeArts is Philadelphia’s premiere presenter of contemporary performing arts. I’m Raina Searles, Marketing Manager here at FringeArts.

halloweens promo with women dressed as devilsJarod: I’m Jarod Hughes, the Podcast Production Intern here at FringeArts. We invite you to pour one up, enjoy our conversation with some of the most imaginative people on the plane of existence. Today, we’re excited to talk about Halloqweens, the best queer Halloween party in Philadelphia, here at FringeArts for the third year, on October 26th, from 10 PM to 2 AM.

Raina: Created by DJ Dame Luz, the party features performances by artists spanning the nightlife and drag communities, alongside some of the most exciting DJs in the city. This is the party that you save your good costume for. So, welcome, Dame Luz.

Dame Luz: Hi. Thanks for having me.

Raina: Yeah, we’re excited to have you here. So, first of all, it’s Happy Hour on the Fringe. We always record at varying times, so our first question is, what are we all drinking, though?

Dame Luz: Water. I always stay hydrated.

Raina:Yes. I am also drinking water, out of a Mason jar, to be fringe-y. Just to start off, take us back to the start of HalloQueens? How did this idea come to you, what spurred you on?

Dame Luz: Halloqweens started out from an event that I used to do, in collaboration with someone else. It was called Cut and Paste. Halloqweens was just our yearly Halloween party. I’m a really big fan of Halloween, period.

Raina: Mm-hmm (affirmative).

Dame Luz: So, yeah, I was really excited to do that.

Raina: Yeah.

Dame Luz: Throw a big party!

Jarod: So, this will be the sixth year that you guys are doing Halloqweens, right? What are some of the highs and lows of this event for you? As you’re doing it, what is something that is extremely stressful, and something that you’re just bang on the part?

Dame Luz: The first few years, it was pretty low maintenance, as far as production wise. We held it at a smaller venue called [The Barberry 00:02:12]. We took up two of the floors there. You know, it was pretty low maintenance. Forward working at Fringe, yeah, we were able to elevate production. So, as far as what’s been stressful, low points, high points, was that the question? I think working by myself the past couple of years, I definitely felt like I was taking on a lot, you know? I’m a Virgo, so, yeah. This year, I’ve teamed up with someone else to co-curate, so I want to say that’s a high point.

Raina: Awesome. That is Hawkmoth Events?

Dame Luz: Yes.

Raina: How did you build that collaboration?

Dame Luz: I’ve just been in admiration of what they’re doing for a while now. I was like, yeah, this year, it’s a lot of work to do an event by yourself, so I was like, I’m not going to do it unless I find the right person to collab with. I was so excited when they said yes.

Raina: Awesome. So, is there anything that people might see this year, as you’re building this new partnership and trying new things, is there anything people might see that’s different this year?

Dame Luz: So, in my collaboration with Hawkmoth Events, they’re in change of the visual aspect of things. This year, expect to see an elevated, just better lighting and visuals. That’s something we’re really looking forward to.

Raina: Awesome.

Jarod: So, I want to talk about, now that you’re doing this collaboration, is there anything that’s been challenging you guys, where maybe conflicting ideas or anything, that you’ve had to work out?

Dame Luz: No. It’s been pretty organic and flowing, honestly. Yeah, they’re another Virgo.

Raina: Okay, so two Virgos together is good?

Dame Luz: It’s a super Virgo team.

Raina: Great. The goal of HallowQueens is to create a safe and equitable space for queer performers and audiences to come together, but with the success of Halloqweens, we’ve seen a number of people from different walks of life, coming together, all partying together. The question is then, what does it mean to be an ally in 2019? What are you excited about as you see Halloqweens grow?

Dame Luz: To be an ally in 2019, I feel like it’s offering support, but also knowing when to step back, you know? Yeah.

Dame Luz: Then, what was the other question?

Raina: How are you excited to see Halloqweens grow?

Dame Luz: Like, how am I excited?

Raina: Yeah.

Dame Luz: I mean, yeah. I’m like –

Raina: What are you excited about?

Dame Luz: What am I excited about? I’m excited about the visual aspect, for sure, this year. We’ve teamed up with a few artists who do 3D animation. I’m really excited to have these visuals. I feel like the visuals are going to be really queer, and spooky. I feel like it’ll resonate with a lot of people.

Raina: Are they going to be projected up on the walls?

Dame Luz: Yeah.

Raina: And moving around? Okay. Like a 360 view, or specific areas?

Dame Luz: We’re still figuring that out.

Raina: Mm-hmm (affirmative).

Dame Luz: We have a meeting next week with the visual team to figure that out. Yeah, there’s definitely going to be a lot more visuals.

Raina: Okay.

Jarod: Last we recall, you were talking about how you wanted it to resonate with the people. I just want to get a feel. How do you want your audience to get understanding of what you’re showing when the event happens? More so, what do you want them to experience, to take away from it all?

Dame Luz: I want them to experience, you know, queer night life at it’s weirdest. Yeah.

Dame Luz: More specifically, I want them to take away, from the artists, how amazing these queer, POC artists are.

Raina: Well, it’s Halloween. You said you’re a big fan of Halloween. What are some of your best costumes that you’ve done over the years?

Dame Luz: Over the years? I was a succubus thing last year, which I was really excited about.

Dame Luz: Honestly, I’m pretty basic. I’m Lydia almost every other year. Every version of Lydia.

Raina: Yeah. I mean, I can’t say I’m much better. I usually wear black, and then call it something. So, last year, I was a business witch, because I wore a long black sweater, and black heeled boots, and went to work like that. So, I was business witch. But, it’s usually business witch, model, spy, anything you can wear black for and then call it a night.

Dame Luz: Oh, no. It always has to be spooky.

Raina: Okay.

Dame Luz: Spooky only.

Raina: Mm-hmm (affirmative).

Jarod: I’ve never dressed up.

Raina: Never?

Jarod: Maybe when I was a child. I haven’t done Halloween since I was, like, 13.

Raina: Oh, wow. What do you normally do?

Jarod: For Halloween?

Raina: Yeah.

Jarod: The past four years, my Halloween has been studying. So, that’s what I did on Halloween. I stayed in my library, and got 10-page papers. I haven’t done a Halloween in years.

Dame Luz: Maybe this is your year!

Jarod: Maybe.

Raina: Yeah. So, do you have any hints on your costume for this year?

Dame Luz: I’m still working out the details. Halloween is a season for me, so by the time Halloween proper happens, I’ve already done three different costumes.

Raina: Mm-hmm (affirmative).

Dame Luz: Yeah. There’s a lot to plan this season.

Raina: Yeah.

Jarod: So, you’ve been talking about some of the artists that you have. Can you describe some of the music, and stuff they’re going to be doing? Give us a little hint of what’s going to be happening, what they’re going to be doing?

Dame Luz: This year, we’ve got a live performance. We have this R&B singer, Tama Gucci, who is awesome. I’m really excited to have him. Yeah.

Raina: How do you choose the artists that you’re going to bring in each year?

Dame Luz: You know, that’s funny. Just yesterday, I was watching this TV show on Netflix that came out, it’s Rhyme and Flow.

Raina: Rhythm?

Dame Luz: Rhythm and Flow, yeah.

Raina: Yes.

Dame Luz: You know, I’m looking at the New York episode, and I’m like “Oh my God, that’s Cakes da Killa!” We booked Cakes da Killa for Halloqweens, like, three or four years ago.

Raina: Mm-hmm (affirmative).

Dame Luz: Seeing, you know, the growth of the artist that I’ve booked for this event. Like, Princess Nokia played Halloqweens a couple years ago, and she’s really big now. I think I’m really into finding, obviously, artists that resonate with queers, and that are doing amazing things, but that are also attainable.

Raina: Mm-hmm (affirmative). Do you have a reach goal, in the future, however far away it is? Someone who is on your radar, and you want to use this as a platform to let them know, you want them to come to HallowQueens.

Dame Luz: Oh my God, there’s so many! Mickey Blanco, for one. I’m a huge fan of Mickey Blanco’s work.

Dame Luz: Who else? Baby Mutha.

Raina: Awesome.

Jarod: So, what inspires you to continue to do this event, year in and year out? Like, I know you said this year, you wanted to find a partner to do it with you. Not even for just this event, but for your own artistic abilities and imagination, what continues to inspire you to do this?

Dame Luz: Like I said, I just really love Halloween. I just want to take the experience higher and higher, every year, as far as this particular event is concerned.

Raina: Where can we find you, year round, doing work around the city?

Dame Luz: I DJ all over the city. I put on numerous events.

Dame Luz: Most recently, I did a Beyonce Birthday Night, which I actually held here the first two years, at Fringe.

Raina: Mm-hmm (affirmative).

Dame Luz: Yeah. That was one of my big ones recently. I do all kinds of events.

Raina: Yeah. What are you looking forward to? We talked about what you’re looking forward to next in HallowQueens, but are there any career aspirations that you have, or goals, what your next big thing will be?

Dame Luz: I definitely want to work more towards collaborating with other event producers, and working more on festivals, and block parties. That’s how I envision my future as an event organizer.

Dame Luz: As far as a DJ, and music maker, I’m currently working on my P, so that’s what I’m working on.

Raina: Nice. Yeah. Do you imagine that you’ll stay based in Philly, or more open to traveling?

Dame Luz: I love to travel, so if I have the opportunity to travel, I would. Yeah, I love Philly, I’ve been here for seven years. I’m a native New Yorker, and this has given me New York in the nineties, which I’m very nostalgic for.

Raina: Mm-hmm (affirmative).

Dame Luz: Yeah, I won’t be leaving Philly any time soon.

Raina: Did you start DJing in New York?

Dame Luz: No. I started DJing when I moved to Portland, Oregon.

Raina: Okay.

Dame Luz: I mean, I learned how to DJ when I lived in New York, I grew up in the South Bronx, the birthplace of hip hop. DJing as an art form. I learned these things early on, but it wasn’t until I lived on the West Coast that I considered even doing it.

Raina: Mm-hmm (affirmative). Portland is known for being kind of quirky, and weird in their art scene. Did that help shape your practice at all?

Dame Luz: Yeah, no, just my journey as a DJ and event producer has evolved so much since then. Yeah, no, I loved it. I was so … Yeah, I’m sorry. I’m just like, oh my God!

Raina: Yeah, awesome. What ended up bringing you to Philly, then?

Dame Luz: I tried to move back to New York, and after living on the West Coast for almost a decade … I’m giving my age away. It just was a different New York, and the pace was a little too much for me. I got acclimated to a more chill vibe, and an affordable, accessible type of city, at least economically so. Everyone was like, “Oh, you’d really love Philly.” So, I came to visit. Two months, and I just packed and moved to Philly.

Raina: Oh, wow. Well, that’s a great reputation for us.

Raina: It’s funny, I know Philly is often accused of having that younger sibling syndrome, or second place syndrome to New York, but Philly has its good things about it, which is always great.

Raina: Yeah, so, one of our big questions is just, in general, what are your high brow and low brow inspirations? So, high brow, like whatever high art, whatever you consider to be high art. Low brow can be what you’re watching in Netflix or whatever, like reality TV. Yeah, high brow, low brow inspirations for your work, your practice, as you’re creating?

Dame Luz: I grew up on a lot of John Waters movies.

Raina: Okay.

Dame Luz: That’s always low-key been an inspiration, as far as the kind of spaces I like to create. Just, yeah.

Dame Luz: Then, as far as low brow, high brow, Susanne Bartsch. I don’t know if you know her? She has a documentary on Netflix now. She’s this big, New York event promoter, producer.

Raina: Mm-hmm (affirmative).

Dame Luz: She’s known for her off-the-wall costumes, and very low brow but still fashion and glamorous.

Raina: Do you know what the documentary is called?

Dame Luz: I think it’s, like … It definitely has her name in it.

Raina: Okay. Susanne Bartsch?

Dame Luz: Mm-hmm (affirmative).

Raina: Okay.

Dame Luz: You should watch it.

Raina: I will definitely check it out.

Dame Luz: I want to be the Dominican Susanne Bartsch, that’s goals.

Raina: Good goals to have. Awesome.

Jarod: Another question we just wanted to ask you was, how can people continue to support you? Not just now, but for years to come? For the people that are going to be listening?

Dame Luz: Yeah, you know, money talks.

Raina: Mm-hmm (affirmative).

Dame Luz: That’s been a hindrance to elevating this event, has been the lack of monetary resources. Yeah, that’s been a challenge, finding people who will sponsor us, and give us money so that we can have this event be more amazing.

Raina: Yeah.

Dame Luz: We can get the artists that cost a lot of money.

Raina: While also keeping ticket prices.

Dame Luz: Also, keeping ticket prices lower and accessible, exactly.

Raina: Where can we find you on social media?

Dame Luz: So, you can find me @DJDameLuz on Instagram. Something to that effect on Facebook, yeah.

Raina: Great.

Raina: Well, thank you so much for joining us on this episode of Happy Hour on the Fringe. Before we close, is there anything else you want to share about Halloqweens, or what you have coming up?

Dame Luz: I think we touched on everything. Thanks for having me!

Raina: Yeah, thank you.

Raina: Halloqweens is October 26th at FringeArts, and tickets are on sale now. Make sure to follow us on Facebook, Twitter, Snapchat, and Instagram, and download the FringeArts app. You can also visit us at Fringearts.com.

[Exit music]

Celebrate Halloweekend at FringeArts!

Posted October 24th, 2018

Halloweekend at FringeArts is jam-packed with ghoulish good times! Take a look at what’s in store.

Outdoor Movie: Ghostbusters (1984) Rated PG-13

Thu, Oct 25 8 PM (Quizzo at 7 PM)

Ghostbusters Feature Image

Calling all mega fans! We’ll start off the night flexing our film knowledge with a pre-show quizzo and La Peg’s Halloween drink specials ($8 mulled wine, $6 hot chocolate, $8 spiked hot chocolate, $8 New Harvest) at 7 PM. Then witness your fave ghostbusting professors exterminate ghosts and save New York City in the process. Costumes are recommended but a cozy sweater or blanket is highly suggested.

The night doesn’t end there. That same evening we will be moving inside for….

Burn It All Down: A BTF Spectacular

Thu, Oct 25 at 10:30 PM

halloweekend

Bechdel Test Fest was born in 2014 to create a comedy festival to celebrate the talented and hilarious women, trans and non-binary comedians who make up a significant part of the local comedy scene. Now entering its 4th year, Bechdel Test Fest is resurrecting their favorite acts for a Spooky Late Night Comedy Spectacular.

The line up will include:

Kat Mosely – Storytelling

A Song In Her Ear – The Musical Improv Group of Philly Phame

Tan Hoang – Stand up

Alyssa Al-Dookhi – Stand up

CJ Higgins – Musical comedy

Cups and a Half – Sketch comedy

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Art, Activism, and Poison Cookies: Watch John Jarboe talk about the Bearded Ladies’ Fringe show

Posted September 4th, 2018

“It’s like Sleep No More without dancing and a lot more booze.”

The Fringe Festival officially kicks off this Thursday, but the shows begin tonight with a preview of the Bearded Ladies Cabaret’s Do You Want A Cookie?

Last month, John Jarboe, artistic director of the Bearded Ladies, talked to Jill Horner of Comcast Newsmakers about the company’s 2018 Fringe Festival show. Touching on  the history of cabaret, he tells her about the company’s political grounding and how the show considers the role of art in activism: “You get to wander from room to room and encounter these brilliant cabaret performers that are doing this work of crossing between art and activism. You get to encounter them in various spaces and installations throughout the piece. There’s going to bar on every floor. It’s going to be a really fun event.”

Read More

Making Art in 2017: HoneyTree EvilEye aka Timaree Schmit on A List of Common Misconceptions

Posted September 2nd, 2017

HoneyTree EvilEye. Photo by Ryan Gerbino.

Name: HoneyTree EvilEye aka Timaree Schmit

Company: SEXx Interactive & Polyglamorous Productions

Show in 2017 Festival: A List of Common Misconceptions

Role: Performer, Co-Producer

FringeArts: Tell us a bit about your show.

Timaree Schmit: We’re tackling inaccuracies about sexuality, but rather than being a boring lecture, we’re utilizing burlesque, drag, and live music, all in the silly tone of a cheeseball after-school special. My PhD is in sexuality education so I spend a lot of the day trying to talk to folks about the realities of sex, an area that is as rife for misinformation as any. Meanwhile, my nights are spent as a burlesque performer and I get to witness the education and activism potential of performance art.

SEXx Interactive is a sex-positive collective that seeks to build community, educate and empower and they were a natural fit for this project. Polyglamorous Productions is a collective of artists who all inject a lot of sexuality messages into their performances anyway. This is the synthesis of what we’re about.

There are so many common misconceptions about sexuality, ranging from the historical (chastity belts weren’t actually a thing in the middle ages, Mary Magdalene wasn’t a sex worker) to the random (bears aren’t actually drawn to your menstruation), to the socialization we get from porn and commercialized sexuality. We get wrong intel from media, peers, church, government and more and there are important reasons that this misinformation is disseminated.

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Fringe at 20 Profile: Jess Conda

Posted August 10th, 2016
Above Photo: Conda with Red 40 and the Last Groovement (photo by Chris K Photography)

 

Media Fine Imaging Eternal Glamnation

Conda in BRAT’s Eternal Glamnation (photo by Media Fine Imaging)

Name: Jess Conda

Type of Artist: actor, cabaret singer

Company: freelance, free love art maker; I get down a little bit with everyone

List of Fringe shows I’ve participated in:
The Lazy Activist, BRAT Productions, 2003 – ensemble performer/creator
Pay Up, Pig Iron, 2005/2013 – ensemble performer/creator
Eye 95 Re-Tarred, BRAT Productions, 2006 – ensemble performer/creator
Armageddon at the Mushroom Village, Tribe of Fools, 2009 – ensemble performer/creator
Water Bears in Space, Transmissions Theatre, 2011 – ensemble performer/creator
Heavy Metal Dance Fag, Tribe of Fools, 2011 – ensemble performer/creator
Festival Bar, RUBA Club, 2011 – programming director
Eternal Glamnation, BRAT Productions, 2012 – ensemble performer/creator
99 Breakups, Pig Iron, 2014 – ensemble performer/creator
Purgatory, Gunnar Montana, 2015 – performer
The Lid, BRAT Productions, 2015 – ensemble performer/creator

Fringe show I’m participating in for 2016: Performing back vox and raps with Red 40 and the Last Groovement opening night of the Festival

First Fringe I attended: 2003. Highlight was was walking to rehearsal and seeing all of this ACTION, in the box office, postcards flying around everywhere, Greg Giovanni performing Noh theater in the street in a kimono, artists all a flutter with this Olde City Fringe hub bub that made me giddy to be a part of this weird and amazing new art life.

First Fringe I participated in: Ranch-O Trivio show was a game show about George W Bush that BRAT played in the street. It was memorable to see how little regular folks knew about their politicians. Some things never change…

Babydoll

Conda as Babydoll in Eye 95 Re-Tarred (photo by JJ Tiziou)

First show I produced/created at the Fringe: I was pretty proud of programming the Festival Bar in 2011, even though every day was 16 hours of hard, down and dirty work: rehearsing other shows, booking everyone for the bar, and working with the technicians to get the Festival Bar space physically ready. On Opening Night of the Festival I was sweaty, covered in saw dust, wearing electrical tape around my wrists and my phone was in my bra ringing and glowing away. I had brought this whole gown and heels ensemble to wear to host that night but I was so tired I was like, “Fuck it, this is how I’m going on stage.” I riffed about how this is what Art Warriors REALLY look like and it was one of the most connected times on stage I’ve ever experienced.

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Disabled like a titanium lollipop: Musician, Model, and Medical Experiment at the 2015 Fringe

Posted July 29th, 2015

1683-e37a8444bc2810407a1fd83fba3b1b8a“Anomie was born at age twenty on an operating table. Surgical experiments saved her life but left her disabled like a titanium lollipop.”

Anomie is a musician. Outside of creating music, she models for “Sick and Sexy,” her self-created group for alternative models with disabilities. Anomie has undergone several surgeries.  She is an artist who has Ehlers Danlos Syndrome (EDS), a genetic defect in connective tissue, which impacts joints, skin, and muscles. After a series of medical issues in 2008, she was forced to discard her life as a biochemistry college student in exchange for a new identity. The physical complications that occurred as a result of EDS have not only left her physically disabled, but have also stranded her on the outskirts of society. “My bones are titanium from the neck up, and I’ve been an electric wheelchair user for almost three years now.  I refer to it as ‘my mecha-body,’ although I would prefer a robotic exoskeleton because sitting still for long periods of time really sucks,” Anomie says.

Anomie is taking her music and story to the 2015 Fringe Festival in a show, called Musician, Model & Medical Experiement. During her performance, which takes place at Agno Grill on September 6, 10, and 16, Anomie shares her story and reclaims her identity through song and burlesque. “The songs are about all sorts of things, evil doctors, bad boyfriends, bad girlfriends, vampires, and living in public housing in the projects. I will be doing at least one burlesque act per show. Because of my restricted mobility I cannot dance for burlesque, so I sing and use props instead,” she says. Her songs consist of guitar and digital back tracks. Some of her pieces are collaborative works, while others are solo creations. While Anomie’s music captures her own story, she references the larger disabled community. “I’d like to tell a story more than just singing and performing. The story is my personal experience, but the show is as much about me as it is about all of those who go through these challenges.”

Greatnecklogo-257x300Anomie refers to her community as “the underworld.” She uses this term because disabled people are locked out of society, prevented from participating in mainstream culture, by those in power who fail to include people with chronic medical conditions. Her songs make visible a group of people society tends to ignore. “I refer to ‘crip’ society as ‘the underworld’ a lot because of the way we have to live with chronic medical conditions. I am unable to work a standard job, live an average full life, get married, have a family, and feel like a part of regular society. This is not because of I have Ehlers Danlos Syndrome really. This is mostly because the system we live in does not allow disabled people to do that,” she says. Our city is inaccessible. The larger structure of our society allows disabled people to be disregarded. When the disabled community is not swept underneath the societal rug, they are noticed specifically for their difference through events that highlight their disability, like Special Olympics and non-profit fundraisers. Anomie is either erased from society or put underneath a microscope like a unrecognizable object. “I’ve had done experimental treatments for the neurological problems associated with Ehlers Danlos Syndrome, Arnold Chiari Malformation and Tethered Spinal Cord.  My cranio-cervical fusion surgery was recorded and used for teaching purposes at the Harvey Cushing Institute of Neuroscience.

When asked if she had a fetish, Anomie responded “No, but there are fetishes for people like me.”  She explained one called ‘devotee’ in which a person sexualizes care-taking of a disabled person. The other she explained was called ‘Agalmatophilia’ which is the fetishization of a statue, or in her case a person who is fixed solid with fusion implants.

1683-ab13436c70b238738d5e76d763fbad1c“Disability is the ultimate counterculture.” After struggling to participate in society, Anomie realized that she would always be excluded. Instead of trying to return to college for the third time, she is developing an identity that works for her. As she sings, she claims agency and strength, despite living in a world that denies her power. “I picked the name Anomie for myself, because that’s exactly what the word means: disconnected, rebel. But I’m not disconnected really, there’s a whole community of people living in this ‘underworld’ finding ways to make what we’re given with work.”

Musician, Model & Medical Experiment
Agno Grill
2104 Chestnut Street
Sept 6 at 3pm
Sept 10 at 9pm
Sept 16 at 9pm
Click for tickets

–Courtney Lau

Tonight! Scratch Night: Neighborhood Fringe Spotlight

Posted August 4th, 2014

Every Monday night in August, we’re offering free previews of the 2014 Fringe Festival–Neighborhood Fringe artists are serving up short excerpts of their work, and we’re serving up free beer. First one is TONIGHT!

This week’s lineup:

Laurencio Ruiz, with whom we spoke last week, offers up Incongruous, puppetry exploring the variations of the human form. Preview below.

Emily Schuman offers a new translation of Fernando Arrabal’s absurdist play Fando y Lis. Hey, we talked to her last week too!

Gunnar Montana returns to the Fringe with RESURRECTION ROOM. He explains the show below, promising, in the friendliest of voices, “demon geishas and hysterical body snatchers.” The vid closes with excerpts from his last work, Hybernate.

Factory Productions featuring Ann Artist will take you Through the Glass Ceiling as they explore the limitations of gender and feminine identity.

And choreographer Joanne McBride’s Broken Road tackles childhood, loyalty, and love.

First Scratch Night is tonight!
Free
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 4 at 7 pm

–Nicholas Gilewicz

The Weekender: What You’re Doing and Why

Posted July 7th, 2011

Another weekend is upon us! The Fourth and all its festivities are but a distant memory at this point, so party onward:

>>>All Weekend: It’s that time of year again! The 17th annual Philly QFest opens tonight in celebration of the international queer and LGBT film scene. With talent from all corners of the globe, the festival creates a venue for people to speak to the lived experience of queerness as it exists in Iran, India, Iceland, Chile, the U.S. and beyond. And if filmgoing just isn’t enough for you, the festival also promises nights full of after parties and special events. Check out the website for the full schedule and grab your tickets here.

>>>All Weekend: July 7th marks the kick-off for the first Philly Japan Arts Matsuri (PJAM)—a three-day-long music and film festival put on in support of the victims of Japan’s recent earthquake. Held at the Prince Music Theater, all proceeds will be donated to the Japan Disaster Relief Fund. The festival offers up a diverse range of films; from the story of a punk-rock Buddhist monk (a 2011 Sundance film) to action films about the Yakuza, the schedule has something for everyone’s taste. But wait! There’s more! Friday and Saturday night’s programming are also chock full of musical artists from across the electro-digital-hip-hop board. Tickets start at ten dollars. Check out the schedule for each night and grab your tickets here.

Abraxas, directed by Naoki Katô, premiered at the 2011 Sundance Film Festival

>>>All Weekend: Opening tonight and running through next weekend, No Regrets: A Piaf Affair promises to be a thrilling show for lovers of cabaret, Edith Piaf, Paris, and drag shows. Performed by the Bearded Ladies Cabaret, the show originally premiered at PIFA 2011, where it sold out. Now, the Cabaret is back, revisiting the piece at The Wilma Theater. The show runs July 7 -10 and again, next weekend, July 14 – 16. Grab your tickets here. Doors open at 10PM (ID required).

>>>Thursday: Head down to University City for The Baltimore Avenue Dollar Stroll. Restaurants serve up samples right off their menus. For the price of a dollar, you can enjoy everything from Dahlak’s samosas to Dock Street’s beers. The stroll runs 5:30-8:30PM.

>>>Saturday: If a cabaret performance just isn’t enough for you, hop over to Peek-a-Book Revue’s burlesque show at World Café Live. This self-described “neo-burlesque” troupe promises a night of comedy, musical performance, and, in true burlesque tradition, some entertainment of a more scandalous nature. Saturday night only, the troupe is putting on two shows—one at 6PM and one at 10PM. Get your tickets here!

–Logan Tiberi-Warner