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Archive for the ‘Scratch Night’ Category

Happy Hour on the Fringe: Conversation with Ben Grinberg

Posted May 24th, 2019

On this episode of Happy Hour on the Fringe, we had drinks with Ben Grinberg, Artistic Director of Almanac Dance Circus Theatre, instructor at Circadium and Pig Iron, and the curator and host for Test Flights, a circus scratch night. Join our conversation about how Ben found his way into circus, the growth of contemporary circus in Philadelphia, Almanac’s 5 year anniversary celebration season, and a teaser for who you may see at this July’s Test Flights! Learn more about Hand to Hand Circus Festival, running June 28—July 1.

Also, this weekend (May 24th) check out the final performances of Communitas: Five Years Later by Almanac Dance Circus Theatre.

Listen to the episode and read the transcript below.

Feature Photo by Daniel Kontz

Conversation with Ben Grinberg

[Music Intro]

Katy: Hello, and welcome to Happy Hour on the Fringe. FringeArts is Philadelphia’s premier presenter of contemporary performing arts. I’m Katy Dammers, Artistic Producer here at FringeArts…

Raina: And I’m Raina Searles, Marketing Manager. We invite you to pour one up and enjoy our conversations with some of the most imaginative people on this plane of existence. Here at FringeArts, our new work series dedicated to local Philadelphia artists called High Pressure Fire Service, or HPFS, as we like to call it, is coming to a close. At the time this episode is coming out, we have just two shows left coming up in June: The Sincerity Project #3, in 2019, by Team Sunshine Performance Corporation, which runs June 4th through the 8th, and Circuit City by Moor Mother, June 20th to the 22nd.

Katy: But today, we’re looking ahead to some of the events happening just the weekend after HPFS closes. We are presenting the second annual Hand to Hand Circus Festival, with Circadium School of Contemporary Circus, and with a dynamic performance by the Circadium first-year students on the 25th, called Circadium: Springboard, and then an exciting lineup of events happening June 28th through July 1st. Today, we’re chatting with Ben Grinberg, curator and host for Hand to Hand Scratch Night, also called Test Flights, and he’s the Artistic Coordinator and Theater Instructor at Circadium, and the Artistic Director for Almanac Dance Circus Theatre. Welcome, Ben.

Ben: Thanks so much.

Raina: So, our first question, as is tradition, is what are we all drinking for Happy Hour on the Fringe? Ben?

Ben: Well, it’s 2:30 pm, so I have an iced coffee, which is delicious. Thank you.

Katy: I’m drinking tea.

Raina: And I’m having a nice glass of cold water.

Ben: That’s pretty lame, isn’t it?

Katy: We’re doing our best. Doing our best in the midst of a work day on this Friday. Happy Hour will come soon enough.

Raina: Well, we’re always happy, that’s… We’re just happy with what we’re drinking.

Katy: Ben, maybe you can start by telling our listeners, how did you get started in physical theater and in circus?

Ben: Wow, okay, sure. I was a member of the inaugural class of the Pig Iron School, which was sort of my introduction to physical theater. I had done a bunch of theater in my life previous to that, but I really had no idea that you could think about creating your own work, or think about making work that didn’t start from a script. Until Quinn Bauriedel actually came, I was in my senior year of college, and I was directing… I had a crazy idea to do a commedia dell’arte version of Agatha Christie’s The Mousetrap for the experimental theater company, because I was like “Oh, these characters are all such archetypes!” And it was very strange, but so, in order to get some commedia training, we reached out in the larger Philadelphia theater world and Quinn came in and taught a four-hour physical theater workshop on commedia for us, and I…

My mind was completely blown. I had never been exposed to anything with levels of tension or anything like that before, so I knew, Quinn and I knew that I wanted to go to the Pig Iron School and start getting really invested in physical theater, and then at Pig Iron, one of the classes you have to take is acrobatics, which at Pig Iron, which I don’t know if you know I teach at Pig Iron, and their acrobatics is definitely about coordination, getting strong and staying fit as a performer, but it’s also about acrobatics as a metaphor for all of the kinds of risk-taking you need to do in order to open yourself up to be an available performer.

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Now For A Brief InternUption

Posted September 8th, 2015

PurgatoryMany of the people who make the Fringe Festival happen are interns. I know, because I, your humble blog manager, once was one, hired into a grant-funded seasonal intern position in 2009 to overhaul this blog and envision what it could be for moving forward. Somehow, I’ve tricked them into letting me do it ever since. Interning and working here, I’ve had the chance to see transcendent work (Dance, for example), meet great friends and colleagues (like our information manager Josh McIlvain, who’s written some of the funnier stuff I’ve seen on stage), and convince people to share their ambition and fear and excitement and exuberance with me, and thus with you (like Adrienne Mackey, who just wrote a beautiful piece for us on what it means to be a theater artist). And me? I was able to write the article of which I’m perhaps the most proud of anything I’ve ever written: Contemplating audiences and terrorism, I had the revelation that by coming together, again and again, in public, to share and to celebrate and just to be together with performance and each other, performance spaces have a heightened sense of communion and indeed have become de facto radical spaces where we can, and do, resist the death cult of the American gun. But enough with my tendentiousness. Let’s just say the experience has left its mark.

After the jump, two of our interns, who are beloved at least as much as this skeleton, share their experience executing a Scratch Night. I can only hope that their time here will be as formative as mine has, and that the passion that brought them to us sustains them in where they head next. And as we always do, to give credit where credit is due, the title for this post came from Marly Logue, our development intern.

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Got an Itch? Come to Scratch Night!

Posted August 17th, 2015

Tonight is Scratch Night at FringeArts!

Come see a roster of Philly’s most talented artists perform new material from shows they are working on in this fast-paced sampling of contemporary theater, dance, performance art, and everything in between. Scratch Night features short performances by four-to-six companies/artists, offering an inside look at the future of performance.

This week we are hosting 6 artists from this year’s Center City Fringe, South Philly Fringe, Fishtown-Kensington Fringe, and Fairmount Fringe lineups. The performances begin at 7 on our FringeArts stage at 140 N. Columbus Boulevard. Admission is free!

So, what’s on tap?

MONDAY, AUGUST 17 LINEUP:Loves-Labours-Lost_Revolution-Shakespeare-271x300

 

Revolution Shakespeare: Love’s Labour’s Lost

“To fast, to study, and to see no woman,” (IV, iii) agree the gentlemen of Shakespeare’s romantic comedy of love, clowns, and wit. RevShakes’ second free fall outdoor production will be directed by Samantha Bellomo, and feature live, original music. Shows will run Fringe and post-Fringe, through Sept. 27th.

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Photo Credit: Geoff Sheil

New Street Dance Group + The Radical Sound: Structurally Sound
NSDG and new music ensemble The Radical Sound bring you a performance experience that begs the question, “Just what are we made of -and how stable is it, anyway?” Featuring choreography by Krista Armbruster and Shannon Dooling, re-imaginings of historic music, and a world premiere commission by composer Tomek Regulski.

Haygen Brice Walker: Spookfish11707785_10153020872795980_2634809601896238907_n

A haunted house that’s not a haunted house… until it is. A play
about slasher flicks, the horrors of high school, firework accidents, cat colonies, and a Canada Goose. The meanest play in this year’s Neighborhood Fringe will have you guessing who’s the Spookfish until the end. *Audience members must sign a waiver.

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Photo Credit: Kaitlin Chow

Olive Prince Dance: Of Our Remnants

The stage is set with a collection of chairs, empty frames, and abandoned objects for a dance of expressive physicality to emerge. Of Our Remnants is an intimate site-specific work where visual art and dance collide. The viewer is immersed in the installation creating an absorbing impact from all vantage points.

 

Brian Shapiro Presents: A Few Thousand Upgrades Later

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Photo Credit: Kevin Monko

In 1995, nobody downloaded, payphones existed, and performer Brian Shapiro created a show on how people predicted computers would impact human interaction. 20 years later, we download daily, payphones died, and Shapiro revisits that show to raise questions in an era where waiting 15 seconds for answers is wasting time!

Ferdinand Presents: NOT FOR PROFIT

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MJ Kaufman
Doug Greene
Jennifer MacMillan
Christina May
and Jack Tamburri
The theater is dying. Only three actors can save it by playing dozens of roles and telling all of their stories, from the box office to the boardroom, from the page to the stage, everything you love and everything you hate about theaters and theater people will be NOT FOR PROFIT.
Catch a glimpse of these performances in their infancy before they get all grown-up in September!

60 minutes

FREE / $5 Suggested Donation

140 N. Columbus Boulevard (at Race St.)
Philadelphia, PA 19106

-Brendan Farrell

 

Tonight: Neighborhood Fringe Scratch Night Spotlight, the Fourth

Posted August 25th, 2014

Is it already the last Monday in August? What happened to summertime? Rehearsals, plannings, plottings, I guess. Anyway, today’s arrival means the arrival of the last Neighborhood Fringe preview Scratch Night, featuring:

bodylautrecOne of the Neighborhood Fringe shows I’m personally most excited about, because I love the painter: The Body Lautrec from Aaron Cromie and Mary Tuomanen. And those two are pretty good too.

Ombelico Mask Ensemble, who returns to the Fringe with Flim Flam Phantom Sham at NoLibs’s Liberty Lands Park.

Anna K, which you can find from Chris Davis this year in rowhouse on Wharton Street.

Underbite Theatre Company delves into the Westboro Baptist Church protests of military funerals with Snyder v. Phelps, an original musical.

And Katie Horton et al. runs us through the four seasons of emotions.

Free! RSVP here.
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 25 at 7 pm

–Nicholas Gilewicz

Tonight: Neighborhood Fringe Scratch Night Spotlight, Vol. 3

Posted August 18th, 2014

Every Monday night in August, we’re offering free previews of the 2014 Fringe Festival–Neighborhood Fringe artists are serving up short excerpts of their work, and we’re serving up free beer. Tonight, Volume 3:

BENT_Truth-Be-Told-Productions

Truth Be Told Productions offers a taste of Martin Sherman’s play Bent, about one gay man’s life in Germany, from the 1930s through World War II. The play had a major role in widening consciousness about the persecution of gays in Nazi Germany, starting with its first production in London’s West End in 1979, starring Ian McKellen.

FleetwoodMacBrian Shapiro shares tales from the 1970s, as his family’s fortunes swelled and ebbed along with the band Fleetwood Mac–Brian’s father was their attorney through their rise to global fame. He’s offered the suggestive title: It Was All Downhill After Fleetwood Mac.

Oedipus The Musical will give you a taste of what to expect in their show. I’m not even going to try to top Van.Martin Productions’s own show description: “Oedipus The Musical takes place in Ancient Thebes. When a herpes plague spreads through the city, King Oedipus is forced to discover the incestuous roots of his dysfunctional family tree. Sophocles’s tragedy is retold in comedy through songs like ‘YOLO Apollo,’ ‘Hashtag Plague,’ and ‘Ballad of a Cougar.’

Tweaking a classic title, playwright Brandon Monokian serves up a “play about douchebags” called Peter Pan Is Dead. Preview below:

The-Disappearing-Quarterback_Plays-Players-copy-200x300And after a successful run at Plays & Players in January, former Eagles quarterback Mike Boryla (turned lawyer, turned investor, turned actor/writer) returns with his one-man-show, The Disappearing Quarterback.

Free! RSVP here.
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 18 at 7 pm

–Nicholas Gilewicz

Scratch Night and FEASTIVAL Patron Party Pics

Posted August 15th, 2014
Dan Hodge performs an excerpt from Philadelphia Artists' Collective "The Rape of Lucrece"

Dan Hodge performs an excerpt from Philadelphia Artists’ Collective “The Rape of Lucrece”

For more pics what you saw (or missed, for you lazy-boneses) at Scratch Night on Monday, click here for pics from Kevin Monko. And don’t forget we have another Scratch Night coming up this Monday night.

And early this week, FEASTIVAL had a preview tasting. Pics here, FEASTIVAL tix here.

–Nicholas Gilewicz

Photo by Kevin Monko.

Tonight: Neighborhood Fringe Scratch Night Spotlight Part 2

Posted August 11th, 2014

Every Monday night in August, we’re offering free previews of the 2014 Fringe Festival–Neighborhood Fringe artists are serving up short excerpts of their work, and we’re serving up free beer. Tonight is round two:

Get a taste of Susan Chase’s Susan’s Undoing:

RealLivePeople‘s humanism will be on display with Would I lie to you?

DC Theatre Scene called the acting of RHolt Productions’s Sisters of Ellery Hollow by DC playwright Stephen Spotswood “exceptional” when it was in DC Fringe a couple years ago; actor Rachel Hold will reprise her role in the Neighborhood Fringe edition.

Philadelphia Artists’ Collective offer’s a one-man-performance take on Shakespeare’s poem The Rape of Lucrece.

And New Street Dance Group’s Another Word for Missing will be there too. Catch them in rehearsal:


Free! RSVP here.
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 11 at 7 pm

–Nicholas Gilewicz