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Posts Tagged ‘Jennifer Blaine’

Like Mother Like Daughter

Posted September 10th, 2018

Jennifer Blaine was in the first Philly Fringe. This year her daughter Lily Blaine is in her first.

Lily and Jennifer  last week.

Performer Jennifer Blaine got a feature in the latest Philadelphia Weekly, detailing her long history with the Fringe Festival and how she has used it as a jumping off point to launch numerous successful shows.

Blaine was part of the very first Philly Fringe in 1997, performing her solo show Safety By Numbers in an Old City alleyway. As she related to Philly Weekly, she’d use reviews from her Fringe shows to book tours across the country, eventually opening up for George Carlin, Chris Rock, Joe Piscopo. This year, Blaine returns to the Festival for the 16th time with narrative stand-up show Ridiculous at L’Etage in South Philadelphia.

“It’s such an opportunity to open yourself up to an audience that you wouldn’t have reached otherwise,” Blaine told writer Andrea Cantor about the Fringe Festival. “You have no idea where it could end up for you.”

At the FringeArts Blog, we were struck by tidbit in the article about where it has ended up for Jennifer: this year, her 11-year-old daughter Lily is performing in her very first Fringe Festival. The younger Blaine dances in Paprika Plains, another family affair by two artist-sisters combining dance and body painting

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2018 Festival Spotlight: Comedy and Improv

Posted August 25th, 2018

Fringe artists are known for keeping audiences on their toes. Laugh out loud at these joyous comedy and improv shows that will leave you smiling and breathless.

An Unofficial, Unauthorized Tour of LOVE Park
Rose Luardo / Kate Banford
An interactive, questions-encouraged tour of LOVE Park with a completely legitimate, highly respected, and 100% real tour company. At each stop on this mind-bending guided walk through the park, facts will be manipulated and reality will melt. Maybe a bush will talk to you? And maybe that bush invented love. Presented by Philadelphia Parks & Recreation and the Fairmount Park Conservancy.
More info and tickets here

Darlings: Kill Us Please
Good Good Comedy Theatre
Darlings: Kill Us Please is the debut Fringe show from Darlings, a collective of Philadelphia’s most celebrated comedic heartthrobs. We’ve gutted the innards of a full year’s worth of shows at Good Good Comedy Theatre and only left in the juiciest bits and chunks.
More info and tickets here

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Making Art in 2017: Jennifer Blaine on The Vicissitudes of Travel

Posted August 24th, 2017

Photo by Karen Getz.

Name: Jennifer Blaine

Show in 2017 FestivalThe Vicissitudes of Travel

Role: Writer, Performer

FringeartsTell us about your show. 

Jennifer Blaine: As a girl my family would do a lot of traveling to foreign countries, art museums, funky restaurants, and though things would sometimes go very wrong, we were always encouraged to try to find something redeeming in it all. My parents would always say as a sort of mantra, “Well honey, it’s the vicissitudes of travel!”

The travel I’m exploring in this show is about traveling through memories, personalities, and perceptions, and exploring how we define ourselves based on our relationship to whomever we love. Watching someone go through brain issues or life-threatening illness reveals that our connection with them may be precarious, which may leave us feeling vulnerable. The show asks, “What is it like to go beyond a personality to reach the person?” Karen Getz and I have created an imagined scenario with a family on a tour bus while going through the brother’s surgery. It is not just elements of my personal story, but rather an archetypal depiction of the inevitable tour bus we must all take through mortality, loss, and love at some point. It is emotionally the most intimate work I have ever created and probably my most dramatic solo show to date.

FringeArtsHow have your interests in or approach to art making changed in the last year?

Photo by Karen Getz.

Jennifer Blaine: I’m so grateful to Karen Getz for guiding me through this process. She told me at the beginning that it might take a long time for the piece to emerge, but if we kept showing up it would take the form it most wanted to be. That’s new for me. I can’t believe how outrageous, heart-centered, irreverent, and satisfying the piece is! It’s been such a rewarding process collaborating with Karen because she innovates constantly and somehow as a director, improviser, and writer always has the perfect agenda for us to progress the creative work to the next step.

We are also continuing to look at how we want the audience to experience this work.  Part of how we are creating it is with a breakthrough for the audience in mind. What is the impact on them?

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