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Posts Tagged ‘Lily Kind’

Fringe Shows After the Fringe

Posted September 24th, 2018

The Fringe is over, long live the Fringe.

Though the 2018 Fringe Festival officially concluded yesterday, there are still numerous chances to see some Fringe this week. Here’s a selection of the continuing shows:

Humans 
Circa
Ten highly-skilled acrobats, a bare stage, and a stirring journey of what it means to be human. Straddling the borders between circus arts, theater, and contemporary dance, Australia’s bold contemporary circus troupe Circa explores the expressive possibilities of the human body at its extremes.
Presented with Annenberg Center Live and NextMove Dance.
September 28 at 8pm
September 29 at 2pm
More info + tickets

Stories of Refuge
Tania El Khoury
Tania El Khoury and Petra Serhal from Beirut-based Dictaphone Group collaborated with a group of Syrian refugees who had recently arrived in Munich. They provided each person with a discreet camera for a day, the only instructions being to film their lives in Munich and their favourite spots in the city. Interviews with the refugees work as a soundscape over the footage they created. Audiences engage with the films from metal bunk beds, outfitted with mattresses and pillows.
Presented in partnership with Bryn Mawr College as part of ear-whispered: works by Tania El Khoury.
September 26-29 during gallery hours 11am–5pm
More info

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Solo Dance for People Who Don’t Like Solo Dance: Metal & Kind’s Indestructible Flowers

Posted August 29th, 2018

This Fringe, two instructors at Philly’s dance studio Urban Movement Arts (UMA) combine their talents in a collage of new solo work designed for folks secretly underwhelmed by new solo work. Coming from diverse dance backgrounds, Lily Kind and Mark “Metal” Wong showcase multidisciplinary work grounded in social and folk dance and “a kind of analytic optimism”.

Lily Kind. Photo by Katrina D’Autrement

Metal & Kind talked to FringeArts about Indestructible Flowers, the pitfalls of solo dance, and the role of UMA in Philadelphia’s dance and hip-hop scenes.

FringeArts: What common pitfalls do you see in solo dance work?

Mark “Metal” Wong: It’s really easy to get pretentious when you’re the only one up there. I’m trying my best not to be. But by nature, I think that all solo work is a little self-indulgent, so I try to embrace that and have fun with it to an extent as well.

Lily Kind: I agree with Mark. And I prefer a more vaudevillian theater tradition, where the audience is in more of a dialogue with the performer. By contrast, the traditional concert theater agreement is very safe for both performer and audience, and I think that can make for pretty boring solo work, where the artist has already surrendered any experimental elements by being inside a historically aristocratic construct.

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