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Posts Tagged ‘Moor Mother’

Reverse Gentrification of the Future Now: Essay by Rasheedah Phillips

Posted May 3rd, 2019

Commissioned in conversation with Moor Mother’s Circuit City, running this June 20–22, as part of the High Pressure Fire Service series.

The present realities of housing for low-income people living in Philadelphia are located temporally-spatially near the one in Circuit City. We are experiencing an affordable housing crisis, and this crisis is exacerbated by the average of 22,000 eviction filings each year and the unknown number of illegal evictions.  In my work as Managing Attorney of the Housing Unit at Community Legal Services, where we provide legal representation and advice to more than 3,000 low-income tenants a year, I hear countless stories of tenants who face racial, sex, gender, family, ethnicity, and disability discrimination from landlords; stories of tenants intimidated into not complaining about substandard housing conditions that exacerbate health and safety problems; or tenants who received eviction filings from disgruntled landlords that have resulted in virtual blacklisting from future homes and opportunities for stability. Growing displacement and mass evictions of entire buildings of often low-income residents is a particularly vicious form of eviction that has widespread health and economic impacts, and destroys economic, cultural, and racial diversity in neighborhoods. Mass evictions, often unexpected, further aggravate the city’s shortage of affordable housing—existing affordable housing units are often lost forever, putting pressure on resources and housing stock elsewhere in the City and concentrating poverty in particular neighborhoods.

Compounding these issues is pervasive housing discrimination –  single mothers and their children, seniors, Black people, LGBTQ people, immigrants, and people living with disabilities are disproportionately impacted by evictions and lack of access to safe, habitable, and affordable housing.  Tenants face systemic and individual discrimination at every stage of the process – they are barred from getting into a new home for discriminatory reasons, and often kicked out of their homes for those same reasons.1 The ACLU, for instance highlights how “women of color bear the burden of eviction,” noting that women of color made up 62% and 70% of the tenants facing in eviction in Chicago and Philadelphia respectively.2 These and other instances of structural inequity related to housing disproportionately impact the City’s poor, Black and Hispanic populations live in racially concentrated poverty.3 This loss of housing has a distinct racial impact, where 63% of African-Americans live in project-based housing compared with 44% of the city’s population, and where African-Americans are disproportionately more likely to carry severe housing cost burdens in the city.

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Who’s Who in High Pressure Fire Service, part two

Posted April 2nd, 2019
by Raina Searles, Marketing Manager

In March, we kicked off High Pressure Fire Service (or more colloquially, HPFS, pronounced “hip-fizz”) with an incredibly moving production chronicling the disability rights movement in A Fierce Kind of Love, produced by the Institute on Disabilities at Temple University, and we followed that with a thought-provoking musical satire about the American abortion debate, The Appointment, by Lightning Rod Special. In just a couple weeks, we’ll kick off a highly interactive show made for a family unit and exploring the line between play and performance, Broccoli, Roosevelt and Mr House! by the Berserker Residents. But today, we’re talking about the final three shows in HPFS: where you’ve seen these artists, what to expect in their work, and breaking down Who’s Who in High Pressure Fire Service…part two.

Coming up this May,  A Hard Time by Pig Iron Theatre Company opens at FringeArts. Long time Fringe fans will recognize Pig Iron from many of their notable devised works presented by FringeArts. Most recently, they produced A Period of Animate Existence in the 2017 Fringe Festival. Other recent works include Swamp Is On (2015), 99 BREAKUPS (2014), Pay Up (2013), Zero Cost House (2012), Twelfth Night, or What You Will (2011), and many more going back to the origins of the Fringe Festival in 1997!

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