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Posts Tagged ‘Paprika Plains’

Like Mother Like Daughter

Posted September 10th, 2018

Jennifer Blaine was in the first Philly Fringe. This year her daughter Lily Blaine is in her first.

Lily and Jennifer  last week.

Performer Jennifer Blaine got a feature in the latest Philadelphia Weekly, detailing her long history with the Fringe Festival and how she has used it as a jumping off point to launch numerous successful shows.

Blaine was part of the very first Philly Fringe in 1997, performing her solo show Safety By Numbers in an Old City alleyway. As she related to Philly Weekly, she’d use reviews from her Fringe shows to book tours across the country, eventually opening up for George Carlin, Chris Rock, Joe Piscopo. This year, Blaine returns to the Festival for the 16th time with narrative stand-up show Ridiculous at L’Etage in South Philadelphia.

“It’s such an opportunity to open yourself up to an audience that you wouldn’t have reached otherwise,” Blaine told writer Andrea Cantor about the Fringe Festival. “You have no idea where it could end up for you.”

At the FringeArts Blog, we were struck by tidbit in the article about where it has ended up for Jennifer: this year, her 11-year-old daughter Lily is performing in her very first Fringe Festival. The younger Blaine dances in Paprika Plains, another family affair by two artist-sisters combining dance and body painting

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International Fringe 2018: A Welcome to Artists from Around the World

Posted September 2nd, 2018

The United States government may be pursuing an isolationist policy but the Philadelphia Fringe is doing the opposite: opening its doors not only to the most creative American performers and performances but also to the best and most creative theater artists and their productions from around the world—overcoming the ancient fear of the symbolic Tower of Babel with people not understanding each other.

To show the worldwide scope of the 22nd Philadelphia Fringe Festival, we offer this spotlight on performers from abroad and productions by American artists that present a global perspective.

Theater writer Henrik Eger, editor of Drama Around the Globe and contributor to Phindie and Broad Street Review, among other publications, has lived in six countries on three continents and has visited Africa and Australia as well. He bids everyone a hearty WELCOME to the City of Brotherly Love—this year in 18 different languages: Arabic, Celtic, Chinese, English, Esperanto, Estonian, Farsi, French, German, Greek, Hebrew, Hindi, Irish, Italian, Latin, Polish, Romanian, and Spanish.

We start this year’s overview with a special welcome to two programs featuring a wide range of global creators:

INTERNATIONAL CREATIVES

  1. le super grandBienvenue & welcome to Montreal-based choreographer Sylvain Émard and Le Super Grand ContinentalLe Grand Continental wowed audiences during its run at the 2012 Fringe Festival and has garnered enthusiastic response across the world. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances. The world’s most infectious performance event returns to the front steps of the Philadelphia Museum of Art in an even larger spectacle of dance.

More info and tickets here

  1. Bonvenon, willkommen, bienvenido, witamy, bienvenue & welcome to Do You Want A Cookie? from The Bearded Ladies Cabaret—a world premiere with an international cast. Do You Want A Cookie? serves up a delicious romp through cabaret history, with an international cast of artists performing a live revue of cabaret from the Chat Noir to Weimar nightlife to 21st-century drag. The all-star cast comes draws from around the world, including Bridge Markland (Berlin), Malgorzata Kasprzycka (Paris/Warsaw), Dieter Rita Scholl (Berlin), and Tareke Ortiz (Mexico City).

More info and tickets here

REFUGEES and EXILES

  1. ear whispered

    As Far As My Fingertips Take Me. Photo by

    وسهلا اهلا (ahlaan wasahlan) & bienvenu. Welcome to Tania El Khoury who lives in Lebanon and the UK with her multifaceted program ear-whispered. Little is known about Palestinian refugee camps and their communities. El Khoury presents her Fringe work in five parts through interactive performances and installations at Bryn Mawr College:

    1. Gardens Speak, an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. (Bryn Mawr College.) Read more.
    2. Camp Pause, a video installation that tells the stories of four residents of the Rashidieh Refugee Camp on the coast of Lebanon. (Bryn Mawr College.) Read more.
    3. As Far As My Fingertips Take Me, an encounter through a gallery wall between a single audience member and a refugee. (Old City & Bryn Mawr College.) Read more.  
    4. Stories of Refuge, an immersive video installation that invites audiences to lay down on metal bunk beds and watch videos shot by Syrian asylum seekers in Munich, Germany. (Old City.) Read more.
    5. Tell Me What I Can Do, a newly commissioned work featuring letters that audiences have written in response to Gardens Speak. (Bryn Mawr College.) Read more.

More info and tickets here

  1. Bienvenido & welcome to the bilingual (Spanish & English) cast of La Fábrica performing Gustave Ott’s Passport. Lost in a foreign country, Eugenia is detained and thrown into a vicious maelstrom of miscommunication. This poetic and immersive Kafkaesque thriller delves into the question of immigration—exposing the mechanics of language and power. Some performances will be presented in English, some in Spanish, and some will be decided at the toss of a coin.

More info and tickets here

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Sorority of Storytelling: Sisters Combine Choreography and Bodypainting in Paprika Plains

Posted August 22nd, 2018

Natalie Fletcher and Jessica Noel are two talented creative sisters, but they’ve never performed on stage together… until this Fringe.

Fletcher, winner of the inaugural season of the body painting reality competition show, Skin Wars, will team up with Noel, a dance-theater artist who directs performance/education space and performance company Philly PACK, in an interdisciplinary storytelling performance inspired by singer Joni Mitchell’s 1977 album Don Juan’s Reckless Daughter. Paprika Plains will run September 21 and 22 at 7 p.m. at the Philly PACK garage in South Philadelphia.

Natalie Fletcher bodypainting.

“This collaboration is something we’ve wanted to do for a while, but the timing was never right, until now,” said Fletcher.

Fletcher and Noel spent their childhood in Amarillo on the plains of West Texas and the sisters’ production tells a story of two sisters growing up in West Texas, finding their individual paths, but always coming back together with a common language: love. Lily Blaines-Sussman, a member of the Philly PACK company, will dance as the young dancing sister, and Noel will dance as the adult. At various times throughout the production, the dancers will pause and Fletcher will come in to the performance, painting the dancers, the backdrop, while pushing the story along.

“We are attempting to tell a story with choreography and bodypainting,” says Noel. It’s a truly interdisciplinary Fringe performance: There is also a sculptural installation, theatrical lighting elements, and live music—Philadelphia musician Heather Blakeslee of Sweetbriar Rose will play Joni Mitchell covers as the audience enters.

“We want to transport the audience to a very specific world as soon as they enter,” adds Noel. “The world is Joni Mitchell and paint. Heather and the bartenders will be painted by Natalie before the show starts. The whole project is somewhat of an installation.”

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