Posts Tagged ‘Simpatico Theatre Projectx: 4Solo’

Fringe Shows After the Fringe

Posted September 24th, 2018

The Fringe is over, long live the Fringe.

Though the 2018 Fringe Festival officially concluded yesterday, there are still numerous chances to see some Fringe this week. Here’s a selection of the continuing shows:

Ten highly-skilled acrobats, a bare stage, and a stirring journey of what it means to be human. Straddling the borders between circus arts, theater, and contemporary dance, Australia’s bold contemporary circus troupe Circa explores the expressive possibilities of the human body at its extremes.
Presented with Annenberg Center Live and NextMove Dance.
September 28 at 8pm
September 29 at 2pm
More info + tickets

Stories of Refuge
Tania El Khoury
Tania El Khoury and Petra Serhal from Beirut-based Dictaphone Group collaborated with a group of Syrian refugees who had recently arrived in Munich. They provided each person with a discreet camera for a day, the only instructions being to film their lives in Munich and their favourite spots in the city. Interviews with the refugees work as a soundscape over the footage they created. Audiences engage with the films from metal bunk beds, outfitted with mattresses and pillows.
Presented in partnership with Bryn Mawr College as part of ear-whispered: works by Tania El Khoury.
September 26-29 during gallery hours 11am–5pm
More info

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2018 Festival Spotlight: FREE Fringe (part two)

Posted August 30th, 2018

You can Fringe! Everyone can Fringe. In addition to our full slate of free digital offerings, this year’s Festival features nearly twenty shows—curated and independently produced—that are free or pay what you want, leaving the door to contemporary performance art open to all. We previewed a batch of these shows yesterday. Here are some more!

Le Super Grand Continental
Sylvain Émard
The world’s most infectious performance event returns to the famous steps of the Philadelphia Museum of Art for an even larger spectacle of dance. Fully realizing a blissful marriage between the pure delight of line dancing and the fluidity and expressiveness of contemporary dance, the celebratory event enlists hundreds of local people to perform its synchronized choreography in large-scale public performances.
More info and tickets here

Love Stories
Denise McCormack
Master storyteller Denise McCormack brings to life literary and traditional tales to capture the essence of women’s issues and issues of the heart. This one-woman stand-up sparks a flood of emotions and memories, as it revisits secret and soulful nuances of motherhood, childhood, family, and life—the dynamics of love. Intended for adults.
More info and tickets here

One Hundred Abstracts
Katharine Goodall
This is an exhibition of paintings displayed in various locations throughout the city. For a list of locations where the paintings are exhibited, please visit katharinegoodall.com.
More info and tickets here

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The Best of J Hernandez

Posted August 11th, 2018

In 1996, Floridian Ricardo Lopez mailed a bomb to Icelandic singer Bjork, then shot himself in front of a video camera, his falling body revealing the words “The best of me” on the wall behind him. Theater artist J Hernandez takes these words as the title for his entry into the Simpatico Theatre’s 2018 Fringe Festival show, 4Solo. Cowritten with Amanda Schoonover, “The Best of Me” is one of four solo pieces by male artists contemplating masculinity in America and exploring the repercussions of our hyper-gendered society.

Hernandez spoke to FringeArts about the issues his play raises and about his experiences in Philadelphia theater.

FringeArts: What inspired “The Best of Me”?

J Hernandez: I don’t know. On accident I read the story of Ricardo Lopez which led me to the 18 hours of footage he recorded over the period of 9 months before he shot himself in front of a rolling camcorder. His isolation, his issues with mental illness, his loneliness as an artist, his struggle in finding his own cultural identity in America being a child of immigrants, and his hang ups with his own skin, it led me to believe that that Ricardo and I aren’t so dissimilar … and I found that frightening … but it’s almost typical for any Latnix man who’s felt “different” or felt that they “don’t belong.”

There’s a pecking order in the Latinx community, men, women, cat, dog, it doesn’t matter, and it takes its toll on a good number of us. Ricardo’s story isn’t wholly about a man who stalked a celebrity … stalking the celebrity gave him the excuse he needed to take his own life … you don’t see stories like this from a brown person’s perspective. It made me sad. It made me think. It made me want to sit down and write.   

FringeArts: How does it fit with the other pieces in the show?

J Hernandez: These are all pieces starring men, but the stories we’re telling aren’t what we normally imagine when we think of your standard male-driven narrative.

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