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Posts Tagged ‘Gunnar Montana’

2017 Festival Spotlight: FringeArts ~After Dark~

Posted September 7th, 2017

This ain’t your grandma’s Fringe. Join us for some of the raunchiest, rowdiest, wildest shows at this year’s Fringe Festival. Hire a babysitter and leave your kids at home because these shows are decidedly NOT family friendly. Viewer discretion advised. 

Martha Graham Cracker Cabaret @ FringeArts
Martha Graham Cracker

The hairy-chested, fake eyelash-laden alter-ego of thespian Dito Van Reigersberg performs a balls-to-the-wall drag cabaret. Backed by her stellar band and with her killer voice, Martha Graham Cracker takes you on a raucous, joyous, uninhibited ride around her world.
“The Drag Queen King of Philadelphia.” The Philadelphia Inquirer
More info and tickets here.

 

 

Bye Bye Liver: The Philadelphia Drinking Play @ Evil Genius Beer Company
Happy Hour Live, LLC

Two parts sketch comedy, One part drinking games: Mixed and served! Come party with us for a night you might remember with interactive drinking games between comedic romps about the drinking experience. Ticket includes your first beer from Evil Genius! More info and tickets here.

 

The Groom’s a Fag; The Bride’s a Cunt; The Best Man’s a Whore; and the Maiden of Honor (Just) Hung Herself in the Closet @ The Beard Cave at St. Mary’s Church
On The Rocks

Daniel is pretty gay, but he’s marrying Nora. Nora is a virgin that wants her wedding night to be a sexual awakening. Shit gets fucked up. A song, a dance, an image, a poem all wrapped in a sloppy burrito of a play about glamping, hookers, the Easter Bunny, cocaine, Emma Stone, hauntings, and the horrors of commitment. More info and tickets here.

 

KINK HAÜS @ The Latvian Society
Gunnar Montana

Gunnar Montana transports us once again, this time to a brutal underground nightclub where no fucks are given, and fierceness is always welcome. Fantasy, fetish, and carnal desire are all in fashion so leave your inhibitions at home because inside KINK HAÜS, anything goes. That is, if you can get past the doorman. More info and tickets here.

 

 

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Loosening the Reigns: Gunnar Montana talks KINK HAÜS

Posted August 31st, 2017

This Fringe Festival, Gunnar Montana transports us once again, this time to a brutal underground nightclub where no fucks are given, and fierceness is always welcome. His new piece, KINK HAÜS, is dynamic, dark and full of lust. It forces the viewer to acknowledge their own thoughts and feelings in regards to physicality, sexuality and the intimacy intertwined in both those aspects of ourselves. He takes these hot topics, that many people are comfortable avoiding, and brings them to the forefront of our minds. Recently, we got to ask Gunnar Montana about the inspiration and process behind KINK HAÜS.

FringeArts: Describe KINK HAÜS in three words!

Montana: Sexy, Crazy, Fun!

FringeArts: What do you believe is the most interesting aspect of KINK HAÜS?

Montana: The set is quite a spectacle. I spent two straight months constructing it by hand. And as I did, the show, the choreography, and the spatial transformation all took on a mind of their own. It’s a beautifully twisted world of somewhat organized chaos!

FringeArts: What inspired you to create this piece? Was there a particular moment you were struck with inspiration?

Montana: I was in Berlin, Germany a couple years ago and there was an underground nightclub I was quite excited to go to. It’s known for its outrageous club culture and apparently has a sex dungeon basement. Long story short, I was turned away at the door (I guess I wasn’t hip enough). This show was a fun project for myself to recreate everything I thought I might have experienced in that club had I gotten in.

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Fringe Festival 2016 Spotlight: Shows Exploring LGBTQ+ Identity

Posted August 23rd, 2016

Check out this eclectic mix of independent Fringe shows from the artists of the LGBTQ+ community!

an obviously foggot

(Image by Geoffrey Douglas)

An Obviously Foggot @ iCandy

Poison Apple Initiative

“So you’ve got a group of people who fetishize masculinity, who’re emasculated their whole lives, and you stick them in this place with all this booze and drugs and hierarchy. What’d you think was gonna happen?” A collision of found text, broken pop, and dance parties confronting internalized homophobia in gay bars. More info and tickets here.

 

 

Photo by Monique Baron

(Photo by Monique Baron)

BIG CRUNCH @ Vox Populi

TOLVA/Sam Congdon

The world has gone rigid. Gender roles are strictly enforced by a ruthless government. There is a queer rage bubbling up through one cyborg’s circuitry, but can a single robot bring it all down? A queer sci-fi odyssey of self-discovery and rebellion blending solo performance, experimental electronic music, and video. More info and tickets here.

 

 

Photo by Steve Belkowitz

(Photo by Steve Belkowitz)

Carried Away @ JUNK Studio

Brian Sanders’ JUNK

I end up here, shame under pride, head on locker, denim near denim, skin against satin, disco within punk, leather around wrists, fist off canvas, lips about nape, hand for hand, looking back in time. I was carried away. More info and tickets here.

 

 

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Fringe at 20: Gunnar Montana

Posted May 31st, 2016
Gunnar Montana, Credit: Neal Santos

Gunnar Montana, credit: Neal Santos

Name: Gunnar Montana

Type of Artist: Visual/Physical Artist

Company: Gunnar Montana Productions

Fringe shows I’ve participated in:
Sanctuary, Brian Sanders’ JUNK, 2010: dancer, performer
Dancing Dead, Brian Sanders’ JUNK, 2011: dancer, performer
The Gate: Reopened, Brian Sanders’ JUNK, 2012: dancer, performer
RUB, Gunnar Montana Productions, 2012: director, producer, choreographer
BASEMENT, Gunnar Montana Productions, 2013: director, producer, choreographer, performer
RESURRECTION ROOM, Gunnar Montana Productions, 2014: director, producer, choreographer, performer
PURGATORY, Gunnar Montana Productions, 2015: director, producer, choreographer, performer

2016 Fringe show I’m participating in: WROUGHTLAND, Gunnar Montana Productions – director, producer, choreographer, performer

First Fringe I attended: My first experience of the Fringe Festival was Urban Scuba by Brian Sanders’ JUNK. Brian crafted a visually stunning performance in a deserted pool on the basement level of the Gershman Y. The entire performance was a huge inspiration and highlight.

First Fringe I participated in: The first show I ever performed in for the Fringe Festival was Sanctuary by Brian Sanders JUNK. Brian and I performed a duet together on stage that involved swinging about on spansets while artfully entangling our bodies together in the air. At one point I botched the sequence of the dance. Brian then took the liberty to completely break character and scream corrections at me in front of a sold out audience. I was traumatized, but in the nights that followed, I didn’t screw up.

Gunnar Montana, Credit: Garrett Mathews

Gunnar Montana, credit: Garrett Mathews

First show I produced/created at the Fringe: The first show I ever produced was RUB. I was working with a handful of strippers at the time. One night a performer of mine invited one of her clients to come see the show. It was a very intimate experience and as the night progressed this particular performer strutted up to her “friend,” straddled him, and slowly spit into his mouth. Everyone in the audience was somewhat disgusted as he swallowed and smiled. He seemed to really enjoy it.

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Tonight! Scratch Night: Neighborhood Fringe Spotlight

Posted August 4th, 2014

Every Monday night in August, we’re offering free previews of the 2014 Fringe Festival–Neighborhood Fringe artists are serving up short excerpts of their work, and we’re serving up free beer. First one is TONIGHT!

This week’s lineup:

Laurencio Ruiz, with whom we spoke last week, offers up Incongruous, puppetry exploring the variations of the human form. Preview below.

Emily Schuman offers a new translation of Fernando Arrabal’s absurdist play Fando y Lis. Hey, we talked to her last week too!

Gunnar Montana returns to the Fringe with RESURRECTION ROOM. He explains the show below, promising, in the friendliest of voices, “demon geishas and hysterical body snatchers.” The vid closes with excerpts from his last work, Hybernate.

Factory Productions featuring Ann Artist will take you Through the Glass Ceiling as they explore the limitations of gender and feminine identity.

And choreographer Joanne McBride’s Broken Road tackles childhood, loyalty, and love.

First Scratch Night is tonight!
Free
FringeArts
140 N. Columbus Blvd
Philadelphia, PA 19106
August 4 at 7 pm

–Nicholas Gilewicz

If You Don’t Know Now You Know: Mini Artist Profiles at Philly Post

Posted September 3rd, 2013

sobelle-the-object-lesson-2Philadelphia magazine’s Victor Fiorillo runs down 10 notable FringeArts performers worth checking out this year.

It’s a pretty good quick guide to some awesome shows this year, actually: Martha Stuckey of Pay Up, Gunnar Montana of Basement, McKenzie Maula of A Doll’s House, James Michael Baker of Ballad of Joe Hill, Geoff Sobelle of The Object Lesson, Jess Conda of Eternal Glamnation and Pay Up, Scott Sheppard of Go Long Big Softie, Mary Tuomanen of St. Joan, Betrayed, Kevin Glaccum of Dutch Masters, and Brian Sanders of Hush Now Sweet High Heels and Oak.

If you’re looking for somebody to pick some especially adventurous shows for you, you couldn’t do much better than Victor’s list.

–Nicholas Gilewicz

Photo of Geoff Sobelle by Lars Jan.

The Photo That Launched A Thousand Ticket Sales

Posted August 21st, 2012

Gunnar…being straddled.

I am at a cafe because of an anointed brunette. I have driven across the city—Northern Liberties to the Italian market—and renegotiated time and place. She’s angelic, but she’s not churchly: in the photograph a trailing cord of electrical wire barely covers the nipples of her large breasts, and she holds a drill in front of a G-string whose color so closely mirrors her skin-tone I’m convinced she’s not wearing anything. Except her high-heeled patent leather boots.

I am at a cafe because of an anointed brunette. I wait. Gunnar Montana texts me: “I’m here a little early.” I’m here too I text back, and scan the cafe for the face behind this oiled woman—all at once, this is everyone. The low-talking, skinny young man behind the counter. The bleached blonde woman in the corner. But not Gunnar; he’s missed my text, walked in and out, and gone elsewhere to kill time: “Oh shit! / I just ordered a beer at the pope / Let me chug that real fast unless u wanna join me.”

I gulp my blackberry vegan yogurt smoothie. If I don’t drink it fast enough the dairy might grow back. Four minutes later he joins me, and folds himself into the blue-green cushion of the window seat. We share its body-length, facing off. His right arm he drapes over the windowsill, and crosses his left leg over his right; Gunnar, artistic co-director (along with Jazmin Zieroff) of 2012 Philly Fringe’s RUB, is young, confident, and at ease.

“Right now I have this,” he says, picking up from the floor a round metal object: a silver star, oiled and dirty, encircled with the same metal. Gunnar had carried it with him to the cafe, walking his bicycle (because of a flat tire) in the other hand. I had driven.

“Is that a hubcap?” I ask.

“I guess. I don’t know what it is,” he says, laughing. It doesn’t last for long; Gunnar’s chuckling never seems to fully inhabit his face. “I found it on the street.”

After the jump: dancing, gender, work, and, you know, dancing.

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