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Who’s Who in High Pressure Fire Service, part one

Posted February 13th, 2019
by Raina Searles, Marketing Manager

Opening this March, High Pressure Fire Service (or more colloquially, HPFS, pronounced “hip-fizz”) brings an incredible lineup of Philadelphia artists to the FringeArts stage for a series dedicated to highlighting the creativity and innovation that runs rampant in our city. The artists include an exhilarating mix of familiar and new faces to the FringeArts stage, from longtime collaborator Pig Iron Theatre Company’s newest work to prolific poet and noise musician Moor Mother’s first play. Some performers even appear in multiple HPFS shows. To get you ready for this new series, we’re breaking down Who’s Who in High Pressure Fire Service…part one.

Kicking off High Pressure Fire Service, is A Fierce Kind of Love written by Suli Holum, directed by David Bradley, and produced by the Institute on Disabilities at Temple University.

Wandering Alice, 2008

Many people may recognize the name Suli Holum as a staple in the Philadelphia arts community. Holum is one of the co-founders of Pig Iron Theatre Company, an award-winning director, performer, choreographer and playwright, and recently, Mrs. Capulet in the Wilma Theater’s production of Romeo and Juliet. She has been involved with numerous productions that have crossed Fringe’s stage, including Wandering Alice, written and co-directed with Nichole Canuso Dance Company and presented in the 2008 Curated Fringe Festival, and Cafeteria by Pig Iron Theatre Company in the 2003 Curated Fringe Festival, which earned her a Barrymore Award in choreography.

David Bradley is a director, producer and teaching artist who work has touched a variety of stages and collaborations across Philly. Bradley is the Founding Director of LiveConnections, in partnership with World Cafe Live, has performed in over 30 productions at People’s Light, is the Artistic Director of Living News at the National Constitution Center, has collaborated with Philadelphia Young Playwrights, and has traveled the world co-creating theater that addresses public health and social issues with Outside the Wire.

Bradley and Holum teamed up with Temple University College of Education’s Institute on Disabilities, which addresses disability as a valued aspect of diversity throughout civic life. In addition to producing the first iteration of this work in 2016 and its expanded remount here at FringeArts, the Institute is committed to innovation in pre-professional training, community training and technical assistance, research and information dissemination.

Other familiar faces in the A Fierce Kind of Love cast include Erin McNulty, most recently on the

FringeArts stage in Jerome Bel’s GALA in 2016 and 2018, as well as Cathy Simpson, a prolific and long-time Philly actress who has performed on a plethora of stages (InterAct, Wilma, and the Arden, to name a few) and was recently seen in the 2018 Independent Fringe Festival show, Day of Absence. Read bios for the full cast of A Fierce Kind of Love on the event page.

The second show in the HPFS lineup is The Appointment by Lightning Rod Special. No stranger to the FringeArts stage, Lightning Rod Special is an experimental performance company dedicated to exploring complex questions through an ensemble creation process and a lead artist for each show. Lightning Rod Special premiered their Obie Award-winning production Underground Railroad Game in Philadelphia at FringeArts in 2015, and they also performed their co-production with Strange Attractor Theatre Company Sans Everything here in 2017. They got their start, however, producing in the Independent Fringe Festival: Hackles in 2012 and Go Long Big Softie in 2013.

Sans Everything, 2017, Photo by Johanna Austin

For The Appointment (some may have seen the early draft performance titled Unformed Consent), Lightning Rod Special has assembled a stellar cast of Philly artists, and this new work is led by Alice Yorke. Yorke is a Co-Director of Lightning Rod Special, with whom she created and performed in Hackles, Let the Dog See the Rabbit, and Sans Everything. She has also collaborated on works with Pig Iron Theatre Company, InterAct Theatre, Theatre Exile, the Bearded Ladies Cabaret, Martha Graham Cracker Cabaret, and the Fringe favorite band Red 40 and the Last Groovement. Yorke also graduated from the Pig Iron School for Advanced Performance Training.

In April, we see the launch of the next HPFS show, Broccoli, Roosevelt and Mr. House! by The Berserker Residents. Founded in 2007, The Berserker Residents are an ensemble dedicated to creating original works of alternative comedy with a focus on parody, absurdism, and subverting theatrical conventions. The Berserker Residents were last seen on the FringeArts stage in their March 2017 production of It’s So Learning, and they collaborated with the University of the Arts to create These Terrible Things as a 2017 Independent Fringe Festival show.

It’s So Learning, 2017, Photo by Kate Raines

They have also produced the works The Jersey Devil, The Giant Squid, The Annihilation Point, and The Post Show as part of Independent Fringe Festivals past. The imaginative co-creators—Justin Jain, David Johnson, and Bradley K. Wrenn—have brought their work to a variety of other Philadelphia stages (The Annenberg Center, Theatre Horizon, White Pines Productions, and more) as well as national and international stages like Ars Nova NYC, The San Francisco Mime Troupe, and The Assembly in Edinburgh, Scotland as part of the Edinburgh Fringe.

Individually, you may recognize these performers from their work all over the city. Justin Jain is a member of the Wilma Theatre HotHouse, has been a part of the Shakespeare in Clark Park education team, and is a teaching artist for Philadelphia Young Playwrights, Arden Theatre Company, the University of the Arts, and People’s Light, in addition to performing at a number of regional theaters. David Johnson has performed with Theatre Exile, Enchantment Theatre, Mum Puppet Theatre, People’s Light, Commonwealth Classic Theatre, Theatre Horizon, and the Wilma Theatre, as well as the Baltimore Theatre Project and The Blue Ridge Theatre Festival. Bradley Wrenn has performed with Shakespeare in Clark Park, Lantern Theatre, Enchantment Theatre Company, BRAT Productions, and Mauckingbird Theatre Company, and is an accomplished puppeteer, “wiggling the dollies” for numerous Mum Puppet Theatre productions including the Barrymore nominated ensemble of Animal Farm. He also co-created the acclaimed 2013 Curated Fringe Festival work The Ballad of Joe Hill with Adrienne Mackey.

We’re excited for such a talented cohort of creators and performers to be joining us at FringeArts this March and April. Click below for more information on each show, and stay tuned for our “Who’s Who in High Pressure Fire Service, part two” blog post, coming soon!

A Fierce Kind of Love
Suli Holum, David Bradley, Institute on Disabilities, Temple University
March 1–3, 2019

The Appointment
Lightning Rod Special
March 20–31

Broccoli, Roosevelt and Mr. House!
The Berserker Residents
April 12–14

HPFS Subscriptions:
$150 Six-Show Package / $120 for members
15% off tickets to 3-5 performances / 30% off for members

Single Tickets:
$31 general / $21.70 members
$15 students and 25-and-under
$2 FringeACCESS members

Who’s Who in Blue Heaven

Posted December 19th, 2018
by Kat Sullivan, Communications Intern Fall 2018

 

Blue Heaven, a FringeArts comedy festival, will showcase some of the most provocative voices in American comedy for one weekend of gut-aching hilarity. Our full lineup is live and now is the perfect time to plan which shows you just have to see (warning: it might be all of them). To help ease your comedic FOMO, we’re offering a limited amount of weekend passes to all 11 performances for $69 through Dec 31.

Read up on who’s who:

 

Michelle Buteau

Michelle Buteau, comedian, host, and actress headlining Blue Heaven, is bringing her unique perspective and big personality to stage and screen. She was most recently the co-host of VH1’s Big Morning Buzz Live. Her other television credits include Enlisted on FOX, Comedy Central’s Key & Peele and @Midnight, and Best Week Ever.

Jaboukie Young-White

Jaboukie Young-White is an NYC-based comedian and filmmaker. He and his popular  Instagram and Twitter accounts have been featured on The Fader, Clickhole, and Buzzfeed. He made his late night debut on The Tonight Show Starring Jimmy Fallon to viral reception in 2017, and is currently a correspondent for The Daily Show with Trevor Noah.

Erin Markey

Erin Markey cordially invites you to the “fantastically weird and occasionally terrifying” (Time Out New York) world of Wet Food. Comprised of Markey’s signature story-driven stand-up and scored by homemade pop, Markey presents an intimate musical conversation with themself. Philadelphia’s own Emily Bate helps the conversation along by singing and playing multiple instruments in Topshop flats (the shoes, not the music concept).

Cole Escola

Cole Escola, a comedian, actor, and writer, has been named one of the 2014 OUT 100 and Time Out New York’s Top Ten Downtown Cabaret Performers. His sketch comedy show, “The First Gay President,” sold out every performance and generated buzz and praise from the likes of PAPER Magazine and Lena Dunham.

Whitmer Thomas

Whitmer Thomas has most recently appeared in The Good Place (NBC), The Walking Dead (AMC), GLOW (Netflix), You’re The Worst (FX), and voiced and created the ADHD animated series Stone Quackers on FXX (now available on Hulu). His show The Golden One is a cohesive hour of Whit’s stand up, storytelling, and original music.

Catherine Cohen

Catherine Cohen is a comedian and voiceover artist living in Brooklyn. She was named by Time Out New York as one of five comedians to watch for in 2018. She hosts a weekly show at Alan Cumming’s new East Village cabaret, as well as the monthly variety show “It’s A Guy Thing,” which was listed as one of Paste Magazine’s “10 Best Alt Comedy Shows in New York City.”

Food 4 Thot

Food 4 Thot is a podcast where a multiracial mix of queer writers talk about sex, relationships, race, identity, what they like to read, and who they like to read. It’s not about food — they just really like the pun. Hosts include Tommy “Teebs” Pico, Fran Tirado, Dennis Norris II, and Joe Osmondson; catch them in Blue Heaven as they record a show live!

Champagne Jerry

Champagne Jerry (aka Neal Medlyn) is one of “New York City’s Top Ten Downtown Cabaret Performers” (Time Out). With perfect flow, outrageous lyrics, and impeccable comic timing, Champagne Jerry delivers a stage show that is at once shocking, smart, and very, very funny.

Sarah Squirm

Sarah Squirm is a Chicago based comedian who has become known for her unconventional, and popular show, Helltrap Nightmare. She was previously named one of Time Out Magazine’s five comics to watch for 2017.

Bechdel Test Fest

The Bechdel Test Fest is a comedy festival created in 2016 out of a frustration that stages in Philadelphia were still predominantly white, cis, straight and male. The festival celebrates the talented and hilarious women (both cis and trans) and non-­binary comedians who make up a significant part of the local comedy scene. Performance artist and clown Sarah Knittel and stand-­up comedian Tan Hoang will be part of the BTF segment at Blue Heaven, with more acts to be announced.

Good Good Comedy Theatre

Good Good Comedy Theatre is Philadelphia’s home for live, mercilessly unpredictable independent comedy. An intimate, BYOB black box theater located in Chinatown, Good Good houses up to four wildly different live comedy shows per night. This includes stand-­up, sketch, improv, storytelling and (especially) everything in between.

 

Check out our website for more information on the weekend schedule, ticket options, and more about each artist.

Celebrate Halloweekend at FringeArts!

Posted October 24th, 2018

Halloweekend at FringeArts is jam-packed with ghoulish good times! Take a look at what’s in store.

Outdoor Movie: Ghostbusters (1984) Rated PG-13

Thu, Oct 25 8 PM (Quizzo at 7 PM)

Ghostbusters Feature Image

Calling all mega fans! We’ll start off the night flexing our film knowledge with a pre-show quizzo and La Peg’s Halloween drink specials ($8 mulled wine, $6 hot chocolate, $8 spiked hot chocolate, $8 New Harvest) at 7 PM. Then witness your fave ghostbusting professors exterminate ghosts and save New York City in the process. Costumes are recommended but a cozy sweater or blanket is highly suggested.

The night doesn’t end there. That same evening we will be moving inside for….

Burn It All Down: A BTF Spectacular

Thu, Oct 25 at 10:30 PM

Bechdel Test Fest was born in 2014 to create a comedy festival to celebrate the talented and hilarious women, trans and non-binary comedians who make up a significant part of the local comedy scene. Now entering its 4th year, Bechdel Test Fest is resurrecting their favorite acts for a Spooky Late Night Comedy Spectacular.

The line up will include:

Kat Mosely – Storytelling

A Song In Her Ear – The Musical Improv Group of Philly Phame

Tan Hoang – Stand up

Alyssa Al-Dookhi – Stand up

CJ Higgins – Musical comedy

Cups and a Half – Sketch comedy

…and more.

Halloqweens

Sat, Oct 27 at 9 PM

Halloqweens Feature Image

Philly’s biggest annual queer and LGBT Halloween rager is back! FringeArts is being taken over by the dopest queer DJs, drag and burlesque performers, photo booths, tarot readings, and more. This is not a party to miss. Please note you must be 21+ to enter.

A few of the highlights-

LIVE:

PRECIOUS (Viceland’s My House)

DJs:

DAME LUZ | BB BASURA | DELISH | JAMZ | LOVE

Drag:

ANN ARTIST | ICON EBONY | PRETTY GIRL | ASIA MONROE | KUSTARD KREAM

Burlesque:

LUZIFER PRIEST | THE DEVA ARAZEL

Photos:

KALTOUM | DAVID FORD

Readings:

TECHNO TAROT

Outdoor Movie: Bedknobs & Broomsticks (1971) Rated G

Sun, Oct 28 at 6 PM

Bedknobs and Broomsticks feature image

Round out the spooky weekend festivities with your family! We’ll start off the evening with a children’s costume contest and pumpkin decorating at 5pm. Starting at 6, watch Angela Lansbury as Miss Eglantine Price, a witch-in-training, as she sets out to defeat the Nazi menace with the help of her powers, three inventive children, the head of her witchcraft school Emelius Brown, and an enchanted bed! While you cozy up in your favorite blanket (or costume!), enjoy some of the Haas Biergarten’s alcoholic and non-alcoholic selections, including apple cider and hot chocolate.

Comedy to Kill For: Good Good Comedy Brings a Greatest Hits to the Fringe

Posted September 19th, 2018

Even before the company opened its Center City (Chinatown) theater in October 2016, Good Good Comedy was the leading presenter of new comedy in Philadelphia. Founded by powerhouse comedy team Kate Banford and Aaron Nevins, the company has only continued its rise to the pinnacle of local comedy, attracting local and visiting stand-up performers and hosting popular monthly game show, improv, and sketch shows. For the 2018 Fringe Festival, Good Good Comedy has taken all the best bits from the last year of its monthly show Darlings and combined them into an hilarious sketch revue. Darlings: Kill Us Please opens tonight.

Good Good Comedy Theatre.

FringeArts spoke to Banford and Nevins about the show, the theater, and appealing to audiences who don’t have rocks for brains.

FringeArts: How are things going with Good Good Comedy Theater? What’s excited you most about the space. What has been surprising?

Kate Banford & Aaron Nevins: Everything has been surprising and exciting at Good Good for us. We’re coming up on the two-year anniversary of the theater opening, and in that time, we’ve been named Best Comedy Club by Philadelphia Magazine, we’ve watched the local comedy scene AND local comedy audiences grow exponentially, and we’ve had performances from amazing people like Maria Bamford, Chris Gethard, Aparna Nancherla, Andy Kindler, Julio Torres, and so many others—people whose support of the theater has been incredible and unexpected.

FringeArts: That’s great! So what’s the story with Darlings: Kill Us Please?

Kate Banford & Aaron Nevins: Darlings: Kill Us Please is basically a hodgepodge of all the best bits from our monthly show Darlings at Good Good. It’s ostensibly a sketch show with all of our best and weirdest junk all smashed together.

Read More

2018 Festival Spotlight: Comedy and Improv

Posted August 25th, 2018

Fringe artists are known for keeping audiences on their toes. Laugh out loud at these joyous comedy and improv shows that will leave you smiling and breathless.

An Unofficial, Unauthorized Tour of LOVE Park
Rose Luardo / Kate Banford
An interactive, questions-encouraged tour of LOVE Park with a completely legitimate, highly respected, and 100% real tour company. At each stop on this mind-bending guided walk through the park, facts will be manipulated and reality will melt. Maybe a bush will talk to you? And maybe that bush invented love. Presented by Philadelphia Parks & Recreation and the Fairmount Park Conservancy.
More info and tickets here

Darlings: Kill Us Please
Good Good Comedy Theatre
Darlings: Kill Us Please is the debut Fringe show from Darlings, a collective of Philadelphia’s most celebrated comedic heartthrobs. We’ve gutted the innards of a full year’s worth of shows at Good Good Comedy Theatre and only left in the juiciest bits and chunks.
More info and tickets here

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2018 Festival Spotlight: Family Friendly Fringe

Posted August 24th, 2018

The Fringe isn’t always adults only! Everyone is welcome at these fun, engaging performances suitable for the whole family.

Chichi Chip (an ode to the Gnarly)
Philly Kerplop
An interactive performance featuring hip-hop dance and a live marching band, taking place in Philly’s iconic LOVE Park. Philly Kerplop’s display of humor and daring physical dexterity will activate the park spaces in ways that feel both familiar and awe-inspiring.
More info and tickets here

FIGMAGO
Meg Saligman Studio
FIGMAGO is part art installation, part room escape, and all parts wonderfully immersive. Enter the mind of a muralist as you explore secret passages and mesmerizing art to discover a mysterious mural that comes to life. YOU become the artist as the story unfolds. Hands-on and phone-free fun for all ages!
More info and tickets here

Garden of Vessels
Sina Marie (I Am a Vessel Youth Initiative)
Welcome to the future of the pop-up garden phenomenon. Imagine a garden where imagination and technology fall in love, cultivating the minds and innate abilities of the youth to a full bloom. Visionary Sina Marie creates an interactive experience. A diaspora from the underground up! We welcome you to…the Garden of Vessels.
More info and tickets here

Read More

How Are You FEELing?

Posted August 18th, 2018

The Fringe wouldn’t be the Fringe without Bobbi Block. The artist and producer has been in EVERY SINGLE Fringe Festival since its foundation in 1997. This year, Block adds two more shows to her impressive Fringe resume: she’s dancing in Sylvain Emard’s Le Super Grand Continental on the Art Museum steps and producing another sure-to-be-a-hit improv theater piece by Tongue & Groove Spontaneous Theater.  

In FEEL, T&G is asking audiences “How are you feeling” and really wanting to know: they will improvise a show based on the feelings of the audience. To put the audience at ease, they’re offering free massages before every show. Now that feels good!

FringeArts asked Block how she was feeling, and other questions about her upcoming Fringe shows.

FringeArts: How are you feeling today and why?

Bobbi Block: Today? Today I’m feeling joyful and optimistic about my current artistic endeavors. You?

FringeArts: Oh, FringeArts Blog is doing just fine. Why ask audiences that question?

Bobbi Block: Well, first I’ll explain why Tongue & Groove asks that question of each other. For eleven years now, T & G begins every rehearsal and performance with an “Emotional Check-in”—we report how we’re feeling. This accomplishes two goals: 1. It “stirs the pot” of emotional fodder so that real feelings are readily available for us to use as inspiration for our improvised characters and scenarios, and 2. Sharing feelings is vulnerable, and vulnerability and transparency builds trust.

So why ask the audience? We’ve asked the audience so many questions over the years: “What secret are you keeping?” “What do you want to do before you die?” “Who are you?” The answers are written anonymously on cards and used to inspire our improvised work. We figured it was time to ask the most basic question—and possibly most difficult to answer. Most people do not get a lot of practice exercising emotional literacy. We are socialized not to talk about our real feelings—and we assume no one really wants to know. Rarely does someone ask “How are you feeling?” (unless you’re ill); we ask “How are you?” or “How ya doin?” The typical answer is “Fine,” and then we quickly move on, thinking we’ve satisfied our social connection obligation. Even if we’re craving to connect with each other, many of us follow this social norm because we’re afraid to speak the truth.

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Can You Feel the LOVE Tonight? Fringe Comes to LOVE Park

Posted August 17th, 2018

Love is in the air at this year’s Fringe Festival. It’s suspended seven feet off the ground and arranged in an instantly recognizable design. That’s right: Fringe is coming to LOVE Park.

Located in the heart of Center City, the park is home to Robert Indiana’s iconic LOVE statue, which has become a symbol of the City of Brotherly Love and which serves as the photogenic entrance to the Benjamin Franklin Parkway. Originally laid out in 1965 as part of an urban development project by city planner Edmund Bacon (father of actor Kevin Bacon), the park was designated “JFK Plaza” to honor the assassinated president in 1967. It became better known by the moniker LOVE Park after Indiana’s famous wordmark sculpture was placed there in the late 1970s.

The park became known as a hub for Philadelphians to meet, chat, take a lunch break, go for a dip in the fountain, and hone their skateboarding skills. Situated just across from City Hall, it serves as a haven from the busy streets of the city and a resting point for workers, residents, and tourists. Closed in 2016 for a $26 million redesign, LOVE Park reopened on May 30, 2018, with a brand new look.

To celebrate the grand reopening, FringeArts teamed up with the Fairmount Park Conservancy and Philadelphia Parks & Recreation (with support from ArtPlace America) to present three FREE shows by leading local arts as part of the 2018 Fringe Festival: An Unofficial, Unauthorized Tour of LOVE Park, Chichi Chip (an ode to the Gnarly), and Same Picture Different Poses.   

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Pipeline of Fun: Ants on a Log Reach Kids through Humor and Music

Posted August 15th, 2018

Folk duo Ants on a Log (Julie Beth and Anya Rose) write music for children and other childlike people, songfully advocating for positivity, social justice, and silliness. They have been featured on XPN’s Kids Corner, at the Philadelphia Folk Fest, and on radio stations around the globe. In 2016 the Ants performed their debut musical Curious: Think Outside the Pipeline, using the power of eco-feminist music and humor to encourage families to stay “curious” about alternatives to fossil fuels.

Julie (a music therapist) and Anya Rose (an elementary science teacher) reworked their musical for the 2018 Fringe Festival show Music for Children and Other Curious People, performed on two dates in Fishtown and West Philadelphia. The pair spoke to FringeArts about creating a fun, socially conscious work for kids.

FringeArts: What do you like about creating theater and performing for kids?

Ants on a Log: Ants on a Log gives us an outlet for our silliness, and it’s a fun challenge to create something that is appealing to both children and adults. We love performing for kids because they are excited and curious about everything, which is how we think adults are too, but only in those rare moments when it’s deemed socially appropriate. Silliness aside, theater and music feel really important right now. This is how ideas are spread. It’s no accident that our songs are so catchy: we want you to accidentally memorize how to change the world for the better.

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Werewolves, Mimosas, and Late Night Fringe: ON THE ROCKS Uncorks its Latest Show

Posted July 31st, 2018

“Bring your beer, bring your Mike’s hard lemonade, bring your vodka lemonade, bring your regular lemonade, bring Beyonce’s Lemonade
—Jenna Kuerzi, cast of WOLFCRUSH (a queer werewolf play)

A lot of work goes into each Fringe Festival show. There’s a long process of writing, casting, fundraising, finding a venue, rehearsing, marketing, and countless other tasks before an audience ever arrives.

ON THE ROCKS, the Fringe-tastic theater collaborative of Haygen-Brice Walker and Elaina Di Monaco, knows how the process works. The company’s been a fixture of late night Fringe at the last few Festivals, with their Dead Teenager Trilogy (The Bride’s a Cunt…, 2017; Birdie’s Pit Stop…, 2016; Spookfish, 2015) deconstructing millennial culture in a series of rambunctious, rambling, in-your-face BYOB plays.

Last week saw the cast of ON THE ROCKS’ 2018 Fringe Festival production, WOLFCRUSH (a queer werewolf play), gather for the first time for a full read-through. Conflicting schedules meant the team had to get together at 9am on a Saturday, but mimosas (heavy on the bubbly, light on the OJ) helped fix the mood. They shared some photos of the first rehearsal.

Hannah Van Scriver, José Raúl Mangual, and assistant director Rose Slavin in rehearsal.

“We all met bright and early in my living room, stocked up on caffeine (and champagne!) and spent the whole afternoon together filling in this world that Haygen-Brice made for us to play in,” says Di Monaco. “We had an incredible dramaturgical discussion afterwards about queerness, small towns, werewolf mythology, and the character web that builds the play.”

Director Elaina Di Monaco at rehearsal.

The rehearsal was the first gathering after casting, but it’s not the start of the process. “Elaina and I have been developing this play for more than two years now and the evolution of the play is deeply rooted in the feedback and suggestions that I get from these guys,” says Walker. “I’m in a lot of writers’ groups and playwrights’ collectives and I find people constantly balk at ‘prescriptive feedback’. I want it. I’m like: ‘No, tell me exactly what you think should happen,’ and if I don’t like it, cool, I won’t use it. I think Elaina and my willingness to let everyone take initiative and speak up makes our room really special and bad-ass.”

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Edinburgh Bound: Chris Davis on Returning to the Mother Fringe

Posted July 30th, 2018

Chris Davis knows his Fringe Festivals.

The writer-performer is a stalwart of the annual Fringe Festival in Philadelphia, with his imaginative one-man shows (One Man Apocalypse Now, 2016) and modern adaptations of classic literature (Anna K, 2014) proving among the Festivals’ most popular and talked-about productions. But the locally based artist has also travelled his comedic solo shows to festivals across the United States and beyond, from Texas to Maine, from Pittsburgh to Edinburgh. 

Davis returns to this year’s Philadelphia Festival with The Presented, a world premiere play about what it means to be a “chosen” artist in the theater world. First, though, he’s off to the Mother Fringe, the Edinburgh Fringe (August 3-27), with his bilingual semi-autobiographical travelog Drunk Lion. Chris gave FringeArts the low-down on performing at the world-famous festival.

FringeArts: When did you go to your first Edinburgh Fringe?

Chris Davis: I first attended Edinburgh Fringe in 2014. When I went there I knew almost nothing about the festival or its importance, only that it was very big. The idea came when Brad Wrenn of the Berserker Residents said something like “hey you do solo shows you should take your show and do the Free Fringe festival there this year.” Neither Brad nor I had attended the fringe before, but I decided to take his advice and go. I still miss that first year because I had no expectations about anything and there was a certain freedom in that.

FringeArts: What surprised you most about the festival?

Chris Davis: The quality of the artists that participate. It still surprises me. In every show I see here I find something to love about it, and that’s a rare quality. Also the number of people who attend these shows is phenomenal. It never seems that theater is cool except to small niche audiences in the States; in Edinburgh it feels like everyone, from all walks of life, is excited to engage in live art happening around them. I love it.

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People are Strange and other revelations from Josh McIlvain

Posted June 13th, 2018

FringeArts superfriend Josh McIlvain wears many hats in this week’s performance People are Strange and other revelations, serving as writer, performer, and producer. He is joined by performers Tara Demmy and Marissa Kennedy, and by writer/performer Nik Menotiades. This team of creators delivers a show that is at once funny, thought-provoking, and utterly bizarre.  

When describing the performances in People are Strange, McIlvain explains: “I think one thing that unites them is that they all involve fuckups to varying degrees, and they all have a lot of humor, though the tones and styles of the piece are varied enough to keep it interesting.”   

The show consists of four short solo performances set in different rooms of the Da Vinci Art Alliance in Bella Vista. It is a collection of moments, of the seemingly insignificant encounters of life. The audience will move between rooms of the art gallery to view the series of distinct yet cohesive performances. “As the show is made up of four separate places, we are able to create four different performance spaces,” says McIlvain. “These aren’t radical changes, but there is a pleasure in these little shifts between areas, and for the audience to be led to a new room or even part of the same room, and to encounter the next performance.”  

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Laughing in the Face of Inequality: An Interview With Beth Eisenberg

Posted February 20th, 2018

Beth Eisenberg is one of the organizers of Philadelphia’s Bechdel Test Fest, a comedy festival highlighting our city’s funniest women, trans, and non-binary comedians and performers. Founded in 2016 to help foster a more inclusive comedy community in the face of gender inequality on Philly stages, the annual festival has continued to expand with each iteration—in duration, in number of performers, in stage sizes—and this year is no exception. Spread out over three nights at three different venues, the 2018 festival offers audiences around the city a series of diverse showcases, highlighting a wide range of comedic forms including stand-up, sketch, improv, clowning, and much more. Each evening also ends with a free open stage event for open-mic standup, performance pieces, and improv jams. FringeArts will be hosting the festival’s second night, March 3.

The festival’s continual growth speaks to the ever-present need for greater inclusivity in comedy, and it’s heartening that, as our cultural conversations around gender discrimination continue to develop with more verve than has been seen in many years, so too do platforms that are actively working to upend this universal inequity. It’s vital work that, as Eisenberg is quick to acknowledge, has been happening in our city long before the festival’s genesis, but it seems now more than ever comedy fans are eager for more diverse offerings. Thankfully, Bechdel Test Fest is here to provide.

FringeArtsHow did the Festival come about?

Pictured: Heather Raquel

Beth Eisenberg: Almost three years ago there was an uproar about diversity on some stages. Few women being cast. Few women being asked to create or direct. Most spots in comedy locally and nationally were pulling from the all men’s clubs. Initially, there was a post in the all female identifying Facebook group, Improvaries, sharing the feeling of exclusion and isolation around a recent audition that cast primarily men. Though this issue wasn’t a unique occurrence, it was from that moment that an energy was generated around making a space for female identifying performers in the city.

Everyone rallied. Everyone shared frustration. And lots of individuals shared about how other cities have successful females festivals. So it was the right time and interest from the group was there. That group is comprised of comics from all spaces and theaters, backgrounds, experience, ages, etc.

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Your Record Collection Just Got a Little Saltier

Posted October 19th, 2017

This Friday night, FringeArts’ monthly series of sexy, satirical, queer, and tantalizing cabaret returns to the La Peg stage to kick off it’s fall season. Hosted by Bearded Ladies Cabaret artistic director John Jarboe and co-presented by the William Way LGBT Community Center, this season of Get Pegged features some powerhouse performers from Philadelphia and New York.

October’s featured performers include a “stripped down” assemblage—if that means acoustic or naked is being left unanswered—of Philly’s favorite musical misfits ILL DOOTS, performing two tight sets of original tunes and covers around the notion of “Passion.” Where that will take them is anyone’s guess, all they’ll say is, “We’ll experience several forms of passion together that culminates into what we can only hope is a sweet release.”

Salty Brine in Second Hand News, a reinterpretation of Fleetwood Mac’s Rumours through the lens of sensationalist news and gossip.

This month’s other featured performer, the out-of-towner of the bunch, is New York cabaret artist Salty Brine. Astute Fringe attendees may recognize him as the boisterous but wise host from the 2016 Festival hit The Elementary Spacetime Show, but the talented actor and playwright has made his name as an inventive cabaret artist as well for his own ongoing series, Salty Brine’s Spectacular Living Record Collection, which he’ll be performing an excerpt from at Get Pegged. Journeying into the heart of popular music and consciousness, Salty takes classic albums from legendary artists and twists them in style and form, building spectacular and unexpected theatrical worlds for these well known works to inhabit. These are places where they can be appreciated in an entirely new light and he can weave his own personal, historical, and fantastical narratives into our shared musical history.

The first installment of the series, Abbey Straße, took the music of The Beatles’ Abbey Road and reimagined it as a scandalous German cabaret styled in the spirit of Brecht and Weill, Marlene Dietrich, Ute Lemper, and others like them.

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Making Art in 2017: Ryan Rebel on WILD, A Clown Western

Posted September 15th, 2017

Name: Ryan Rebel

Company: Shoe Box Company

Show in the 2017 FestivalWILD: A Clown Western

FringeArtsTell us about your show.

Ryan RebelWILD is a devised clown show set in the dusty world of the Western. I can’t say exactly where that concept came from beyond the strong desire to work with clown. The juxtaposition of the earnestly goofy clown form with the steely seriousness of the Western planted itself in my mind and refused to leave. As we move forward with the project, one of our main concerns is injecting life, warmth, and thoughtfulness into a tired genre riddled with outdated social norms.

FringeArtsHow have your interests in or approach to art making changed in the last year? 

Ryan Rebel: I’ve spent my life being careful and planning ahead. I tend towards introversion and social anxiety; planning is a way of protecting myself against the unexpected. Delving into the world of WILD has been a deliberate way to force myself to be spontaneous. Clown work cannot be planned; it is utterly anchored to the present. To do clown is to be open and reactionary. This year has been an exercise in minimizing expectations so as to maximize sensitivity.

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Making Art in 2017: Gerre Garrett on Labor of Love

Posted September 8th, 2017

(Left to right) Joanne Cunningham, Gerre Garrett, Sara Carano, Jim Boyle, Chris McGovern, Eric Singel. Photo by Ryan McMenamin.

Name: Gerre Garrett

Company: Waitstaff Sketch Comedy

Show in 2017 Festival: Labor of Love

Role: Performer, Co-Creator

Past Festival Shows: We have performed in 16 previous Philly Fringe Festivals. Our shows have included The Real Housewives of South Philly, The WaitStaff Jumps the Shark  and Making the Fringe Great Again.

FringeArtsTell us a bit about your show.

Gerre Garrett: We had to title the show BEFORE writing it. We settled on Labor of Love because we love creating something that exists simply to make people laugh. While we do pride ourselves on offering material that is as smart as it funny, there is no important message or examination of the human condition here. As writers we are struggling with just how much of the show should lampoon current politics. Saturday Night Live has pretty much cornered the market on impressions (not necessarily our strong suit) and with shows like Last Week Tonight and The Daily Show, we are wondering if audiences aren’t over-saturated with political material.

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2017 Festival Spotlight: FringeArts ~After Dark~

Posted September 7th, 2017

This ain’t your grandma’s Fringe. Join us for some of the raunchiest, rowdiest, wildest shows at this year’s Fringe Festival. Hire a babysitter and leave your kids at home because these shows are decidedly NOT family friendly. Viewer discretion advised. 

Martha Graham Cracker Cabaret @ FringeArts
Martha Graham Cracker

The hairy-chested, fake eyelash-laden alter-ego of thespian Dito Van Reigersberg performs a balls-to-the-wall drag cabaret. Backed by her stellar band and with her killer voice, Martha Graham Cracker takes you on a raucous, joyous, uninhibited ride around her world.
“The Drag Queen King of Philadelphia.” The Philadelphia Inquirer
More info and tickets here.

 

 

Bye Bye Liver: The Philadelphia Drinking Play @ Evil Genius Beer Company
Happy Hour Live, LLC

Two parts sketch comedy, One part drinking games: Mixed and served! Come party with us for a night you might remember with interactive drinking games between comedic romps about the drinking experience. Ticket includes your first beer from Evil Genius! More info and tickets here.

 

The Groom’s a Fag; The Bride’s a Cunt; The Best Man’s a Whore; and the Maiden of Honor (Just) Hung Herself in the Closet @ The Beard Cave at St. Mary’s Church
On The Rocks

Daniel is pretty gay, but he’s marrying Nora. Nora is a virgin that wants her wedding night to be a sexual awakening. Shit gets fucked up. A song, a dance, an image, a poem all wrapped in a sloppy burrito of a play about glamping, hookers, the Easter Bunny, cocaine, Emma Stone, hauntings, and the horrors of commitment. More info and tickets here.

 

KINK HAÜS @ The Latvian Society
Gunnar Montana

Gunnar Montana transports us once again, this time to a brutal underground nightclub where no fucks are given, and fierceness is always welcome. Fantasy, fetish, and carnal desire are all in fashion so leave your inhibitions at home because inside KINK HAÜS, anything goes. That is, if you can get past the doorman. More info and tickets here.

 

 

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Making Art in 2017: Dawn Falato and Karen Getz on The Gorgeousity

Posted September 7th, 2017

(Left to right) Dawn Falato and Karen Getz

Name: Dawn Falato and Karen Getz

Company: The Gorgeousity (produced by Chalk, Chair and Broomstick)

Show in 2017 Festival: Gorgeousity – The Army of Love and Art

Karen Getz Past Festival shows: Suburban Love Songs, Disco Descending (Dawn was also in these shows); as ensemble member in Lunchlady Doris, Cecily and Gwendolyn’s Fantastical

Dawn Falato Past Festival shows: St. Anthony’s Body (a solo show); as ensemble member in It’s So Learning, The Ballad of Joe Hill.

FringeArts: Tell us about your show.

Dawn Falato and Karen Getz: Our show is a “play romp” for grown-ups—a musical wrapped inside an informal party.

We wanted to make a creative respite—a place to drop responsible, adult “skins” at the door for a couple of hours. We were interested in making a safe, inviting experience to sing, dance, play, and color for everyone who came to our event. We also wanted to make an instant community, with no “us” and “them.” It was important to us that the experience traveled easily, didn’t hold us back with production costs and could be experienced in almost any location.

Our main questions were: Could we could craft a truly immersive musical experience around our own strengths that would also naturally invite the audience in? How does the experience get crafted so that the participants’ input is genuinely significant to the outcome of the show?  Could we ask people to sing and dance and play act without any performative or creative pressure?

It took us about three years to craft both the musical that is the center of the experience and to craft the means by which audiences can step into that musical as themselves, without performative pressure or cynicism. And we added home cooked food. And crayons.

FringeArtsHow have your interests in or approach to art making changed in the last year?
Dawn Falato and Karen Getz: Our mission had long been to create a two-plus-hour, joy-filled respite from the dividing ideologies and relentless pressures of being an “adult” in our society. It now seems more important than ever to get small groups of grown ups in a room together to remember how to create and play, release the tensions of the day and see each other as fellow human beings, just like ourselves. It’s far harder to demonize people you don’t know when you are looking them in the eye and pretending to be enchanted, human-geese together.
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Making Art in 2017: Justin Jain on These Terrible Things

Posted September 3rd, 2017

(Left to right) Bradley Wrenn, David Johnson, Justin Jain. Photo by Kathryn Raines.

Name: Justin Jain

Company: The Berserker Residents / The University of the Arts

Show in 2017 Festival: These Terrible Things

Role: Co-Creator, Performer

Past Festival shows: With Berserkers: The Jersey Devil, 2007; The Giant Squid, 2008; The Annihilation Point, 2009; The Talkback, 2014; It’s So Learning, 2015; I Fucking Dare You, 2016; It’s So Learning, 2016 (part of FringeArts winter season)

FringeArtsTell us about your show. 

Justin JainThese Terrible Things is our subversive comedic response to contemporary American theater values. We’ve dredged up the work of the (fictional) god-like playwright, Lord Ham Hillerson. His work spans centuries and the variety of work he’s produced emulates those of classic playwrights we revere today—Shakespeare, Beckett, Williams, Mamet . . . to name a few.

These Terrible Things in rehearsal.

The conversations we’re having in the room center around why we produce some works that are consistently problematic—for their misogyny, racism, clunkiness, or for just being over-produced. Why it is so hard for new voices and plays to get attention or funding? Why do we revere the classics as “better”? We are also stoked about this collaboration with UArts because another thread we are chasing are the dangers of educational theater training. The guru and student relationship is one we are excited to explode.

Of course, it would not be a Berserker show without some kind of twist. Let’s just say there’s something much more sinister at play in this piece than meets the eye. That when we look in the shadows we see that all artists deal with the same demons. That sometimes bad ideas need to die. And that what we do as theater artists is all just make-believe.

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2017 Festival Spotlight: Apocalyptic Visions

Posted September 2nd, 2017

In these turbulent times, artists in the Fringe Festival are using their mediums to present worst case scenarios for our unpredictable future. Check out the horrifying projections of reality coming to our city at this year’s Fringe!

 

AMERICANA PSYCHOBABBLE @ Berks Warehouse
Alexandra Tatarsky

A delirious anti-narrative of American emptiness, violence, and nonsense—part exorcism and part enema! With styrofoam wings, Xmas lights, and ketchup. “Phyllis Diller meets Artaud!” “Like Kellyanne Conway woke up from a coma after overdosing on sleeping pills and reading too much Gertrude Stein.” AMERICANA PSYCHOBABBLE exists somewhere between irrational healing ceremony, sad clown song, dance in the abyss, and desperate diatribe to take back ecstatic nonsense as an act of resistance. More info and tickets here.

 

Every Day APOCALYPSE! @ The Collective
Lone Brick Theatre Company

The death rays and nukes of outrageous fortune are aimed squarely at a struggling theater group when an irate son of God condemns the company to face a new apocalyptic scenario every day, for eternity. Can they learn to get along in order to save the world, not to mention the world’s worst production of Hamlet? More info and tickets here.

 

GATZ @ Philadelphia Shakespeare Theatre
Harrison Stengle

Philadelphia, year 2025, the tempo of the city had changed sharply. The buildings were higher, the parties were bigger, the morals were looser and the kush was cheaper, the restlessness approached hysteria. From the makers of the off-off Broadway show Sword of the Unicorn comes GATZ a Great Gatsby modernist parody. More info and tickets here.

 

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