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Archive for the ‘Other Festivals’ Category

Who’s Who in Blue Heaven

Posted December 19th, 2018
by Kat Sullivan, Communications Intern Fall 2018

 

Blue Heaven, a FringeArts comedy festival, will showcase some of the most provocative voices in American comedy for one weekend of gut-aching hilarity. Our full lineup is live and now is the perfect time to plan which shows you just have to see (warning: it might be all of them). To help ease your comedic FOMO, we’re offering a limited amount of weekend passes to all 11 performances for $69 through Dec 31.

Read up on who’s who:

 

Michelle Buteau

Michelle Buteau, comedian, host, and actress headlining Blue Heaven, is bringing her unique perspective and big personality to stage and screen. She was most recently the co-host of VH1’s Big Morning Buzz Live. Her other television credits include Enlisted on FOX, Comedy Central’s Key & Peele and @Midnight, and Best Week Ever.

Jaboukie Young-White

Jaboukie Young-White is an NYC-based comedian and filmmaker. He and his popular  Instagram and Twitter accounts have been featured on The Fader, Clickhole, and Buzzfeed. He made his late night debut on The Tonight Show Starring Jimmy Fallon to viral reception in 2017, and is currently a correspondent for The Daily Show with Trevor Noah.

Erin Markey

Erin Markey cordially invites you to the “fantastically weird and occasionally terrifying” (Time Out New York) world of Wet Food. Comprised of Markey’s signature story-driven stand-up and scored by homemade pop, Markey presents an intimate musical conversation with themself. Philadelphia’s own Emily Bate helps the conversation along by singing and playing multiple instruments in Topshop flats (the shoes, not the music concept).

Cole Escola

Cole Escola, a comedian, actor, and writer, has been named one of the 2014 OUT 100 and Time Out New York’s Top Ten Downtown Cabaret Performers. His sketch comedy show, “The First Gay President,” sold out every performance and generated buzz and praise from the likes of PAPER Magazine and Lena Dunham.

Whitmer Thomas

Whitmer Thomas has most recently appeared in The Good Place (NBC), The Walking Dead (AMC), GLOW (Netflix), You’re The Worst (FX), and voiced and created the ADHD animated series Stone Quackers on FXX (now available on Hulu). His show The Golden One is a cohesive hour of Whit’s stand up, storytelling, and original music.

Catherine Cohen

Catherine Cohen is a comedian and voiceover artist living in Brooklyn. She was named by Time Out New York as one of five comedians to watch for in 2018. She hosts a weekly show at Alan Cumming’s new East Village cabaret, as well as the monthly variety show “It’s A Guy Thing,” which was listed as one of Paste Magazine’s “10 Best Alt Comedy Shows in New York City.”

Food 4 Thot

Food 4 Thot is a podcast where a multiracial mix of queer writers talk about sex, relationships, race, identity, what they like to read, and who they like to read. It’s not about food — they just really like the pun. Hosts include Tommy “Teebs” Pico, Fran Tirado, Dennis Norris II, and Joe Osmondson; catch them in Blue Heaven as they record a show live!

Champagne Jerry

Champagne Jerry (aka Neal Medlyn) is one of “New York City’s Top Ten Downtown Cabaret Performers” (Time Out). With perfect flow, outrageous lyrics, and impeccable comic timing, Champagne Jerry delivers a stage show that is at once shocking, smart, and very, very funny.

Sarah Squirm

Sarah Squirm is a Chicago based comedian who has become known for her unconventional, and popular show, Helltrap Nightmare. She was previously named one of Time Out Magazine’s five comics to watch for 2017.

Bechdel Test Fest

The Bechdel Test Fest is a comedy festival created in 2016 out of a frustration that stages in Philadelphia were still predominantly white, cis, straight and male. The festival celebrates the talented and hilarious women (both cis and trans) and non-­binary comedians who make up a significant part of the local comedy scene. Performance artist and clown Sarah Knittel and stand-­up comedian Tan Hoang will be part of the BTF segment at Blue Heaven, with more acts to be announced.

Good Good Comedy Theatre

Good Good Comedy Theatre is Philadelphia’s home for live, mercilessly unpredictable independent comedy. An intimate, BYOB black box theater located in Chinatown, Good Good houses up to four wildly different live comedy shows per night. This includes stand-­up, sketch, improv, storytelling and (especially) everything in between.

 

Check out our website for more information on the weekend schedule, ticket options, and more about each artist.

Announcing New Festival: High Pressure Fire Service

Posted November 8th, 2018

 

We are pleased to announce programming for a new FringeArts festival! High Pressure Fire Service will run from March through June 2019 and feature six new productions—five world premieres and one expanded remount—from some of Philadelphia’s preeminent performers.

High Pressure Fire Service takes its name from FringeArts’ historic building, the first high pressure pump house in the country. Starting in 1903, the station pumped water from the Delaware River to fire hydrants across Philadelphia, connecting the city and helping it grow and thrive. This history of creativity and connectivity is at the very heart of the High Pressure Fire Service festival, reflected in the artists’ innovative practice and uniquely relevant work that exemplifies why Philadelphia has remained such a hotbed for excellence and experimentation in contemporary performance.

For the inaugural series, FringeArts commissioned works from Lightning Rod SpecialPig Iron Theatre Company’s Jess Conda, Jenn Kidwell, and Mel Krodman; The Berserker Residents; Suli Holum, David Bradley, and the Institute on Disabilities at Temple University; Moor Mother; and Team Sunshine Performance Corporation. Addressing issues of representation, gender, accessibility, reproductive justice, and more through devised theater, comedy, and participatory play, these new productions embody the vast range and exceptional talent of Philadelphia’s rich performing arts community.

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HIGH PRESSURE FIRE SERVICE

March 1—June 22, 2019 at FringeArts

 

A Fierce Kind of Love by Suli Holum

Directed by David Bradley

Produced by the Institute on Disabilities, Temple University

March 1—3, 2019

Photo © Jacques-Jean Tiziou / www.jjtiziou.net

A cast of artists with and without disabilities chronicles the largely untold story of Pennsylvania’s Intellectual Disability Rights Movement in a remount of this deeply poignant work. Drawing from years of research and the performers’ lived experiences, A Fierce Kind of Love combines text, movement, and song to chart the Movement’s remarkable history and celebrate the struggle, activism, and fierce love that fuels the desire for dignity. This new iteration of the piece expands on the interviews and research conducted for the 2016 premiere, adding insight to the persistent issues in the disability community. The show, set, and theatrical environment for A Fierce Kind of Love are completely accessible; ASL interpretation and open captioning are directly integrated into the piece; all performances will be sensory-friendly, audio described and programs will be available in alternate formats. A Fierce Kind of Love was made possible with major support from the Pew Center for Arts & Heritage.

The Institute on Disabilities is Pennsylvania’s University Center for Excellence in Developmental Disabilities (UCEDD) at Temple University. Since its inception, the Institute has continued to innovate and serve in four core areas: pre-professional training, community training and technical assistance, research and information dissemination. Located within Temple University’s College of Education, the Institute addresses disability as a valued aspect of diversity throughout civic life. They learn from and work with people with disabilities and their families in diverse communities across Pennsylvania to create and share knowledge, change systems and society, and promote self-determined lives so that disability is recognized as a natural part of the human experience.

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The Appointment

Lightning Rod Special

March 20—31, 2019

World Premiere

Photo by Johanna Austin

Alice Yorke and Lightning Rod Special (Sans Everything, Underground Railroad Game) address the misogyny, hypocrisy, and absurdity surrounding the abortion debate in America in this musical satire. Following women at a clinic seeking to terminate their pregnancies, this timely new work uses a pop-musical format to ask tough, important questions about bodily autonomy, race, and who gets to have access. As hilarious as it is incisive.

Lightning Rod Special (LRS) makes live performance from the ground up. Raucous, contemplative, and highly collaborative, LRS uses theatre as a provocative tool to ask questions of ourselves, our audience, and the world at large. Since 2012 they have made six full length shows that have performed in 11 US cities and internationally. Underground Railroad Game, made by Jenn Kidwell and Scott Sheppard with Lightning Rod Special, received the OBIE for Best New American Theater Work and was listed among The New York Times’ 25 best plays of the last 25 years. Lightning Rod Special is Co-Directors Alice Yorke, Scott Sheppard, Mason Rosenthal, and company members Alex Bechtel, Oona Curley, Katie Gould, Rebecca Kanach, and Jenn Kidwell.

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Broccoli, Roosevelt and Mr. House!

The Berserker Residents

April 12—14, 2019

World Premiere

Photo courtesy of the artist

The Berserker Residents are asking the big questions: can broccoli make you giggle? How much dance is too much dance? And does your house have feelings? The trio has whipped up a comedy for all ages that’s unpredictable, original, fun and vibrant. The three wacky title characters serve up unique impishness, snazzy games, silly sounds, physical flights of fancy that encourage interaction and elicit pure joy.

Founded in 2007, The Berserker Residents are an ensemble dedicated to creating original works of alternative comedy with a focus on parody, absurdism, and subverting theatrical conventions. They are a team of three Philadelphia-based wizards of imagination—Justin Jain, David Johnson, and Bradley K. Wrenn—who aim to plow the depths of the ludicrous and downright silly with one hand, while making a firm connection to their audiences with the other. They have been hailed as “daft, ephemeral and joyous” by The Scotsman and praised for their “refusal to relinquish that unrefined creative spirit” by The New York Times. The Berserkers’ work has been presented at Abrons Art Center, The San Francisco Mime Troupe, The Annenberg Center, FringeArts, Arcadia University, Swarthmore College, Theatre Horizon, University of the Arts, The Community Education Center, and The Assembly in Edinburgh, Scotland. They have been residents at FringeArts, White Pines Productions, University of the Arts, and Ars Nova NYC.

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A Hard Time

Pig Iron Theatre Company

May 1—12, 2019

World Premiere

Photo courtesy of the artist

Jess Conda, Jenn Kidwell, and Mel Krodman want to give you A Hard Time—an outrageous alt-comedy and futurist cabaret. Enter a boozy watering hole, where three dynamic performers play men, women, and everything in between for your entertainment, blowing farewell kisses to the patriarchy amid the absurdities and violence of gender expectations.

Founded in 1995 as an interdisciplinary ensemble, Pig Iron Theatre Company is dedicated to the creation of new and exuberant performance works that defy easy categorization.
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The Sincerity Project #3

Team Sunshine Performance Corporation

June 6—8, 2019

World Premiere

Photo by Jen Cleary

Team Sunshine Performance Corporation reunites The Sincerity Project cast for the third installment in an ambitious 24-year experiment that offers a new devised theater work every two years. A meditation on the passage of time that draws from the real lives of its creators, The Sincerity Project #3 explores the implications and challenges of aging, shifting expectations and identities, and how we all—as individuals and a culture—change, respond, evolve, and fail.

Since its founding in 2010, Team Sunshine Performance Corporation has created an eclectic array of performance works and interactive community-gathering events. Ranging from theatrical duets to massive, outdoor spectacles, the company’s body of work blends the social with the artistic, creating opportunities for people to come together and revel in the pleasures and difficulties of our collective contemporary experience. Team Sunshine returns to FringeArts after last spring’s hit ¡BIENVENIDOS BLANCOS! or WELCOME WHITE PEOPLE!

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Circuit City

Written by Camae Ayewa

Music by Moor Mother

June 20—22, 2019

World Premiere

Photo by Bob Sweeney

Poet and noise musician Camae Ayewa (Moor Mother) presents her first theatrical work, a futuristic exploration—part musical, part choreopoem, part play—of public/private ownership, housing, and technology set in a living room in a corporate-owned apartment complex. Framed by Ayewa’s bold poetry and bolstered by new Moor Mother music performed live by Irreversible Entanglements and the Circuit City Band, Circuit City is an afrofuturist song cycle for our current climate.

A prolific voice in the Philadelphia arts community, Camae Ayewa has released more than a dozen EPs as Moor Mother and Moor Mother Goddess since 2012. She has performed in the punk band The Mighty Paradocs and is also the co-founder of Rockers! Philly, an event series and festival focused on marginalized artists, and Black Quantum Futurism Collective, a literary and artistic collaboration with Rasheedah Philips (The Afrofuturist Affair).

 

High Pressure Fire Service performances take place in the FringeArts theater at 140 N. Columbus Blvd. Tickets go on sale Tuesday, December 4 (Thursday, November 29 for FringeArts members).

Support for High Pressure Fire Service has been provided by Wyncote Foundation.

 

Celebrate Halloweekend at FringeArts!

Posted October 24th, 2018

Halloweekend at FringeArts is jam-packed with ghoulish good times! Take a look at what’s in store.

Outdoor Movie: Ghostbusters (1984) Rated PG-13

Thu, Oct 25 8 PM (Quizzo at 7 PM)

Ghostbusters Feature Image

Calling all mega fans! We’ll start off the night flexing our film knowledge with a pre-show quizzo and La Peg’s Halloween drink specials ($8 mulled wine, $6 hot chocolate, $8 spiked hot chocolate, $8 New Harvest) at 7 PM. Then witness your fave ghostbusting professors exterminate ghosts and save New York City in the process. Costumes are recommended but a cozy sweater or blanket is highly suggested.

The night doesn’t end there. That same evening we will be moving inside for….

Burn It All Down: A BTF Spectacular

Thu, Oct 25 at 10:30 PM

Bechdel Test Fest was born in 2014 to create a comedy festival to celebrate the talented and hilarious women, trans and non-binary comedians who make up a significant part of the local comedy scene. Now entering its 4th year, Bechdel Test Fest is resurrecting their favorite acts for a Spooky Late Night Comedy Spectacular.

The line up will include:

Kat Mosely – Storytelling

A Song In Her Ear – The Musical Improv Group of Philly Phame

Tan Hoang – Stand up

Alyssa Al-Dookhi – Stand up

CJ Higgins – Musical comedy

Cups and a Half – Sketch comedy

…and more.

Halloqweens

Sat, Oct 27 at 9 PM

Halloqweens Feature Image

Philly’s biggest annual queer and LGBT Halloween rager is back! FringeArts is being taken over by the dopest queer DJs, drag and burlesque performers, photo booths, tarot readings, and more. This is not a party to miss. Please note you must be 21+ to enter.

A few of the highlights-

LIVE:

PRECIOUS (Viceland’s My House)

DJs:

DAME LUZ | BB BASURA | DELISH | JAMZ | LOVE

Drag:

ANN ARTIST | ICON EBONY | PRETTY GIRL | ASIA MONROE | KUSTARD KREAM

Burlesque:

LUZIFER PRIEST | THE DEVA ARAZEL

Photos:

KALTOUM | DAVID FORD

Readings:

TECHNO TAROT

Outdoor Movie: Bedknobs & Broomsticks (1971) Rated G

Sun, Oct 28 at 6 PM

Bedknobs and Broomsticks feature image

Round out the spooky weekend festivities with your family! We’ll start off the evening with a children’s costume contest and pumpkin decorating at 5pm. Starting at 6, watch Angela Lansbury as Miss Eglantine Price, a witch-in-training, as she sets out to defeat the Nazi menace with the help of her powers, three inventive children, the head of her witchcraft school Emelius Brown, and an enchanted bed! While you cozy up in your favorite blanket (or costume!), enjoy some of the Haas Biergarten’s alcoholic and non-alcoholic selections, including apple cider and hot chocolate.

Laughing in the Face of Inequality: An Interview With Beth Eisenberg

Posted February 20th, 2018

Beth Eisenberg is one of the organizers of Philadelphia’s Bechdel Test Fest, a comedy festival highlighting our city’s funniest women, trans, and non-binary comedians and performers. Founded in 2016 to help foster a more inclusive comedy community in the face of gender inequality on Philly stages, the annual festival has continued to expand with each iteration—in duration, in number of performers, in stage sizes—and this year is no exception. Spread out over three nights at three different venues, the 2018 festival offers audiences around the city a series of diverse showcases, highlighting a wide range of comedic forms including stand-up, sketch, improv, clowning, and much more. Each evening also ends with a free open stage event for open-mic standup, performance pieces, and improv jams. FringeArts will be hosting the festival’s second night, March 3.

The festival’s continual growth speaks to the ever-present need for greater inclusivity in comedy, and it’s heartening that, as our cultural conversations around gender discrimination continue to develop with more verve than has been seen in many years, so too do platforms that are actively working to upend this universal inequity. It’s vital work that, as Eisenberg is quick to acknowledge, has been happening in our city long before the festival’s genesis, but it seems now more than ever comedy fans are eager for more diverse offerings. Thankfully, Bechdel Test Fest is here to provide.

FringeArtsHow did the Festival come about?

Pictured: Heather Raquel

Beth Eisenberg: Almost three years ago there was an uproar about diversity on some stages. Few women being cast. Few women being asked to create or direct. Most spots in comedy locally and nationally were pulling from the all men’s clubs. Initially, there was a post in the all female identifying Facebook group, Improvaries, sharing the feeling of exclusion and isolation around a recent audition that cast primarily men. Though this issue wasn’t a unique occurrence, it was from that moment that an energy was generated around making a space for female identifying performers in the city.

Everyone rallied. Everyone shared frustration. And lots of individuals shared about how other cities have successful females festivals. So it was the right time and interest from the group was there. That group is comprised of comics from all spaces and theaters, backgrounds, experience, ages, etc.

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Recapping Opening Night of The October Revolution

Posted October 6th, 2017

Last night, The October Revolution kicked off in revelatory fashion. The festival, organized by Ars Nova Workshop and co-presented by FringeArts, runs through the weekend and is named in tribute to a revolutionary 1964 DIY jazz festival of the same name, curated and produced by the late legend Bill Dixon. With a lineup featuring some of the most thoughtful, adventurous music inventors and performers of our time, from across a diverse range of genres that span jazz, free improvisation, and contemporary classical and radiate outward, it’s a new music festival of a caliber rarely seen in our city, one where the act of “listening”—not for anything specific, but rather the experience of the act—is paramount.

Opening the festival was Karuna, the duo of longtime friends and collaborators Hamid Drake and Adam Rudolph, here made a trio with the addition of master multi-instrumentalist and Rudolph collaborator Ralph Miles Jones. It’s a shame that there are no official recordings of this unit because their set was utterly engrossing from beginning to end, moving fluidly through musical styles and instrumentation, and, in a way, exemplifying the festival’s emphasis on listening.

Drake and Rudolph are two of the most innovative, influential and creative percussionists of the last century and their friendship goes all the way back to a chance encounter at a downtown Chicago drum shop when the pair was just fourteen. From there they’d both go on to collaborate with a veritable who’s who of mid-century jazz legends, including Don Cherry who they both toured with for some time. In 1977 the pair joined Gambian musician and composer Foday Musa Suso to form the Mandingo Griot Society, a unit that explored and fused West African and American musical idioms, and one that is credited as an early “world music” innovator. While that’s a pretty loaded terms these days, back then the idea of melding non-Western musical instrumentation and idioms into Western styles had yet to be so rampantly, clumsily trodden. Rudolph in particular helped pioneer this kind of experimentation, and the arsenal of instruments he had at his disposal last night was exemplary of the breadth of his musical fluency. The same was true for Jones—a composer, educator, ethnomusicologist, and multi-diasporic aerophonist—who had an array of wind instruments from a variety of musical traditions at his side that he’d pick and choose from throughout the evening.

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A Guide to Megapolis Audio Festival, Pt. 4: Installations and Digital Works

Posted September 14th, 2017

From September 16-17 the fifth Megapolis Audio Festival will descend upon Philadelphia, drawing world class musicians, sound artists, radio producers, and all around audio adepts to join the artistic frenzy that is the Philadelphia Fringe Festival. Much like the 2017 Festival’s program, Megapolis’ schedule of events might appear a little daunting at first glance, so to help you navigate it we at the FringeArts Blog are going to break it all down for you into some easily digestible categories. Follow these links to Parts 1 (sound tours), 2 (performances), and 3 (workshops).

For our final installment, we’re looking at installations and digital works from artists who approach sound through a multitude of different avenues. Many of these artists use sound as a medium explore everything from the overlooked sounds of our daily lives, to Misophonia, to the Jewish Viennese exile during the Holocaust. Some, on the other hand, have created glorious, thought-provoking, and purely multi-sensory works.

 

Installations

The Philadelphia Embassy of the Kingdoms of Elgaland-Vargaland (KREV)
Mike Bullock & Linda Gale Aubry
Sept 16-17 @ A surprise location
The Kingdoms of Elgaland-Vargaland (KREV) were founded in 1992 by Swedish artists Carl Michael von Hausswolff (King Michael I) and Leif Elggren (King Leif I) and occupies all border territories as well as liminal states and virtual territories. Excited for Megapolis to begin, the Philadelphia Embassy of this great nation would like to celebrate the festival’s arrival. Ambassador Mike Bullock (who is also a composer, writer and intermedia artist) and Minister of Ornamentation Linda Gale Aubry (also a musician and a multimedia artist) will appear at some point during the festival, with appropriate pageantry, to give renditions of the multifarious KREV National Anthem.

 

Filtered Ears
Scott Allison
Sept 16 & 17, 10am-5pm @ PhillyCAM
A mic’d window becomes a filter for everyday, oft-ignored sounds. Channeled through tiny speakers powered by handmade, 1-watt amplifiers encourage guests to listen closely for these delicate, overlooked sounds. An installation created by graphic designer and sound explorer Scott Allison, who also makes music solo with electronics and in free rock outfits Sunburned Hand of the Man and Kohoutek.

 

Fascists, Lovers, and Other Lonely Ghosts
Brian House
Sept 16 & 17 @ PhillyCAM
Brian House is a Providence-based artist whose performances, installations, and interventions address our relationship to technology through rhythm. This particular installation deals with notions of synchronicity, conflict, and transmission. On a screen small entities beep and flash like fireflies “listening” to each other. Based on proximity, they will fall in and out of unison. Viewers can disrupt their relationships by moving them around to create a cascade of rhythms.

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A Guide to Megapolis Audio Festival, Pt. 3: Molding Sounds

Posted September 13th, 2017

From September 16-17 the fifth Megapolis Audio Festival will descend upon Philadelphia, drawing world class musicians, sound artists, radio producers, and all around audio adepts to join the artistic frenzy that is the Philadelphia Fringe Festival. Much like the 2017 Festival’s program, Megapolis’ schedule of events might appear a little daunting at first glance, so to help you navigate it we at the FringeArts Blog are going to break it all down for you into some easily digestible categories. Follow these links to Parts 1 (sound tours), 2 (performances), and 4 (installations and digital works).

For Part 3 we’ll be taking a look at workshops where pass holders can get hands on experience with some complex hardware, learn more about the art of radio storytelling, and more.

 

Voltage is Sound, Voltage is Drawing
Tim Nohe
Sept 16, 11am @ PhillyCAM
This hands on, all ages workshop encourages participants to experiment with live technological art to create mathematically derived music and drawings. Led by artist, composer, and educator Tim Nohe, the workshop is rooted in expressive drawing, fascinating mathematical discoveries of the 19th century, and the “switched-on” synth music of the 1960s. Participants will experiment with a range of electronic tools from various eras. Compose electronic drawings on an ‘80s era Vectrex game box by controlling a modular synthesizer. Utilize wireless infrared controllers, iPad apps, and touch sensors to shape sounds and draft kinetic drawings.

 

Blinks, Bleeps, and Bits in the Wild: Breaking the boundaries of littleBits
Ed Bear and Monty Kim
Sept 16, 1pm @ Community College of Philadelphia
littleBits makes technology kits composed of electronic building blocks that empower everyone to create inventions, large and small. To go really large, however, requires some experience, which this workshop will provide. Led by littleBits designers Ed Bear and Monty Kim, participants will be introduced to basic programming, soldering, and design skills. They will learn how to unlock the powerful control, audio synthesis, programming, and connectivity of littleBits to build large multi-channel sound systems, interactive LED sculptures, Bluetooth controlled motors or generators, and whatever else they can invent. No experience necessary.

 

Makin’ Radio Ravioli
Olivia Bradley-Skill
Sept 16, 1pm @ PhillyCAM
New York based radio producer and sound artist Olivia Bradley-Skill breaks down the nuts and bolts of cut-ups and sound collage and discusses how different sounds marinate together to tickle the ears and echo the extremes of our subconscious. Utilizing sound effects, cut-up speech, and music, nonsense will turn from goofy to maniacal, organic to robotic, and the other way around. At the end participants will build their own collages that create new meanings and flavors.

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A Guide to Megapolis Audio Festival, Pt. 2: Performing Sounds

Posted September 8th, 2017

From September 16-17 the fifth Megapolis Audio Festival will descend upon Philadelphia, drawing world class musicians, sound artists, radio producers, and all around audio adepts to join the artistic frenzy that is the Philadelphia Fringe Festival. Much like the 2017 Festival’s program, Megapolis’ schedule of events might appear a little daunting at first glance, so to help you navigate it we at the FringeArts Blog are going to break it all down for you into some easily digestible categories. Follow these links to Parts 1 (sound tours), 3 (workshops), and 4 (installations and digital works).

This time around we’re taking a look at a wide variety of performances happening all weekend. Though some of them have interactive elements, for the most part all they ask of you is that you soak in the sublime sonics.

 

Playing the Victim
Phoenix Lio(n)
Sept 16, 10:30am @ United by Blue, Old City
Sept 17, 3pm @ United by Blue, Old City
Two live demo performances of an installation available to the public all weekend, Playing the Victim centers on a mask that plays audio narratives about rape culture and queerness. Using augmented reality and physical computing, the mask can be used to trigger audio and visuals on various speakers and monitors. As a live demo performance, Phoenix invites audience to watch as they manipulate their memories themselves. By engaging their experiences and identity as tools for art they rework the heaviest, hardest parts of themself like pigments dragged across canvas.

 

Radio Atlas
Radio Atlas
Sept 16, 5pm @ WHYY
Radio Atlas is the English-language home for subtitled audio from around the world. For this event for Megapolis, the podcast presents a screening of some of the best foreign language radio works in the world. Among other sonic surprises, this event will premiere a Belgian radio story about a residential home for the senile where music is an important form of occupational therapy; patients who can’t remember their children can remember songs of their youth in perfect detail, a frivolous way of conjuring a merciless deterioration.
Tickets for this performance are sold separate from Megapolis weekend and day passes.

 

Blevin Blectum / Radio Wonderland
Blevin Blectum & Radio Wonderland
Sept 16, 8pm @ WHYY
An evening of performances from two esteemed artists with unparalleled creative visions.
Blevin Blectum is a Providence-based interdisciplinary artist who combines sound, imagery, and costume to create eccentric and mesmerizing performances that explore everything from science fiction to ornithology. She has been performing and touring extensively since 1998, and when she’s not working on her own music she’s creating sounds for Hasbro Toys.
Joshua Fried, aka Radio Wonderland, turns live radio into recombinant funk, with a boombox, Buick steering wheel and four old shoes. Robert Barry, a writer for the esteemed music publication The Wire, described his works as, “Rather like Negativland remixed for a house party…undeniably fun.”
Tickets for this performance are sold separate from Megapolis weekend and day passes.

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A Guide to Megapolis Audio Festival, Pt. 1: Great World of Sound

Posted September 6th, 2017

From September 16-17 the fifth Megapolis Audio Festival will descend upon Philadelphia, drawing world class musicians, sound artists, radio producers, and all around audio adepts to join the artistic frenzy that is the Philadelphia Fringe Festival. Much like the 2017 Festival’s program, Megapolis’ schedule of events might appear a little daunting at first glance, so to help you navigate it we at the FringeArts Blog are going to break it all down for you into some easily digestible categories. Follow these links to Parts 2 (performances), 3 (workshops), and 4 (installations and digital works).

First up we have a set of interactive and experiential pieces that take participants out of the studio and around the city. All of the events below are free with a Megapolis Festival pass and begin at PhillyCAM (699 Ranstead St) before spreading out from there.

 

An Urban Mushroom Forage
Katya Gorker & Elana Gordon
90 minutes / Sept 16, 10:30am
This sound walk presents a conceptual and sonic spin on a mushroom forage, integrating prompts and creative sound design to guide listeners through Philly’s urban forest. Gorker, a Moscow-born filmmaker based in Philadelphia who has spent years exploring the connection between mushroom foraging and identity and meaning among the Russian Diaspora, narrates the walk. She’ll introduce participants to fellow immigrants, foraging for mushrooms and their own sense of place in this new world. Participants will also here from John Cage and other cultural luminaries on the art, philosophy and science of foraging.

 

Stalking Wild Sounds
Lexie Stoia & Toby Kaufmann-Buhler
120 minutes / Sept 16, 12:00pm
90 minutes / Sept 17, 11:30am
Imagining a future where nature has reclaimed our environment, Columbus-based artists Lexie Stoia and Toby Kaufmann-Buhler send participants out into an entirely alien environ. Using a provided audio player and field guide, participants will start at PhillyCAM, travel through the formal landscaping of Washington Square Park, and make their way back to the station. A real-time science fiction journey with the sounds of “alien” flora and fauna, participants will find themselves immersed in this sound work that maps onto their surroundings.

 

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Invisible River Celebrates Our Waterways

Posted July 12th, 2016

Invisible River presents two exciting events in their July festival that will make you rethink your relationship with the Schuylkill River. The festival kicks off July 15th with Beck Epoch, a two-night aerial dance performance above the Schuylkill River. The festivities continue on Saturday, July 16th with Schuylkill River Arts Day (SRAD), a day-long celebration of the Schuylkill River through performing arts and water activities. Events are free to the public and feature live performances by local Philadelphia artists including the African Diaspora Artist Collective, Almanac Dance Circus Theater, Positive Movement Drum Line, and others.

BECK EPOCH art

The Schuylkill River and riverside trail are well known as popular destinations for recreation, but for Invisible River director Alie Vidich and her team of water visionaries, the Schuylkill is much more than that. The Schuylkill (a name which derives from the Dutch for “hidden” and “creek”) is the birthplace of Philadelphia, a continual natural resource, and a source of creative energy. Invisible River’s aim is to build community around a shared sense of place through the arts and to encourage stewardship for Philadelphia waterways.

The artists performing in SRAD explore how movement-based practices can transform our understanding of Philadelphia’s rivers. Festival artist Anna Kroll, performer and co-creator of River Mermaids, describes the festival as an event designed to bring “more attention to bodies of water so that people care.” Part of this is “spending more time looking” at the water through artistic engagement and “forcing yourself to notice something that is prominent, but taken for granted.” For Kroll, being on the water in a boat is a meditative experience, when time seems to slow as the current moves past.

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For A Good Time Call SoLow Fest

Posted June 15th, 2016

mike durkin 2Have you ever feared being the only one who shows up? To a party, a performance, a meeting? Mike Durkin wants you to be the only audience member. His latest work, For A Good Time Call, which debuts at SoLow Fest, has no time or location. June 16–24, you can call Mike at any time, you are given a task, and you meet up. “This is not a passive audience experience, this is an immersive, active and engaging experience from the moment you call in, through the physical meeting up, and the moment afterwards,” Durkin explains.

The weekend the Pope visited Philadelphia Mike Durkin was on a date with a person who proposed that Mike do a performance piece where people call him up and he answers questions, even offering that it should be called For A Good Time Call. “I responded, ‘That’s a stupid idea,’” Durkin remarks. “Needless to say the date didn’t go so well.” Months later, the idea still alive in his brain, Durkin did a workshop version of For A Good Time Call in the winter where he explored various neighborhoods in the city and sculpted “performances” in them. “I was interested in observing every inch of the neighborhood: its architecture, the people the live/work/play there, the conversations, the history, the development, the past-present-future of these locations,” says Durkin. And the title, For A Good Time Call, a play on the iconic bathroom stall graffiti soliciting sexual acts, grew on Durkin. He thought about creating intimate experiences about having a good time and exploring the city.mike durkin

Durkin walks the line between art and the mundane by questioning what performance is when you have an audience of one. “Does eating some water ice in Bella Vista while coloring in a coloring book and chatting about gentrification count as performance?” he muses. What constitutes a sign of life more than interaction with another person? Durkin gives his audience members the chance to learn about another person, themselves and their communities through these guided interactions while maintaining the intimacy of a one-on-one conversation.

Mike’s phone number is 267-343-2009.

 

For A Good Time Call at SoLow Fest
Mike Durkin
June 16–24

2016 Shows

—Emily Dombrovskaya

Layers of Onion Dances at SoLow Fest

Posted June 10th, 2016

“After slicing bags of onions, I still hadn’t cried. For most this would be a good thing, but for me, it was disappointment.”—Talia Mason

In preparation for her SoLow Fest performance, Onion Dances, Talia Mason chopped onions, attempting to cry while talking about family memories and associations with onions. “I was interested in it because of how onions make people cry and allow for vulnerability,” Mason explains.talia mason poster

Mason’s piece draws inspiration from a Headlong Performance Institute (HPI) exercise, a constellation, in which students create a work based on collections of objects that interest them. The unpeeled whole onion which Mason chose for her constellation became the starting point for a semester of intense performance making the result of which debuts at Headlong Dance Studios June 17th, 18th and 26th. Similar to the structure of an onion, the use of onions has multiple layers in Mason’s work. “They are central in my research but they also live on the periphery as part of the landscape of the piece,” she describes.

In the spirit of the SoLow Fest theme Signs of Life, Talia says, “Onion Dances is about my family stories and our family’s collective memory of history.” The piece is as much about childhood as it is about adolescence, adulthood, and the universal experience of learning and coming to terms with understanding death. In Onion Dances Mason incorporates play, dance, song, and storytelling.

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Mood Music and Mind Control at SoLow Fest

Posted June 8th, 2016

musictolaugh1Music accompanies modern life, whether it’s a new band your friends like, the on-hold music of doctor’s office or half your office going to see Beyoncé last Sunday. But what happens when music takes control?

“In the digital age, we are inundated with the subliminal effects of music and media. Being affected by these stimuli is a part of our modern life that we take for granted,” says physical theater artist Lesley Berkowitz, co-creator of Music to Laugh To, a clown show set to premiere at The Whole Shebang June 16th as part of SoLow Fest.

Hank Curry was reading the dramaturgy notes for a Fringe show last year, and he read that Muzak was designed to stimulate productivity in the work place. The notion that music was “scientifically” designed to have manipulative effects fascinated him, inspiring him to approach Lesley with the idea of a clown show. Hank and Lesley researched early Muzak and watched silent film era clowns, exploring people’s desire to control others through music. The music for Music to Laugh To was composed with the intention of imitating the Muzak style. (The composer, Andy Thierauf, is also performing a solo concert called The Post-Modern Percussionist in SoLow Fest.) As for the show’s title, Berkowitz and Curry were searching for something that could evoke the essence of mood music albums of the 1950s. “This one made us laugh,” they explain.

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Other Fests We Like: Invisible River

Posted August 28th, 2015

invisible river-dancers-with-boatsSaturday, the minds behind the Invisible River Festival will take to the Schuylkill (which I still maintain is spelled and sounds like the name of an evil elf) for an afternoon and evening of interactive arts installations, boating, an aerial performance above the river, and more.

We caught up with Ryan Hennessey, a former FringeArts programming intern working as part of the Invisible River staff this year. Here’s what he told us about the goings-on on the water:

Why the title “Invisible River”?
Because of its location, the Schuylkill River. The name “Schuylkill” is Dutch, meaning hidden. So the Schuykill is literally the “Hidden River.” This ties in with the goal of the festival, which is to make the river visible again.

How did the festival first come about?
The annual festival began in 2013. Alie Vidich, the Artistic and Executive Director, put on the first event on with her previous organization Alie and the Brigade. Due to the overwhelming response that we received from the first event, it was obvious to Alie that the event needed to keep expanding to accommodate the growing audiences. The event is now an all-day festival with activities for people of all ages to take part in.

When did you start getting major support, like the Knight Foundation grant?
Last year was the first year we started getting major support from grants and this year was actually the first year we got the Knight Foundation grant. It’s great that support for Invisible River keeps growing because it allows the event to keep getting bigger and bigger as well.

What’s the goal of the festival?
As mentioned before, one of the main goals of this festival is to increase the visibility of the river. We want to not only remind people of the river but also how to access the river. On the day of the event, people will have easy access to the waterfront through our partnerships with local transportation services along with access to the river through our boating program. Through interactive programming, we hope to improve people’s common knowledge on environmental issues surrounding with the river.

What are you most excited to see there this year?
I’m so excited to see the changes during this year’s festival. Prior years focused mostly on performance, but this year’s event is going to have more of a festival feel to it. There is going to be something for everyone at this event. I can’t wait to see how it turns out.

Invisible River runs Saturday, August 29, from 2:00 pm to 8:00 pm. It kicks off with a drum line departing from the Mander Recreation Center at 2140 N. 33rd St., and heads to the festival home base next to St. Joseph’s Boathouse at 2200 Kelly Drive. For details and a handy map, visit their website.